This project highlights the power of focused design. By strategically selecting areas for premium finishes (such as the Illumination Design Profile on key cabinetry), AUSMAR, in collaboration with the skilled joiners at Format Kitchens, achieved a sophisticated aesthetic without over-capitalizing. This thoughtful approach is something that they apply to any of their many projects, maximising the importance of both impact and value.

Meaningful appearance of sophistication

This AUSMAR custom home brings a modern twist to the classic Queenslander style, embodying a vision of warmth and sophistication. A thoughtfully curated colour palette and meticulously designed elements create an inviting and refined atmosphere.

The kitchen, bathroom, and wardrobe spaces are thoughtfully designed with abundant storage solutions. Rich dark wooden cabinetry provides a striking contrast to the neutral white marble textures, achieving a seamless balance of elegance and practicality in every room.

“What is really great about the Hettich Eshop website is that you can download and import the 3d files of the hardware into Sketchup which can give the clients a good idea of what they are going to get come production time.” – AUSMAR on the benefits of what the Hettich eShop provides.

Illumination Everywhere

Design and technology are key features integrated into the cabinetry of this home. The AvanTech YOU Illumination drawers add a stunning glow when opened, enhancing both the kitchen and bathroom spaces.

Initially, Format Kitchens had not considered using the AvanTech drawers. However, with encouragement from Hettich and collaboration with their joiners, AUSMAR incorporated them into this project with outstanding results. The team was particularly impressed by the hardware’s quality and the sleek, slimline design, making it a feature they plan to specify in future project.

Thoughtful Thinking

Complementing the Anthracite drawers, the Obsidian Black hinges paired beautifully with the black cabinetry carcass, creating a cohesive and sophisticated look throughout the home.

Waste bins are also another practical and welcome addition, discreetly hidden beneath the sink to provide a seamless waste solution.

PRODUCTS FEATURED:

• Hettich AvanTech You Drawers
• InnoTech Atira
• Quadro
• Waste bin
• Sensys
• Push To Open Mechanisms

For more information on Hettich products, visit designwithhettich.au 

Hettich Australia
designwithhettich.au 
Facebook: facebook.com/HettichAustralia 
Instagram: instagram.com/hettichaustralia  

Designer: AUSMAR | Joiner: Format Kitchens | Builder: AUSMAR | Photographer: Dallas Grenenger

The entire real estate complex covers a total area of 46,700 square meters and includes 462 units, with five-star hotel rooms and apartments. The project encompassed the entire interior design of the structure, where MMA Projects’ focus was on the common areas: the extensive lobby, the service areas, the elevator lobbies of the common areas, the many restaurants, the tea room, the pool, the gym, and the spa. Meanwhile, De.Tales focused on the hotel rooms and residences, the presidential suite and executive lounge, the corridors, and the elevator lobbies on the guest room floors.

The leitmotif uniting the two studios is the slow flow, whose design concept draws inspiration from the ocean and the galaxy. The natural line floating through space and leaving a delicate mark on the interiors represents an architectural journey that guides guests through different scenarios, with a perfect blend of Italian and Chinese culture.

The interiors reflect the architectural lines of the buildings, ensuring uniformity and cohesion throughout the project. Principles like spatial continuity, hierarchical organisation, and focus on symmetry forge a strong connection between the exterior and interior spaces.

MMA Projects focused on, specifically, the grand 19-meter-high main lobby, all service areas and elevator lobbies, many restaurants, the tea room, the pool, the gym, and the spa. The design of the expansive main lobby aimed to scale down the immense dimensions to a human scale and enrich the space. Using curved bronze “screens” as decorative panels, both solid and perforated, was a notable aesthetic choice because they create diverse visual effects from different viewpoints. Given the impressive entrance size, the space was envisioned as a dynamic element: a walkway vertically divides the water feature, forming a central focal point with a fountain and a large stone reception desk. This walkway allows guests to cross the area and reach the piano bar area, where seating is positioned below the walkway level, creating the sensation of immersion in a pool.

The Chinese Restaurant offers public and private areas. In the private section, the curvature of the ceiling is accentuated by a series of undulating elements reminiscent of river pebbles. In contrast, in the public section, these gentle elements integrate into illuminated ceilings positioned above each table. Precious marbles adorn both the extensive round tables, accommodating up to 20 people, and the floor, where the curved motifs echo those on the ceiling.

In the Radisson Collection Lingang Shanghai project, light plays a fundamental role, with lighting elements conceived as floating luminous clouds that impart elegance, dynamism, and luxury to the space. The expansive triple-height hall features sweeping wings and pillars clad entirely in alabaster travertine, complemented by a floor adorned with an interweaving of curved lines crafted from various exquisite marbles. Predominantly, precious stones, bronze, and wood are used as primary materials.

De.Tales’ interior design approach is focused on creating fluid spaces with a contemporary, refined, essential, and functional style; catering to work, meetings, and relaxation; offering a comprehensive and tailored travel experience. Each area is designed for versatile use, with open flows that adapt to guests’ needs—a layered, multidimensional environment capable of transforming throughout the day.

For the hotel rooms and residences, De.Tales designed environments characterised by soft structures welcoming interior solutions defined by finishes reflecting Italian style and quality. The corridors, elevators, and elevator lobbies of both the hotel and residences feature linear, elegant pathways leading to the rooms.

The hotel’s Presidential Suite embodies institutional elegance suitable for an international clientele, embracing design that offers full spatial openness, contemporary flair, intricate details, and stunning views of Dishui Lake. The Executive Lounge, with its sinuous lines and functional spaces tailored for business clients, is designed to enhance interactions and visual appeal across different environments.

De.Tales is the Milan-based international architecture and design studio founded by Igor Rebosio and Giuseppe Varsavia. The studio interprets each project by crafting a bespoke design tale for the client, starting from the premise that behind every concept lies a story to be told and that details always matter.

MMA Projects was founded in 1999 by Marco Mangili, based in Barlassina (province of Monza and Brianza, Italy), and over the years has evolved into a “melting pot” of creative minds sharing the same vision. MMA Projects represents the synthesis of contemporary styles and expressions, where the interplay between design and scenography, architecture and technology, is tailored to the context and needs of the client, resulting in functional and poetic spaces.

GALA China, founded in 2014 and headquartered in Shanghai, is a wholly-owned subsidiary of the Italian group GALA. GALA China operates in the fields of architecture and design, specialising in urban planning, landscape design, architecture, and interior design.

For more information visit https://www.mmaprojects.com/ or https://detales.it/

Casablanca – Regional Winner | Residential House Over £1M – Australasia

Design Practice: Sherwood Design

Project Location: Perth, Australia

Design Practice Location: Perth, Australia

Project Casablanca, inspired by Spanish Colonial heritage, seamlessly blends architectural grandeur with contemporary elements. Situated by Western Australia’s Swan River, it encapsulates timeless elegance through innovative interior design. The project surpasses the client’s brief, combining heritage with modern sensibilities, resulting in a warm, sophisticated space. Communal areas and intimate retreats balance luxury and comfort. Meticulous attention to detail in furnishings, local craftsmanship, and curated art pieces create a unique, dynamic home. Casablanca redefines transitional design, showcasing how diverse styles and textures can produce visually stunning, conceptually rich interiors.

Residential House Over £1M - Australasia | Casablanca

1 of 6

McBreen Residence – Regional Winner | Residential House Under £1M – Australasia

Design Practice: Trenzseater International

Project Location: Christchurch, New Zealand

Design Practice Location: Christchurch, New Zealand

The McBreen Residence is an architecturally designed home set in a rural setting on the outskirts of Christchurch which we renovated. The architecture was designed to a high specification and it was our brief to ensure we complimented the architecture without compromise. Our brief for this prestigious project was to present something that was new, different and exciting, the design also had to be practical so the home could be used and lived in by the clients without being precious.

Residential House Under £1M - Australasia | McBreen Residence

1 of 6

Hidden Gem – Global Winner | Kitchen Design – Australasia

Design Practice: Celia Visser Design

Project Location: Auckland, New Zealand

Design Practice Location: Auckland, New Zealand

Celia Visser was commissioned to design a new open-plan kitchen incorporating a dining, living space extension to their character home. The kitchen’s moulded doors blend with the character house hides each workstation from view and appear as a large piece of furniture to conceal storage and appliances. The island slab anchors the space in a contemporary block format. Revego Duo Door system allowed me to achieve this. When closed, the exterior appearance has a very clean look, but once open, an entirely different look transpires. A hidden gem, two kitchens in one.

Kitchen Design - Australasia | Hidden Gem

1 of 6

Snakes and Ladders – Regional Winner | Kitchen Design – Australasia

Design Practice: Du Bois Design

Project Location: Auckland, New Zealand

Design Practice Location: Auckland, New Zealand

New Zealand company Du Bois Design, led by Natalie Du Bois, was engaged by her client to redesign and renovate the kitchen in her inner city suburb home located in Saint Marys Bay. Natalie was involved in the full design service of this project including, specification, procurement of products, quotations and manufacture and installation liaison with the builders and trades involved.

Kitchen Design - Australasia | Snakes and Ladders

1 of 6

For more information on the SBID International Design Awards, visit sbidawards.com

Issue 1 sets the tone for the goal of this new publication which links the cabinet making, design and building communities together. Packed with stories, great reads, industry profiles, hints and tips, technical updates and industry news – each issue of Connect magazine aims to inspire collaboration and communication.

The launch issue is also the annual Awards Issue and inside we celebrate the winners from the recent ACFA Industry Awards and KBDi Design Awards. Take a look through our full wrap up of all the category and major winners.

On the cover: an incredible project from INDETAIL in conjunction with INDETAIL PROJECTS. The Vinesmith Urban Cellar Door project is located in Melbourne’s CBD and provides a cellar door experience as well as providing a multi-faceted space for wine tasting, retail activities and elegant dining. It is a masterful commercial space that exemplifies the best of the cabinet making and design industries with its innovation and meticulous craftsmanship.

Also in this issue, bring yourself up to date with the latest on the hot topic of Livable Design and best practices within the residential interior design sector. Plus, we look into the sometimes-tricky topic of Succession Planning and discover that it’s never too early to be thinking about transition.

Take a deep dive into the world of small apartment design and learn how to maximise every available centimetre thanks to clever design application and the latest in space-saving fittings and fixtures.

The people of our industry, and their passion and commitment, are the backbone of what pushes us to excel. In the first issue we meet furniture designer Nathan Day and learn more about his background and passion for the work he does, and KBDI Australian Kitchen Design of the Year 2024, Sarah Nolen from Birdblack Design.

Add in plenty of inspiration with product updates and international show reports and you’ll discover an amazing launch issue.

For more information and to read Issue 1 online visit https://connectmagazine.com.au/

The MR Walls Flame pattern design is meticulously carved across multiple panels, forming an organic, non-repeating texture that flows seamlessly along the walls. Thanks to MR Walls’ puzzle piece-like interlocking design with undulating edges, the panels slip together with inconspicuous joins, resulting in one continuous, stunning visual display that transforms the small space into a work of art.

Sensor lighting instantly illuminates the walls upon entering, casting a soft, ambient glow that enhances the textured design. The three-dimensional carvings of MR Walls are beautifully echoed in the reflection of the adjacent tiles, highlighting intricate details and creating a cohesive, dynamic effect throughout the room.

There are over 40 patterns available from MR Walls, with the option for custom designs to meet unique project needs, so it’s never been easier to create a visually impactful light feature. Each panel is carved to precise, project-specific requirements, ensuring a perfect fit and exceptional design outcome. Installation is simple, and when paired with a lightbox, the panels provide a striking backlit ambience that transforms any space.

Mario Romano Walls is an excellent lighting solution for various rooms within the home project, offering flexibility for creating dynamic lighting solutions. Multi-colour LED systems can be incorporated to further enhance the light effect and allow the room’s mood to shift effortlessly while adding depth and versatility to the lighting design.

Available from Austaron Surfaces, explore the range of MR Walls here.

Martin’s background is in engineering with a specialisation in material science and he spent the first part of his career in the brick industry. “I still have a lifelong passion for bricks,” he laughs. “All types of bricks!”.

He started his career with Brickworks Ltd, moved to a Spanish company which sold brickmaking equipment, then back to Brickworks for a time, and from there to CSR for a 13-year stint in which he held eight different roles including Export Manager for SE Asia where he oversaw the export of bricks, pavers and roof tiles. From CSR, Martin moved to Boral for two years and, until 2006, everything he’d done was related to making, selling or exporting bricks, roof tiles & masonry.

It was as State Manager for Laminex that Martin had his first exposure to the industry that was to capture his imagination. “It was certainly a very interesting time,” adds Martin. “The GFC hit shortly after I joined Laminex and we were subject to many pressures but I absolutely loved my time at the company and I had the opportunity to take on a number of projects – large and small”.

Moving from Laminex to Hettich was a change in culture and a slight side step in terms of product range but Martin felt very comfortable with Hettich right from the start. “I really love this company,” he explains. “I love the people I work with and for, I love the brand and I feel very connected with what the company represents”.

Hettich is a family business which started in 1888 and is in its fourth generation of family management with Dr Andreas Hettich now the Chairman of the Advisory Board. Martin explains that he feels invigorated by the pragmatic approach Hettich takes to the market and the longer-term vision the company is able to implement. “I have found the company has a very meaningful long-term perspective. Many of our goals are centred around 2030 and beyond,” he says.

Martin describes joining Hettich as becoming part of a family and he marvels at its ability to create that sense of family despite becoming more of an international business every year. He points to the example of the Covid upheaval and how the business recognised each and every employee to say thank you for their dedication during a very difficult time.

As each generation takes the reins of the business, Martin says he can see how the business is going from strength to strength. “I feel the business has really modernised over the last 10 years,” he adds. “We work as a global business and that means everyone has the opportunity to input suggestions for improvement and be heard”.

As part of an international network of Managing Directors, Martin has regular contact with counterparts in Germany, Japan, Korea, China, SE Asia, New Zealand and Ukraine. “I find these relationships very important & extremely rewarding,” he explains.

The last few years, notwithstanding Covid, have seen a number of significant changes and challenges for suppliers within the industry. Martin says one way in which Hettich responds to these challenges is by seeking ways to be more efficient. “We strive to constantly do better,” he says. “Not just with our product range but also with our customer service and access to information. I’m really proud of the work our customer service team has done with digitisation and we now have close to 70% of orders placed digitally”.

He particularly points to a transitional period where Hettich moved from managing its own warehouse to a 3PL arrangement, something he recognises caused disruption. “We made a strategic decision not to implement a price increase for that reason,” he says. “And I’m so grateful to the customers and staff who stood by us and supported us. That says so much about the relationships we’ve been able to establish and the wonderful culture within our team”.

It’s this approach to relationship building that Martin has focussed on as a key part of his role. “I love that someone can take particleboard and MDF and cabinetry hardware, and use those to make a beautiful piece of furniture,” he adds. “We have some very clever people in our industry and I see our role to support more in our industry to be making high-quality, Australian-made products. We can work together to make the industry the best it can be”.

Martin is seeing an increasing gap between quality and poor-quality products. “As the manufacturer of the product, Hettich controls the output and the quality of the end result,” he explains. “We will be around for the long term to service and support the products and that’s important when you consider the lifespan we expect from a renovation”.

When it comes to a unique approach for the Australian market, Martin is quick to point to the broader Hettich values which fit in very well with the Australian psyche. “Hettich worldwide is a strong believer in sustainability in three key areas – people (safety and wellbeing), social (charity and society), and environment (sustainability and eco-friendliness),” he says. Two other key areas of focus are digitisation – using technology to enhance the company’s and the customer’s experience – and brand representation. “I’m proud that Hettich Australia is leading the way in digitisation and brand recognition,” adds Martin. “All of these areas combined make up the Hettich culture and are a key part of our strategic goals”.

Hettich Australia is also able to provide local insights to global strategies. Martin uses the example of the new Outdoor Kitchen range which was a development led by Hettich Australia. “Every country wants a solution for outdoor barbecues and alfresco living,” says Martin. “But Australia had a unique position with the climate and our attitudes towards outdoor entertaining to really make it work. We worked closely with the product managers in Germany to develop a range of stainless-steel hinges and special drawer runners, handles and bins, and now we have some wonderful examples of customers who have been able to utilise the new product range in that environment”.

Martin also points out the increase in interest thanks to the international tours run by Hettich Australia to allow customers to experience the facilities in Germany and develop a greater understanding of the product range. “Every time we bring a group of customers together it creates such an amazing community,” Martin says. “We pride ourselves on the quality of the tours we run, customer networks and the relationships they allow us to create”.

When asked about the future of the industry, Martin points to the immediate challenges with customers relating their inability to find quality staff and recruit apprentices. “There are far fewer cabinet makers today than even just a few years ago,” he says. “The consolidation of some of the smaller players into the bigger businesses has seen the numbers drop”.

Martin would also like to see the industry as a whole emerge from the recent tumultuous years as a stronger entity with a positive future ahead. “It has been problematic for customers to manage the disruption with the engineered stone silica ban but I was happy to see health and safety prioritised and I think suppliers have responded sensibly,” he adds. “We may see fewer cabinet makers in the future and some smaller businesses may need to specialise or find a niche in the market. Local industry will have a job to do to show customers that it’s worth spending money on quality products across the board”.

But Martin certainly sees positivity in both the long and short-term future for the industry. “No one will lobby better for the industry than our industry,” he says. “And Hettich has a commitment to continue to support those who support our industry”.

Hettich Australia’s future plans rest heavily on a continued investment in digital technologies to improve communication and service, as well as a heavy investment in research and development to ensure an ongoing refinement of existing products as well as the launch of new market-leading products.

For more information visit designwithhettich.au/ or web.hettich.com/en-au/home

TKBB spoke to Liam about the award and about his inspiration for this incredible design. “This was my Honours project for Industrial Design at the University of New South Wales,” he explains. “When trying to decide on a project topic, we’re often encouraged to look for new and unique ways to make life easier for people. My grandfather had suffered a stroke around five years prior so his experience was fresh in my mind”.

Liam saw first-hand the way his grandfather’s life changed after his stroke and noticed how he was unable to easily take on everyday tasks. In his grandfather’s case, the stroke affected his eyesight but in Liam’s own words “it started the cogs turning” and he decided to research and interview a number of stroke survivors to find out more about their experience.

The end result is the Halo sink. Halo is a sink designed to allow individuals with hemiparesis to safely and easily clean kitchen cookware and cutlery one-handed.

Liam’s research revealed that one in four people are expected to suffer a stroke in their lifetime and, of those, 40-50% are expected to experience long-lasting upper extremity impairment.

“This can lead to difficulty performing everyday tasks, such as washing up after cooking,” explains Liam. “The current assistive hand-dishwashing market is limited, with individuals opting to develop their own one-handed cleaning techniques or makeshift devices”.

Additionally, he discovered that many assistive products lack aesthetic qualities, with a focus solely on functionality and this, Liam says, can contribute to creating a stigma around their use and ownership. “The design challenge was to create a more functional, aesthetically-pleasing and assistive kitchen sink that allows stroke survivors to easily and safely clean one-handed,” he adds.

Utilising integrated steps, Halo can grip pots, pans, plates and bowls, allowing the user to scrub effectively with their more able side. With its taper design, the sink accommodates variations in pot and pan sizes from 140mm to 300mm, as well as plates and bowls, ensuring all cookware can be gripped for easy cleaning. The taper design was conceptualised during user testing and rounded out the sink’s functionality. The pot tipper adds additional functionality to the sink, allowing stroke survivors to safely pour water from pots into the sink, where they may struggle otherwise.

Liam says the design process wasn’t quite the linear path that some might assume. “I started off wanting to make some sort of glove that would stimulate the nerves in the hand to help it open and close,” he laughs. “But I quickly realised that I could not achieve that in the year that I had. So, I needed to pivot and focus on just one activity”.

Liam’s research encompassed talking to stroke survivors as well as occupational therapists and additional investigation to collate as much advice and information as possible. “I realised I couldn’t make assumptions without talking to the survivors and finding out what they needed and hearing from them what would work for their circumstances,” he says. Liam also became immersed in the world of Australian Standards and regulations around sink installation and manufacture.

“I wanted to make sure it would be wheelchair accessible so I made it slightly shallower than a traditional sink to allow space for the chair underneath,” Liam says. “And I designed it to fit an existing cut-out so the benchtop wouldn’t need to be replaced. I also looked into NDIS requirements to make sure that Halo was suitable”.

Liam says the biggest challenge was functionally getting the sink to work. While his own pots and pans from home were a set size, he was aware of the wide range and variety of cookware available so his motivation was to come up with a solution that was flexible enough to accommodate all options.

“Before I found the step design there was nothing that would do what I wanted it to do,” he recalls. “I started with flexible walls but they weren’t strong enough – the user needed the full strength of their arm to lock the item in place so that was no good.

“But, once I found the solution I felt as though it was so simple,” he laughs.

Halo’s major benefit is in the improvements to self-worth and quality of life for stroke survivors as it fosters increased independence and helps to avoid feelings of burden. Liam feels this will contribute to improved relationships in households with stroke survivors as they are able to become more independent and less reliant on those around them.

He is particularly proud of the modern aesthetic of the Halo sink as its design makes a visual statement that makes the sink more covetable for a modern home.

Halo is constructed in stainless steel for its longevity and resilience. “Maybe it would have been easier to manufacture in plastic but it wouldn’t have been as durable,” says Liam. “I didn’t want the connotation of a lower quality product and I was super conscious of sustainability; the sink can be fully recycled at the end of its lifecycle”.

TKBB asked Liam about his design process, and whether he prefers to start with the problem or the solution, or somewhere in between. “I think it’s different for each project but, in this case, I started with the problem and then I came up with three or four ideas that might solve the problem,” he says. “I then took my solutions to a stroke survivor and had them test them for me. The stepped design was the favourite so I took that and developed it further”.

For a newly-graduated designer, this is a significant award so TKBB asked Liam what it mean to him and how he saw it changing the trajectory of his career. “This award is amazing and I’m very honoured to receive it. Winning an award like this one can change the potential of my career,” he says.

Liam says there were many stages during the design when he doubted his decisions and worried that he had chosen the wrong product, or received feedback that wasn’t what he had hoped for. But this award proves that staying firm in his belief paid off. “My advice to any young designer is: if you have an idea you feel is strong enough then trust your gut and stick with it to see where it goes,” he says. “Don’t give up!”

As for what’s next for Liam, he proudly tells us he has secured a position with a commercial furniture manufacturer and plans to spend some time honing his design skills and working in the “real world”. He will take a break from study for now but hasn’t ruled out a PHD in the future. His dream for the future is to work in disability design, and even maybe establish his own company. “I see so much potential for design solutions that are functional as well as aesthetically pleasing and I don’t think products designed for those with disabilities should sacrifice great aesthetics so I’d love to explore that further,” he says.

For more information visit https://www.liamlocascio.com/

A former convent of the Canossian Sisters, the development overlooks the Giudecca canal and comprises a collection of buildings dating from various historical periods, spanning the fifteenth to the nineteenth centuries. As it undergoes a significant restoration and repurposing, the private spa for the future residential complex which features eight prestigious housing units, Studio Apostoli has reimagined the space as an exclusive wellness service.

The inclusion of a private spa makes Palazzo Ponte Piccolo unique as the only luxury real estate complex in Venice to offer such facilities.

The element of water serves as the foundational design concept for the spa/wellness area. This space extends the surrounding landscape context and invites the natural and urban characteristics of the lagoon city and its canals indoors. Executed entirely in soft tones and featuring extensive use of wooden elements, the spa/wellness area opens with large arched windows that admit light and provide panoramic views of the dedicated green terrace. Here, an outdoor pool is nestled on a stepped stone platform, flanked on two sides with transparent glass, creating a sense of intimate interaction with the water and vegetation.

Inside, mosaics covering large portions of the walls – a nod to Venetian artistic tradition – envelop the pool, from which various volumes emerge that compose the spa/wellness area, appearing to float suspended above and accentuated by submerged light passages.

The sauna is made entirely of glass and interacts with other elements, such as the ice fountain – ideal for lowering body temperature after a hot treatment – adorned with wooden slat cladding reminiscent of Venice’s typical Briccole. The wellness area also features a sensory shower, a whirlpool bath, a counter-current swimming pool, and a fitness area enhanced by elegant herringbone wood flooring, offering dual views of the outdoor terrace and the indoor pool.

“Palazzo Ponte Piccolo combines elements rooted in Venice’s cultural and artistic traditions with more contemporary interior choices, offering future owners exclusive and private amenities such as Istrian Stone gardens, water features, boat docking, and dedicated concierge services. I wanted the wellness area to not only express the refinement and exclusivity of the real estate development but also to particularly highlight the beauty of the lagoon city, which is unique in the world” – Alberto Apostoli, founder of the Studio.

For more information visit studioapostoli.com

The cabins were officially opened in June 2024 following four months of manufacture and assembly of the cabins at the MCF Bois workshop and seven weeks of preparation and assembly on site.

Architecture and interior design studio AW² is known for employing a customised bioclimatic approach in symbiosis with the surrounding environment. This approach to sustainable architecture echoes the values and environmental principles of Coucoo Cabanes, a company that advocates a living biodiversity and a better interaction between humans and nature.

The four cabins on the Grands Lacs estate are the first of what will be a series of collaborations between the studio and Coucoo Cabanes. The new cabins are designed over three levels housed in a protective “envelope”; the cabin’s design is reminiscent of a bud just before it blossoms with the external structure designed to open up to reveal interior spaces that are sheltered yet open to the surrounding landscape.

The first level, raised on stilts, opens onto the view and the gentle breeze. This vast, protected terrace allows guests to live outside, sheltered from the sun and rain. The second level houses the bedroom. The open bay windows allow the space to be naturally ventilated, while enjoying the views. The third level features a Nordic bath. This is where guests can unwind, immersed in the water and the treetops. At this height, the views are breathtaking. Whether by oneself or accompanied, the terrace allows guests to soak up the views whilst reconnecting with the ever-present natural world.

The AW²-designed cabins respect the existing biodiversity as they emerge from the trees on the periphery of the nature reserve. Whether open or closed, their facades – the two protective envelopes – offer unobstructed views of the forest and lakes.

The outer structure is either closed or perforated. It acts as a filter, providing shelter, framing views, protecting from the sun and wind, and creating a strong connection with the natural world in such close proximity.

The wooden furniture has been specifically designed to blend in with the architecture of the cabin. Positioned in the centre, the bed also serves as a space divider in the bedroom. The lounge area is created by a simple curved bench and a coffee table. Opposite, guests can find the coffee and tea amenities. Towards the back of the cabin, screened by the headboard, the washbasin and dry toilet have been integrated.

Finally, the wardrobe and shelving unit complete the layout in the opposite corner. Thermal comfort, provided by the high-performance insulation of the envelope, is enhanced by the openings on the opposing facades. This allows cross-air circulation, further assisted by a fan positioned above the bed. The space is optimised, predominantly open plan, and offers a constant visual connection with the landscape outside.

In this project, the choice of materials and construction methods accentuates the experience of total contact with nature. The location of each cabin is determined by the opportunities and vulnerabilities of the site. The aim is to protect the natural environment while creating the best possible experience for the guests.

The cabins were constructed by MCF Bois, a company specialised in timber framing, whose workshop is located just 75 minutes from the Grands Lacs site. The chosen type of wood was Douglas fir and the trees were felled less than 30km from the workshop. The cabins were prefabricated in the workshop, then transported to the site. This prefabrication process, together with the use of adapted lifting equipment, meant that the construction time on site was reduced (only four days per cabin) and the impact on the terrain was minimal, thereby helping to protect the site and its biodiversity.

The Coucoo Cabanes project supports the local economy, reduces its carbon footprint thanks to short transportation distances, and promotes the region’s traditional craftsmanship.

For more information visit aw2.com/en/

Photos: David Rosemberg, mikestravelbook

Comvita was established in the 1970s with its head office, in the small settlement of Paengaroa, once a local pub and shop. The challenge was to transform a dated building while paying homage to the history of the business and the aesthetic of the building.

Comvita staff had worked remotely during the pandemic which, as many businesses have experienced, caused a shift in the culture of the company. The design needed to reflect the essence of the global company as it is today as well as redefine the traditional notion of an office space. It was also important for the staff to find inspiration in a strong connection to nature and the headquarters’ natural surroundings.

Danielle Barclay, Founder and Creative Director of Blur The Lines, explains that “the budget was very tight and the buildings were disjointed, lacking any significant architectural features”. Two completely different buildings – the pub and the shop – were separated by an outdoor space and needed to be unified architecturally.

Danielle says the solution was based around taking a hospitality design approach, rather than focussing solely on the workplace environment. The introduction of various materials and a carefully-curated colour palette of cool greens and warm golden tones created dramatic spaces that were interesting and engaging for the nature-loving staff.

“The bold use of colour is something I love to bring to my projects,” Danielle says. “As well as the flip on traditional office design taking inspiration from hospitality and changing the way people work”.

The colour scheme is an integral part of the design solution with a commitment to the bold use of strong warm honey tones juxtaposed beautifully with the cooler shades of green foliage. Timber, terrazzo and terracotta add layers of texture and contrast for an amazing visual effect.

“On arrival, you are greeted with a warm wall of lit honey in lab vessels which creates an impactful focal point,” says Danielle. “In front is a 10-metre green upholstered bench seat with tables for perching with your laptop”.

She goes on to explain that the team worked with the existing concrete flooring and added a sage green stain to create drama and unify the spaces. The honey and green-tone walls are the perfect finishing touch.

Playful terrazzo in greens and honey drops is featured in the bathrooms and on the splashbacks while the large lunchroom space sees two-tone green cabinetry, with matching benchtop and seating zones, reflecting the nature-toned scheme. Throughout this project, natural greenery played a significant role with a large indoor tree as well as numerous potted plants adding an authentic connection to nature.

The end result sees the creation of flexible co-working zones with a central hospitality hub that foster connection and collaboration. A careful curation of memorabilia and artwork brings balance to the space and creates a cohesive interior environment. New photography from Comvita’s regenerated forest was commissioned to provide a contemporary edge. This further elicits an emotional response from workers and visitors alike, as well as a sense of pride in their workplace.

“A Whakatūwheratanga (opening and dawn blessing) was held to celebrate the opening of the spaces named Te Maru (The Shelter) and Tānga Manawa (the Place My Heart Rests), led by Tapuika, the local Māori iwi,” adds Danielle. “This ceremony signified a new beginning for the buildings”.

She says that, from the moment the new interior was opened to staff, the feedback has been overwhelmingly positive. Comvita reports a significant increase in number of staff working from the office and a broader use of the space across the different departments.

Danielle’s final word is on the element or space within the project that was her personal favourite: “the large open-plan kitchen space was the biggest transformation and has proven to be a favourite space for the staff,” she says.

For more information visit https://www.weblurthelines.com/

Best Commercial Project up to $500,000

Vos Construction & Joinery Pty Ltd

Sponsored by New Age Veneers

1 of 5

The judges were impressed with the outstanding aesthetic that seamlessly combines modern design with natural elements. The use of timber, showcased in the curved, flowing panels, creates a warm and inviting atmosphere that reflects the beauty of organic materials. The precision in craftsmanship highlights the thoughtful application of wood, bringing texture and depth to the space while maintaining a sleek, contemporary feel.

Best Commercial Project $500,000-$1 million

INDETAIL in conjunction with INDETAIL PROJECTS

Sponsored by New Age Veneers

1 of 6

The judges said commercial space stands out with its striking timber ceiling feature and the use of natural materials, creating a moody and inviting atmosphere. The custom cabinetry, designed to display wine, adds a touch of elegance, seamlessly blending functionality with aesthetic appeal.

Best Commercial Project over $1 million

Sheldon Interiors

Sponsored by New Age Veneers

1 of 5

The judges were impressed by the organic use of curves and the thoughtful incorporation of columns, which seamlessly embrace the building’s structure in the design. The warm colour palette, reflecting the distant harbour, creates a welcoming and inviting atmosphere that enhances the overall appeal.

Best Freestanding Furniture

Creative Cabinets

Sponsored by ACFA Training

1 of 5

The judges felt winning piece showcased meticulous craftsmanship, with each element handmade using traditional techniques like spoke shaves and compass planes to achieve uniformity across all pieces of timber. The organic design reflects a deep respect for craftsmanship, blending old-school methods with timeless elegance.

Best In-Built Furniture

The Kitchen Maker in conjunction with Jen White Design

Sponsored by Cabinet Makers Insurance Brokers

1 of 3

The judges were captivated by the appealing selection of contrasting materials, which create a warm and inviting space. The built-in furniture truly anchors the room, while the hidden TV with its sliding door adds an innovative dimension, enhancing both functionality and style.

Apprentice of the Year – Cabinet Making

Joshua Cunningham from INDETAIL

Sponsored by First Super

1 of 5

The judges said Joshua is an apprentice whose commitment to detail and broad experience in the trade have truly set him apart. His work across diverse projects has fostered a deep skill set and understanding of the craft, demonstrating exceptional technical skills. The diversity of his apprenticeship experiences clearly indicates a bright future in cabinetmaking.

Apprentice of the Year – Furniture

Stevie-Lee Harding from Ross Thompson Furniture

Sponsored by First Super

1 of 5

The judges said this Japanese-inspired liquor cabinet truly reflects a deep understanding and respect for traditional craftsmanship. The ability to learn and absorb new skills is evident in the execution of this piece. The intricate inlays are particularly impressive, showcasing a level of precision that speaks to the artisan’s dedication to detail. The floating effect created by the cabinet sitting atop the legs is both innovative and visually striking, giving the piece a sense of lightness and elegance.” attention to detail, and innovative design elements of the furniture piece, reflecting the judges’ appreciation for the maker’s skills and creativity.

For more information visit https://www.acfa.net.au/awards/2024-industry-awards/

Best Bathroom Design

INDETAIL

Sponsored by Hettich Australia

1 of 4

The judges were impressed by the thoughtful design of this bathroom, featuring built-in joinery with concealed drawers and a well-planned layout. The additional storage behind the mirror enhances functionality, while the striking wooden bath adds a unique and luxurious touch.

Best Bathroom – New Build

Evolve Interiors

Sponsored by Pytha Partners Australia

1 of 5

The judges were captivated by the interesting mix of materials that come together to create a warm, luxurious, and relaxing bathroom. This inviting space perfectly balances style and comfort, with a good use of storage.

Best Bathroom – Renovated

Evolve Interiors

Sponsored by goCabinets

1 of 5

The judges were impressed by this renovation, which stayed within the original footprint but achieved a major transformation. The free-flowing design, ample storage, and beautiful use of textures and elements, including matchstick tiles that enhance the sense of height, make this bathroom truly outstanding.

Best Laundry

INDETAIL

Sponsored by Planit

1 of 4

The judges said this winning laundry design offers seamless living with integrated full-height timber handles that beautifully mimic wall panelling, extending along the hallway. This clever design not only enhances the aesthetic but also incorporates additional storage spaces, making it both stylish and functional.

Best Walk-In Robe

Brace Joinery in conjunction with Studio Disegno

Sponsored by Planit

1 of 4

The judges loved this elegant, two-tone wardrobe for its on-trend design, featuring 25-millimetre panels that create a stylish face frame effect. The translucent tops on the jewellery drawers add a touch of sophistication, making this space both functional and visually stunning.

Best Soft Furnishings/Interior Design

Betta Style Kitchens & Joinery in conjunction with CP & Co

Sponsored by ACFA

1 of 5

The judges felt that during the judging process there was one clear winner.  They were impressed with the aesthetic and practical choice of materials for cafe seating which brings warmth to the space.

For more information visit https://www.acfa.net.au/awards/2024-industry-awards/

Best Kitchen Design

Streamlined Kitchens in conjunction with Hot House Studio Architects

Sponsored by Hettich Australia

1 of 5

The judges were impressed by the kitchen’s open and airy feel, offering plenty of bench space and smart storage solutions. The well-thought-out layout of appliances and wine storage ensures easy access, all beautifully enhanced by abundant natural light.

Best New Kitchen Project up to $40,000

INDETAIL

Sponsored by Häfele Australia

1 of 5

The judges were impressed by this kitchen’s modern design, featuring clean lines and a striking use of contrasting materials. The space is beautifully enhanced by natural light, and the integrated dining table adds both functionality and style.

Best New Kitchen Project $40,001-$60,000

INDETAIL

Sponsored by Häfele Australia

1 of 4

The judges were captivated by the organic curves and thoughtful layering of textures that beautifully contour the shape of the room. Brass accents add a touch of elegance, making this kitchen a perfect blend of style and sophistication.

Best New Kitchen Project $60,001-$80,000

Kinsman in conjunction with Design Duo

Sponsored by Häfele Australia

1 of 3

The judges were drawn to this beautiful galley-style kitchen, which serves as a restful centrepiece for the home. The striking stone columns on the island create a sense of grandeur, while the arched features in the butler’s pantry add a touch of elegance and charm.

Best New Kitchen Project over $80,001

SpaceCraft Joinery

Sponsored by Häfele Australia

1 of 5

The judges loved the bold and elegant design of this kitchen, where subtle curves are thoughtfully integrated throughout. This sophisticated approach creates a space that is both striking and seamlessly cohesive.

Best Kitchen Renovation Project up to $40,000

Masterpiece Cabinetry in conjunction with Marton Custom Builders

Sponsored by Lincoln Sentry

1 of 5

The judges appreciated the seamless flow between the kitchen and the butler’s pantry in this renovation. The clever use of glass and the clean lines throughout the design create a polished and cohesive space.

Best Kitchen Renovation Project $40,001-$60,000

Impala Kitchens & Bathrooms in conjunction with Cara Stepin

Sponsored by Lincoln Sentry

1 of 5

The judges were impressed by how this kitchen renovation beautifully brings the outside in. The tonal behaviour of the green works harmoniously with the natural elements, creating a space that offers both character and function.

Best Kitchen Renovation Project $60,001-$80,000

The Kitchen Maker in conjunction with Jen White Design

Sponsored by Lincoln Sentry

1 of 4

The judges admired how the black elements were thoughtfully integrated with natural timber, seamlessly connecting the interior to the garden. The subtle curves guide you through the space, naturally drawing your eye to the backyard, all beautifully illuminated by the abundant natural light.

Best Kitchen Renovation Project over $80,001

Northern Kitchens & Joinery in conjunction with Meredith Clark Design and Carl Rutherfoord Architects

Sponsored by Lincoln Sentry

1 of 5

The judges were impressed by the introduction of different textures and a pop of colour that beautifully brings the outside in. The use of natural materials creates an organic space that feels both inviting and harmonious. Stunning testament to biophilic design.

Best Alfresco Project

Panache Kitchens in conjunction with Studio Minosa

Sponsored by Australian International Design Tours

1 of 5

The judges felt this winning alfresco area truly has it all. The thoughtful use of materials and processes enhances functionality, while hidden storage solutions provide a seamless and stylish space. It’s the perfect spot for entertaining, combining practicality with an inviting atmosphere.

For more information visit https://www.acfa.net.au/awards/2024-industry-awards/

Cabinet Maker of the Year

INDETAIL in conjunction with INDETAIL PROJECTS for Vinesmith Urban Cellar Door

Sponsored by ACFA

1 of 6

The judges said this commercial space stands out with its striking timber ceiling feature and the use of natural materials, creating a moody and inviting atmosphere. The custom cabinetry, designed to display wine, adds a touch of elegance, seamlessly blending functionality with aesthetic appeal.

Design of the Year

Creative Cabinets for Spider Monkey

Sponsored by Finlease

1 of 5

The judges felt this winning piece showcased meticulous craftsmanship, with each element handmade using traditional techniques like spoke shaves and compass planes to achieve uniformity across all pieces of timber. The organic design reflects a deep respect for craftsmanship, blending old-school methods with timeless elegance.

Outstanding Achievement of the Year and Workplace Champion

Dan McKie from Fox Wardrobes

Sponsored by Leda Machinery NSW

The judges commented that Dan has truly embodied the spirit and branding of the business, demonstrating exceptional work ethic and dedication. His leadership and mentorship have set high standards, consistently exceeding expectations and inspiring the team. Known for his innovative cost reduction strategies, including a focus on sustainability, he has also been the driving force behind outstanding customer reviews, always maintaining a customer-centric approach. A true team player and mentor, Dan has made a lasting impact on the company and its success.

Best First-Time Participant

Zellers for Ebony Art Deco desk

Sponsored by Cabinet Makers Insurance Brokers

1 of 5

The judges were struck by the innovation displayed in this ebony desk, featuring brass components, stingray leather, and tiger’s eye handles and binding. The thoughtful use of natural elements creates a luxurious, high-end piece that showcases exceptional craftsmanship.

For more information visit https://www.acfa.net.au/awards/2024-industry-awards/

2024 HIA Australian GreenSmart Home of the Year

2024 HIA Australian GreenSmart Custom Built Home

Partnered by Colorbond

Winner: 360 Building Solutions and Light House ArchiScience

1 of 6

Oska’s House, nestled in suburban Canberra, reinvents the traditional red brick home by seamlessly integrating heritage with contemporary innovation. Embracing solar passive principles and NatHERS energy modelling, the redesign optimises space to craft a modern family residence with enhanced functionality, flow, and connectivity. Utilising salvaged materials and a meticulous selection of finishes, the home showcases the potential of thoughtful design, precise detailing, and top-quality construction within its modest footprint.

2024 HIA Australian GreenSmart Display/Project Home

Partnered by ARC

Winner: Arden Homes – Sienna 28

1 of 5

From the moment you step inside, this home captivates with its architectural elegance. At its heart is an expansive sun court, seamlessly integrating space, flow, and style; a theme that carries throughout. Equipped with energy-efficient features such as R2.7 wall insulation, R7.0 ceiling insulation, a 6kW solar PV system, and a Soltaro battery, this home is built for sustainability. Its high-performance thermal envelope, which includes optimal orientation, insulation, double-glazed windows, and superior airtightness, ensures a comfortable indoor environment with minimal need for heating or cooling. With induction cooking, reverse-cycle air conditioning, and a heat pump hot water system, it further exemplifies eco-conscious living. This home is a testament to Arden’s dedication to innovative design and environmental sustainability.

2024 HIA Australian GreenSmart Energy Efficiency

Partnered by Miele

Winner: Ovens & King Builders

1 of 5

This Buffalo Creek residence exemplifies smart design with a strong emphasis on energy efficiency and sustainable construction. Low embodied carbon materials, such as cork flooring and hempcrete walls, contribute to its eco-friendly build, while its all-electric design ensures the home is net zero ready. A Heat Recovery Ventilation system continuously circulates fresh air within the highly airtight structure, promoting excellent indoor air quality and energy savings. The 15 kW photovoltaic system powers this grid-connected, true north-facing home. Meticulously designed to meet Passive House standards, this home offers a sustainable and comfortable living environment for years to come.

2024 HIA Australian GreenSmart Multi Dwelling Development

Partnered by Bondor

Winner: INKA Builders

1 of 5

This sustainable townhouse development in Hamilton Hill represents cutting-edge, eco-friendly design. Constructed with locally sourced timber frames, prefabricated offsite, these seven double-storey homes achieve an impressive 7-Star NatHERS rating, with a focus on reducing environmental impact. Each home is equipped with a 3.5kW solar PV system, a Solargain roof-mounted 300L hot water unit with an electric booster, and efficient tapware and appliances. The thoughtful combination of materials and textures adds to the aesthetic appeal, blending sophistication with sustainability. This cost- and space-effective development highlights exceptional thermal performance and carefully considered design.

2024 HIA Australian GreenSmart Professional

Partnered by HIA Insurance Services

Winner: Joe Mercieca, Blue Eco Homes

Operating his business in a World Heritage-listed area, Joe Mercieca is deeply mindful of the natural environment, incorporating eco-friendly designs and processes throughout his work. Joe and the team at Blue Eco Homes are committed to minimising environmental impact during both the construction and habitation phases of their homes. As a trailblazer in sustainable innovation, Joe consistently brings new ideas to the table, including the successful development and implementation of their own prefab panels, FAB-FYV, which meet the stringent standards of the Passive House Planning Package. With a holistic approach to passive design, Joe continues to lead the industry, ensuring that environmental responsibility and sustainability remain at the forefront of building practices.

2024 HIA Australian GreenSmart Renovation/Addition Project

Partnered by Clipsal by Schneider Electric

Winner: Sowden Building Solutions

1 of 5

This small house in inner Sydney has been transformed using sustainable building practices. The renovation was complex, involving the demolition of the rear half to eliminate a thermal bridge, the removal of internal walls to create a more functional layout, and the addition of a third floor for a Master Suite with city views, allowing the home to grow with the family. Thoughtful choices, including heat recovery ventilation, enhanced insulation, low or zero VOC finishes, and energy-efficient fixtures, have significantly improved the living standard. The project succeeded in creating a comfortable, healthy home with minimal ongoing energy costs, transforming a draughty 1884 house into a PassivHaus EnerPHit Plus-certified residence.

2024 HIA Australian GreenSmart Sustainable Home

Partnered by Wood Solutions

Winner: Millwood Homes SA

1 of 5

Situated on approximately 15 acres, this self-sufficient home provides ample space for a young family. The design maximises the property’s natural advantages, complemented by a 15kW solar PV system, 21kW of storage via Pylontech lithium batteries, and a 130,000L rainwater tank supplying the entire house and garden. Throughout the build, materials were chosen with sustainability in mind, prioritising local manufacturing and recycled options wherever possible. Thermal mass was also carefully considered. The result is a sustainable, off-grid rural home that embraces Greensmart principles through thoughtful design and cost-effective construction.

For more information visit hia.com.au/awards-and-events/awards/greensmart-awards/award-winners-2024

Carmel is a qualified Interior Designer and has been working with GIA Renovations in Melbourne for the last 12 years. Her latest accolade – Australian Bathroom Designer of the Year – is a dream come true which still feels quite surreal. “I have so much respect for the other finalists in this category,” Carmel says. “To be on the stage with them and then take out the award was an incredible experience. I still can’t quite believe it happened”.

The project which won her the award (pictured above) was the result of a serendipitous confluence of the right client, the right space and the right time. “I met the client three years ago,” explains Carmel. “I quoted a laundry that didn’t go ahead but we developed such a rapport that, when it came time to renovate the ensuite, the client came straight to me”.

“In some respects, that’s what made it extra special,” says Carmel. “Rather than tinker with the quote to get the price down, the client was willing to wait, save and do it right. But it’s worth it when the client and the designer have the relationship to make it happen”.

Carmel says that she’s never wanted to be anything other than an interior designer and remembers informing her parents when she was still in high school of her chosen career path. They were dubious but couldn’t deny her years of painting (and repainting), accessorising and decorating her bedroom as well as many of her friend’s bedrooms. When she finished school, Carmel attended the Whitehouse Institute in Sydney which she describes as “the most intense course I could have chosen”.

The course ran for two years and Carmel attended school five days per week for long hours – sometimes 12-hour days – but she says this prepared her for the reality of working in a fast-paced industry. It was also a course requirement to work in the industry on weekends so she picked up work with an interior designer/decorator doing drafting and working in the showroom, and then at a tile showroom within a bathroom renovation centre which worked with high-end builders.

“It was an intense two years,” says Carmel. “But it was so amazing to go to school every day and be surrounded by such inspiration”.

A move to Melbourne saw Carmel take a role with a bathroom renovation company before she headed overseas for a time. Back in Melbourne, she started in an interior design role with a company that undertook large extensions and renovations but found the larger, more complex projects were less conducive to life with small children. This led to a suggestion by her cabinet maker to approach GIA Renovations as they saw an alignment of values within design and client management.

“The owner, Illan Elberg, has created an inspiring and fun work space,” says Carmel. “At GIA it’s like a big family where all the highs and lows of renovating are shared and worked through together with designers and trades to get the best outcome for the end result”.

Carmel’s personal design philosophy has evolved over the years but she says the key to a project’s success will always come down to the relationship between the homeowner and the designer. “The more I do this, the more I realise that you have to find clients who you can work with,” she says. “By that I mean finding clients who understand your role in the project and who appreciate what you can bring to the table. The best projects are those where the client trusts the designer to do what they know needs to be done”.

Carmel takes her role as a confidant and adviser very seriously and this comes across in her approach to building a rapport with the client. “My goal is to only quote a project once,” she explains. “It’s important as designers that we are responsible with our client’s budgets and that we don’t undermine the quality of the work by trying to cut corners to win work – especially in the bathroom”.

Carmel doesn’t believe she has a particular design style as she sees her role more as a collaborator and facilitator. “Homes are meant to be lived in and enjoyed, to be used and be messy at times,” she says. “I love the challenge of having to adapt my style to suit the client and the home, and to add value to that space”.

“But I do love colour,” she confesses. “Colour makes your soul happy and there has to be joy in our interior spaces!”.

When asked about how the industry has changed during her 22 years, Carmel says she has mostly noticed the change in the understanding of the role of an interior designer. She started in the industry around the same time that The Block hit our television screens and she feels this has had both positive and negative outcomes.

“I’m not a fan of them but reality renovation shows do showcase the benefit of design and the skills an interior designer will bring to a project,” she adds. “And it pushes the product suppliers to stretch the limits of the product applications as well as provides impetus for bringing in a broader range of products. This, in turn, educates the homeowner to be more adventurous and embrace new ideas”.

When it comes to the hot topic of registration of designers, Carmel agrees there should be the facility to make a distinction between stylists, decorators and qualified designers. In her opinion, any profession with the word “design” at the end should mean that person is skilled enough to be responsible for detailed plans, as well as specification of finishes – both hard and soft. “The process is about so much more than just shopping,” she expands. “You have to have the ability to draw your design concept but also to be able to communicate that clearly to the client and to those who will be bringing the project to life. It’s a very specific skill set”.

Carmel feels passionately about her industry and offers this advice to any newcomers: “Remember that you can do it! Trust who you are and find your own way,” she says. “Don’t try to imitate other designers. Take inspiration if you like but seek out what can be truly yours. Work hard and don’t be afraid of competition, as competition can push you further than you would normally go on your own”.

Carmel says she and workmate Olivia Cirocco continually challenge each other in a positive way and this helps both stay at the top of their game. She loves this part of their work relationship as they both win by continually improving and pushing the boundaries of what they can do. Together they are both keen to look at what the industry can do to support more women in this space. Particularly in the area of communication throughout the project, from the initial design process to handing over the job to the onsite team who are more often male, Carmel feels strongly about building relationships that provide the best outcomes for her clients.

In terms of future plans, Carmel has a number of larger projects that are coming to fruition in the second half of this year as well as balancing work and a busy home life with her three children. So, watch this space!

For more information visit https://www.giarenovations.com.au/ and stay in touch with Carmel via https://www.instagram.com/carmelwylie_interiordesign/

Kitchen Design

Winner: Earthborne By Design

Partnered by Hettich

1 of 4

With a beautiful contrast of natural textures and contemporary finishes, this kitchen presents a visually appealing space. Modern living is enhanced with integrated appliances and a white stone benchtop balanced with the herringbone oak flooring for a classically elegant finish. Brushed nickel handles and a feature rangehood panel finish the look.

Bathroom Design

Winner: PNP Constructions

Partnered by HIA Insurance Services

1 of 4

With a focus on comfort and independence, this bathroom was purpose-designed for an NDIS participant. Featuring a modern elegance and an emphasis on functional accessibility, the space is indulgent yet accommodating. A fabulous example of inclusive design, the ensuite has been transformed into a rejuvenating retreat.

Kitchen of the Year

Winner: Aria Property Group

Partnered by Hettich

1 of 4

A stunning kitchen in a penthouse apartment features natural stone benchtops as well as a feature marble portal, enhanced by LED mood lighting. Meticulous design sees the inclusion of premium appliances and state-of-the-art fixtures. The focus was on creating a true entertainer’s kitchen with luxury finishes that seamlessly integrates with the adjacent living and dining areas.

Bathroom of the Year

Winner: Cobb and Co Projects

Partnered by HIA Insurance Services

1 of 4

This luxurious master retreat was designed to reflect the resort-style location of the home and features a spacious layout together with seated makeup nook. A multifunctional double shower includes an aromatherapy steam room for the ultimate in luxury living. Warmth and sophistication abound, enhanced by the cohesive material selections and smart lighting choices.

Affordable Kitchen

Winner: Kitchen Gallery

Partnered by Hettich

1 of 4

A lovely blend of rich black cabinetry and stone benchtops creates a sophisticated space. The owners can enjoy the naturally beautiful surroundings thanks to a stunning splashback window that frames the native gumtrees outside. A textured battening was chosen for the island to introduce a touch of modern luxury and helps create a classic kitchen with a timeless feel.

For more information visit https://hia.com.au/awards-and-events/awards/brisbane-kitchen-bathroom/award-winners-2024

Small Kitchens NSW/ACT

Danielle Donello-Dunsford – Danielle Victoria Design Studio

Large Kitchens NSW/ACT

Pia Watson – Studio Soleil

Kitchens Plus NSW/ACT

Sarah Nolen CKD Au, CBD Au – Birdblack Design

Small Kitchens Queensland

Paul Coulson – Earthborne By Design

Large Kitchens Queensland

Paul Coulson – Earthborne By Design

Kitchens Plus Queensland

Ashley Maddison – AM Interior Studio

Small Kitchens SA

Sophie Doumbiotis CKD Au – Sophie Katina

Large Kitchens SA

Nathan Wundersitz CKD Au – SpaceCraft Joinery

Kitchens Plus SA

Sophie Doumbiotis CKD Au – Sophie Katina

Small Kitchens Victoria

Olivia Cirocco – GIA Renovations

Large Kitchens Victoria

Olivia Cirocco – GIA Renovations

Kitchens Plus Victoria

Kerrie Neale – BBOT Designs

All Kitchens WA

Andrea Vaughan – Designs By Andrea

Small Bathrooms NSW/ACT

Lyndel Donaldson – Designstory Interiors

Large Bathrooms NSW/ACT

Sarah Nolen CKD Au, DBD Au – Birdblack Design

Master Suites NSW/ACT

Alix Helps – Alix Helps Interiors

Small Bathrooms Queensland

Melinda Fritz – Elegant in Design

Large Bathrooms Queensland

Paul Coulson – Earthborne By Design

Master Suites Queensland

Ashley Maddison – AM Interior Studio

Small Bathrooms SA/NT

Tania Nikolitsis CKD Au, CBD Au – Tanik Design

Large Bathrooms SA/NT

Jan Marie Jaillei – JMJ Interiors

Master Suites SA/NT

Jessica Markwick – Brilliant SA

Small Bathrooms Victoria

Heather Schwarz – Instinct Interiors

Large Bathrooms Victoria

Georgette Criticos – GIA Renovations

Master Suites Victoria

Carmel Wylie – GIA Renovations

All Bathrooms WA

Caitlin McNeill – Renovation Capital

For more information visit kbdi.org.au/design-awards/award-winners-2024

The Kitchen & Bathroom Designers Institute
kbdi.org.au/home
FB: facebook.com/kbdi.org.au
IG: instagram.com/kbdi.org.au/

I’m keen to know more – please send me info!

KBDi Kitchen Designer of the Year

Sponsored by Hettich

New South Wales | Birdblack Design – Sarah Nolen CKD Au, CBD Au

With its unique and striking island, this kitchen is a visual blockbuster, but the thoughtful planning behind the scenes is equally impressive. The client brief was clear: their preference for Asian-inspired cooking – with high heat and copious steam – needed to be accommodated without being centre stage. A meticulously detailed ‘wet kitchen’ ticked all the boxes, carefully concealed behind a showplace kitchen and accessed through an almost invisible Fritz Jurgens hinge pivot door. The judges commended the designer for a bold and brave design.

Queensland | AM Interior Studio – Ashely Maddison

This incredible kitchen epitomises the KBDi’ Kitchens Plus’ category and is a well-deserved State winner. The designer detailed indoor and outdoor kitchens to accommodate the clients’ serious passion for all kinds of cooking and created a dedicated showcase space for the homeowners’ whiskey collection. She dressed all areas to seamlessly integrate with the adjoining and visible parklands, creating an inside-out flow with a rainforest-inspired aesthetic. This was a hands-down winner for the judges, and they commended the designer on her outstanding work.

South Australia | Sophie Katina – Sophie Doumboitis

This sweet little kitchen offers more than just eye candy. With its pretty palette, pops of colour and soft organic forms, it’s an aesthetic winner. But the kitchen is well-planned and practical, too, making the absolute most of a very small space. The judges admired the designer’s cohesive creation and commended her on a job well done.

Victoria | GIA Renovations – Olivia Cirocco

This tiny Collingwood kitchen packs a mighty big punch thanks to the designer’s clever planning and eye for detail. The space includes an integrated breakfast bar and dining room booth, cantilevered overhead cabinetry and double-sided joinery concealing washing facilities and bathroom access. It’s dressed to a tee and a visual delight – the judges commended the designer on a fantastic resolution.

Western Australia | Designs by Andrea – Andrea Vaughan

The judges loved the warm and welcoming feel of this kitchen and commended the designer on her attention to detail. The kitchen is well-planned to maximise storage in the constrained apartment space, and the layout allows a lovely flow within and around the room.

KBDi Bathroom Designer of the Year

Sponsored by e&s Trading

New South Wales | Birdblack Design – Sarah Nolen CKD Au, CBD Au

The judges were incredibly impressed with every aspect of this entry. From the material selections to the exquisite detailing, the project is an excellent example of outside-the-square design. The designer has meticulously planned every square centimetre of this space, creating a luxurious retreat for her client.

Queensland | AM Interior Studio – Ashley Maddison

This spectacular master suite encompasses a bedroom, walk-in robe, ensuite, dedicated make-up zone and a retreat for sneaky whisky. The designer’s careful planning and meticulous detailing allowed for all of this, and her striking material selections met the goal of a ‘rainforest retreat ambience’. The judges were in awe of the end result and the designer’s presentation overall. A well-deserved winner, for sure.

South Australia | Tanik Design – Tania Nikolitsis CKD Au, CBD Au

The designer completely reinvented a previously pokey space, creating a resort-style bathroom for her client’s beachside home. The judges commended the designer on her thoughtful space planning, creative resolution of site constraints and comprehensive specifications.

Victoria | GIA Renovations – Carmel Wylie

The judges were most impressed with the deep consideration that went into planning this master suite. The designer conquered a number of physical challenges in the existing solid brick space while retaining and complementing features of the original architecture. From the layout to the finishes, every detail was thoughtfully executed, resulting in a timeless space that certainly met the client’s brief for a ‘day spa feel’.

Western Australia | Renovation Capital – Caitlin McNeill

The judges were most impressed with the deep consideration that went into planning this master suite. The designer conquered a number of physical challenges in the existing solid brick space while retaining and complementing features of the original architecture. From the layout to the finishes, every detail was thoughtfully executed, resulting in a timeless space that certainly met the client’s brief for a ‘day spa feel’.

For more information visit kbdi.org.au/design-awards/award-winners-2024

The Kitchen & Bathroom Designers Institute
kbdi.org.au/home
FB: facebook.com/kbdi.org.au
IG: instagram.com/kbdi.org.au/

I’m keen to know more – please send me info!

KBDi Australian Certified Designer of the Year 2024

Spacecraft Joinery – Nathan Wundersitz CKD Au

The specialist certified judging panel described this project as the perfect example of KBDi accredited qualities. The kitchen design is perfectly balanced, cleverly restrained and truly timeless. The designer overcame a number of challenges in the existing space, successfully creating a design that met the client’s brief for a ‘clutter-free, functional, open-plan space’. Much like the kitchen itself, the designer’s documentation was clean, clear and precise, earning a perfect score in the technical criteria. They deemed this entry an absolute hands-down winner and were delighted to award the entrant the esteemed title of KBDi Australian Certified Designer of the Year 2024.

KBDi Australian Kitchen Designer of the Year 2024

Birdblack Design – Sarah Nolen CKD Au, CBD Au

Sponsored by Hettich

A bold and striking design like this needs confident planning and highly detailed documentation. The designer ticked both of these boxes, resulting in a truly unique kitchen creation. The judges commended the designer on her aesthetic bravado and practical planning and deemed her the very worthy winner of the national title.

KBDi Australian Bathroom Designer of the Year 2024

GIA Renovations – Carmel Wylie

Sponsored by e&s Trading

The panel loved every part of this designer’s presentation. Her planning was thoughtful and comprehensive, and her material selections were on point. The designer created a beautiful spa-like bathroom for her clients and left no room for error in her documentation, demonstrating great capacity for both the creative and technical elements of design.

KBDi Outdoor Kitchens

Birdblack Design

Sponsored by Caesarstone

A fully fitted outdoor kitchen is the centrepiece of this reimagined rooftop. The penthouse apartment owners had avoided their over-exposed rooftop area for some time. When the design team took on the project, they cleverly converted the space into a Tuscan-inspired sanctuary. The judges commended the designers on their bold ambition and creative execution, deeming the project a well-deserved winner.

KBDi Laundries

Avid Interiors – Verona Searchfield

Sponsored by Luxe by Design

The designer of this lovely laundry went all out for a busy family of four to create a space that is as practical as it is pretty. She boldly stepped outside the footprint of the existing laundry, converting an unused spare room into a new multi-functional space. The client had a long list of wishes for the new laundry, and with some very clever planning, the designer ticked all the boxes.

KBDi Design Spaces | Commercial

Spacecraft Joinery – Nathan Wundersitz CKD Au

Sponsored by Cabinet Makes Insurance Brokers

The judging panel fell in love with both the inspiration and execution of this showroom centrepiece. The designer drew on memories of his grandmother’s kitchen, carefully recreating the era and essence of mid-century design. The designer’s own design statement summed up the project perfectly: “From its nostalgic elements to its seamless integration of modern functionality, this space invites visitors on a journey through time, celebrating the past while embracing the future of design.”

KBDi Design Spaces | Residential

Birdblack Design

Sponsored by Cabinet Makers Insurance Brokers

A great deal of thoughtful planning went into this home office design. The judges loved the design team’s attention to detail – curved drawer fronts link the secluded study to features throughout the home, as do the copper liquid metal benchtop and splashback. A Truffle White timber veneer and beautiful brass details add a surprising level of luxe, and ample accessible PowerPoints ensure the full functionality of the space.

KBDi Traditional or Themed Design 2024

Let’s Talk Kitchens & Bathrooms – Rhianon Hall

Sponsored by Cav’art Designer Stone

An 1800s homestead on a working sheep station received a remarkable reimagining at the hands of this designer. She cleverly reconfigured the rear half of the historic home, relocating the existing kitchen to a lighter and brighter space. The designer’s attention to detail was impressive, as was her respect for the property’s heritage. The judges commended her for her excellent execution of a traditional design.

KBDi Student Design

Sponsored by Laminam

Student Design – Kitchens

RMIT – Vicky Licha

Student Design – Bathrooms

TAFE SA – Fareeha Saif

KBDi First Time Entrant

Studio Soleil Interiors – Pia Watson

Sponsored by Blum

The judges adored this beautiful kitchen and were most impressed with the outstanding level of documentation presented. From the moodboards to comprehensive specifications and highly detailed plan sets, the designer has demonstrated an excellent capacity for design communication. they look forward to seeing much more of her work in future.

For more information visit kbdi.org.au/design-awards/award-winners-2024

The Kitchen & Bathroom Designers Institute
kbdi.org.au/home
FB: facebook.com/kbdi.org.au
IG: instagram.com/kbdi.org.au/

I’m keen to know more – please send me info!

Be sure to secure your tickets to the Awards Night, supported by Premium Sponsor Polytec, here. In the meantime, let’s take a look at the finalist’s entries. 

Best Freestanding Furniture

Sponsored by ACFA Training

RTO 40932

1 of 4

Best In-Built Furniture

Sponsored by Cabinet Makers Insurance Brokers (CMIB)

1 of 5

Best Walk-in Robe

Sponsored by Planit

1 of 4

Best Laundry 

Sponsored by Planit

1 of 4

Best Bathroom Design

Sponsored by Hettich

1 of 4

Best Bathroom – New Build

Sponsored by Pytha Partners

1 of 5

Best Bathroom – Renovation

Sponsored by goCabinets

1 of 5

Best Alfresco Design 

Sponsored by AIDT

1 of 4

Best Commercial Project 

Sponsored by New Age Veneers

1 of 8

Best Kitchen Design 

Sponsored by Hettich

1 of 6

Best Kitchen – New Build, Up to $40,000

Sponsored by Hafele Australia 

1 of 6

Best Kitchen – New Build, $40,001 to $60,000

Sponsored by Hafele Australia 

1 of 5

Best Kitchen – New Build, $60,001 to $80,000

Sponsored by Hafele Australia 

1 of 6

Best Kitchen – New Build, Over $80,000

Sponsored by Hafele Australia 

1 of 2

Best Kitchen – Renovation, Up to $40,000

Sponsored by Lincoln Sentry

1 of 3

Best Kitchen – Renovation, $40,001 to $60,000

Sponsored by Lincoln Sentry

1 of 6

Best Kitchen – Renovation, $60,001 to $80,000

Sponsored by Lincoln Sentry

1 of 4

Best Kitchen – Renovation, Over $80,000

Sponsored by Lincoln Sentry

1 of 4

Plus don’t miss the major awards announced at the Awards Night:

• Apprentice of the Year – Cabinet Making, sponsored by First Super
• Apprentice of the Year – Furniture, sponsored by First Super
• Best First Time Participant, sponsored by Cabinet Makers Insurance Brokers (CMIB)
• Design of the Year, sponsored by finlease
• Cabinet Maker of the Year, sponsored by ACFA
• Workplace Champion of the Year, sponsored by The Kitchen Maker 
• Outstanding Achievement of the Year, sponsored by LEDA Machinery

The Awards Night will be a fantastic event celebrating and recognising outstanding achievements in the industry. Enjoy welcome drinks by Planit while meeting industry colleagues. 

To ensure you don’t miss out on this fantastic evening, make sure to purchase your dinner tickets by the 4th of September. Due to catering and dietary requirements, ACFA needs to lock in numbers early. Tickets purchased after this date will be subject to availability, and registration will be at the venue’s discretion. Don’t wait—secure your spot today for what promises to be a memorable event!

For more information, visit acfa.net.au/awards/2024-industry-awards/

ACFA
acfa.net.au
FB: facebook.com/AustralianCabinetandFurnitureAssociation 
IG: instagram.com/acfaofficial

Design Professional

Winner: David James – Studio James Interiors

1 of 4

Taking inspiration from the adjacent natural environment, this project sits in harmony within its setting, offering a family-friendly space. Designed for entertaining as well as daily living, the residents love their dream home which perfectly combines the beauty of nature with functional inclusions.

Residential Interior Design Over $200,000

Winner: Carla Rausch Designs

1 of 4

With a seamless blend of indoor and outdoor living, this home is the perfect representation of the client’s vision for a stunning resort oasis. Perfect for entertaining, this timeless home exudes opulence and a relaxed ambiance and is a credit to the team which overcame budget restrictions and a few challenges during the build.

Residential Interior Design Up to $200,000

Winner: Marilena Baynes Interior Design Studio

1 of 4

Light, modern and highly practical, this new kitchen has transformed an outdated space by focussing on organisation and layout. With an expanded preparation space and cleverly-hidden appliance storage, the kitchen enjoys the natural light which streams through the enlarged window space. Sage green sits beautifully against soft greys and whites to create a welcoming atmosphere.

Commercial Interior Decorate Projects

Winner: The Style Game

1 of 3

This lovely transformation of St. Vincent’s Boondall Retirement Living features bespoke furnishings, curated artworks and improved seating arrangements. The interior decoration has focussed on enhancing functionality and aesthetic appeal to create a welcoming and stylish space.

Commercial Interior Design Projects

Winner: Ethos Interiors

1 of 4

With a focus on the patient experience, this project for Lumina Eye Centre prioritises comfort and cleanliness while bringing warmth and luxury into a medical space. The project features elegant bathroom areas, consultation rooms with integrated equipment and collaborative staff areas.

Display Home Interior Design/Decorate

Winner: Studio K Interior Design

1 of 4

The unification of indoor and outdoor spaces sees beautiful curved walls, high ceilings and low-maintenance materials feature strongly. This versatile, self-contained studio focusses on using a vibrant colour scheme to create an appealing space.

Property Styling Large 4 and over bedrooms (detached)

Winner: Valiant Interiors

1 of 4

Opulent living at its best, Rivers Reach, Hamilton embodies a grand ambiance that matches its riverfront location. Naturally elegant timber elements connect the home to nature, enhanced by warm beige, peach, light blue and rust tones to complement the black accents.

Property Styling Multi Residential individual dwelling

Winner: Valiant Interiors

1 of 4

The challenging in styling these six Riverside apartments was to ensure each space set a new standard for luxury living while taking advantage of the incredible Brisbane River views. Refined styling elements balanced with premium furniture and stunning colour schemes more than met the brief.

Property Styling Small – 1-3 bedroom dwelling (detached)

Winner: Cape Cod Residential

1 of 4

Every room in this 1950s Tarragindi home was meticulously styled to enhance the sleek, clean aesthetic. Kitchen, dining and outdoor areas blend seamlessly with modern charm to increase the perception of value in the home, which resulted in increased interest at the first open house.

Residential Interior Decorate Over $50,000

Winner: Carla Rausch Designs

1 of 4

An extraordinary home that oozes the appeal of resort living, with opulent décor that creates an enduring and appealing space. With lush textures, refined furnishings and a relaxed ambiance, the home is perfect for entertaining a crowd or quiet family evenings at home.

For more information visit hia.com.au/qld-interior-design-and-decorate-awards/award-winners-2024

Given this illustrious past, it may surprise you to learn that Rex was originally a clinical biochemist and worked at the Alfred Hospital in Melbourne for a number of years before deciding to take a risk and branch out into a completely different profession. By chance, a friend of Rex’s had a small cabinet making business and Rex found helping his mate with designs was far more satisfying than being in the hospital and decided to change his career.

Rex’s first job in the industry was with Customtone Kitchens, the company that gave birth to the kitchen industry as we know it today. They were the dominant player in the kitchen renovation industry for many years. “I always had good spatial skills,” Rex recalls. “So, I think that gave me a really good eye for design and layout, and I quickly found my place within kitchen design”. Rex started as a commission salesman/designer, but quickly found his passion for training and he became Customtone’s National Training Manager.

After 18 months, Rex jumped at an opportunity to purchase a small cabinet making business based in his hometown of Albury/Wodonga and this allowed him to implement new systems and procedures that were more reflective of his personal approach. “One of the biggest benefits of purchasing that business was that over the next few years, I was essentially an apprentice in my own factory,” Rex explains. “It was a steep learning curve but a very important one as it gave me a deep insight into the cabinet manufacturing process. This, in turn, helped me to be a better and more informed designer”.

He relocated the business to Wodonga in Victoria and quickly grew in size to eventually be the largest cabinetmaker between Melbourne & Sydney markets, delivering 20-30 kitchens each week.

“At that time in the industry, the goal was to keep the range of choice offered to the customer to an absolute minimum,” recalls Rex with a laugh. “You’d only offer three door colour options and maybe four benchtop colour options. It wasn’t about the customer experience or education – in fact, the customer wasn’t an important part of the process at all. The aim was to simply sell as many kitchens as you could, so the needs of the customer weren’t even a consideration. It was a fairly brutal business those days”.

Rex remembers that, in the early days, the average kitchen cost around $500 and was made from chipboard, with raw edges exposed, chipboard shelving, no drawer runners, standard 45cm deep benchtops and a 45cm deep forward bowl sink. But he says his time at Customtone showed him there was a different approach to the design and manufacture of a kitchen. It was this revolutionary approach that provided the spark for Rex to re-think his own tactics and start to develop the methodology that has gone on to serve him so well in his business.

As so often happens with small businesses and changing economies, the Albury/Wodonga business did not survive, so Rex made the decision to move to Melbourne, having sold his house to meet his debts. However painful this experience, Rex says it made him realise how passionate he was about the industry, and about finding new and better ways to build productive and harmonious relationships with his clients.

“I realised it was important to take a responsible and ethical approach to selling kitchens,” Rex says. “And I decided that being able to train my own people, using my methodologies, was the only way I would be comfortable staying in the industry”.

Soon after moving back to Melbourne, Rex took over management of a small showroom in Nunawading, and he was supplied by Sunshine Group Industries – at that time the largest cabinet maker in Australia. Very quickly, the store became a success and Rex purchased a second showroom.

“I was lucky that it was a success, but I worked my backside off,” Rex explains. “Eventually, I ended up with seven showrooms in Melbourne and we were selling 30-35 kitchens each week.”

But the industry was still very much focussed on heavy-handed sales tactics, no emphasis on long-term client relationships, and a price war that saw many in a race to the bottom.

The turning point for Rex was a trip to America in 1982 where he attended KBIS for the first time and was introduced to an industry association – the National Kitchens & Bathrooms Association (NKBA). “NKBA taught me so much about how to be more professional,” Rex recalls. “Being a part of a professional association exposed me to more ideas around ethical business relationships with a focus on how to look after customers”.

This triggered a shift in how Rex approached his own business and, shortly after, he sold all his kitchen showrooms except one – even today, he still owns just the one showroom, in Canterbury, Victoria. The success of Let’s Talk Kitchens & Interiors has partially happened organically but has been very much driven by Rex’s personality, commitment, drive and passion to raise standards within the industry.

“For the last six or so years, I’ve only employed CKD, CBD and/or qualified interior designers and all my staff are on salary – no commission-based sales people,” says Rex. “This approach has improved our business tremendously and allows us to take a very professional approach to the service we provide. All of my people are committed to their design profession, not just their bank accounts”.

Rex’s philosophy is centred around the customer, with a focus on education, assistance and ethical actions. “My view of business is not to worry about the money so much,” he says. “If you do a good job and invest in creating relationships, the money will come. As a company we don’t ‘sell’ anything – we develop a relationship with the client that allows the client to make a decision in their own time”.

Rex also maintains his connection to training and still oversees all training of staff members to ensure a cohesive approach to customer service. “My mantra is: it’s never about the price, it’s always about the outcome,” Rex says. “This reaffirms that if you focus on your client’s needs and satisfy those needs, your client will reach a point where they stop focusing primarily on the cost and instead focus on wanting “you” to do their project, because of their trust and faith in you and your care for them”.

Rex laughs when asked about the lessons he has learnt during his time in the industry and says that he was lucky to have learnt what not to do when he was younger. Today, he feels privileged to have had the longevity to create a profitable business with a full-service interior design firm, where the client’s needs are put first.

On his return from his first USA trip, Rex was keen on the idea of setting up an Australian Chapter of NKBA in Australia. The moniker NKBA was unable to be used then, so the initial iteration of the organisation was known as the Australian Kitchen & Bathroom Institute, (AKBI). Rex was in charge of memberships, as well as being the association’s President. It was a tough slog, because most firms were suspicious of Rex’s motives and he became used to hearing “what’s in it for you?”, when approaching new members. Eventually, a relationship with HIA was established and the organisation was renamed NKBA and it grew from there.

For many years, NKBA existed as a subsidiary of HIA until circumstances changed.  Rex explains: “HIA decided to shut down the NKBA as they realised they were a building industry lobby group, not a professional association, per se”.

“I had been trying to get it restarted when Ron Redman (then with Blum Australia) introduced me to Alex Milne, who was also trying to restart the NKBA. Alex had previously been QLD President of the HIA and knew everyone there. Alex and I had a number of meetings with HIA and they assisted us to create a new and independent organisation, that would become the Kitchen & Bathroom Designers Institute of Australia (KBDi), as we now know it,” he adds.

Today, Rex is as busy as he has ever been. “Even now, I still do all the staff training,” says Rex. “And that’s specifically because most people think it’s about how to sell kitchens, but it’s not”. Rex describes the ‘Let’s Talk’ approach as exemplified in the name of the business. “We have a chat, we have a conversation. There are no heavy sales tactics. Our focus is on help, advice and education,” he adds.

Rex feels it’s vital to allow the customer to walk their own path through the decision-making process, and to be able to do this in their own time. This also explains his insistence on the process not being driven by a commission – he doesn’t want to turn his designers into sales people. “It’s a methodology that’s grown organically over time. I do share my experience with design,” Rex explains “But my training is more about the interaction with the clients, how to talk them through the process of design and renovation, and how to create lasting relationships. Once that’s done, the sale takes care of itself”.

When asked about the future of the industry, Rex says he feels positive about the changes he has seen and the new approach to design which is evident throughout new graduates. “The industry now has a value and a standing in the minds of the consumer and I’d love that to become further entrenched,” he says. “I see a wider range of education options and registration of design professionals will mean a more specialised approach to the design process and a more ethical industry overall”.

For more information visit https://www.ltki.com.au/

From breathtaking architectural wonders to captivating interior masterpieces, each winner represents the epitome of excellence in hospitality design.

The submissions for the 4th edition of the LIV Awards closed at the beginning of February 2024, with an overwhelming response from professionals and students worldwide. The jury panel, comprising experienced architects, designers, and developers in the hospitality sector, reviewed over 540 applications from 43 countries to select the most outstanding projects in each category.

1 of 4

In the Architectural Design of the Year – Eating Space category, Daewha Kang Design secured the title for The Grand Courtyard and Pavilion at the OWO.

1 of 4

Richard Parr Associates triumphed with the Restoration of the Farmyard at The Newt in the Architectural Design of the Year – Living Space category.

1 of 4

Gabriel Velasco, hailing from Savannah College of Art and Design, emerged victorious as the Emerging Architect of the Year with Relinquetur.

1 of 4

For Interior Design of the Year – Eating Space, Run For The Hills claimed the top spot with Audrey Green & Larry’s Bar at London’s National Portrait Gallery.

1 of 4

Lambs + Lions impressed the judges with OKU Kos in the Interior Design of the Year – Living Space category.

1 of 4

In the Emerging Interior Designer of the Year – Eating Space category, Jiin Park from Art Center College of Design took the honor for Radiant (Wine Tasting Restaurant).

1 of 4

Mihika Chatterjee from New York School of Interior Design clinched the title for Inter(Vo)ven- A Fashion Hotel in the Emerging Interior Designer of the Year – Living Space category.

The LIV Hospitality Design Awards proudly remain at the forefront of the dynamic hospitality industry, recognising designs that elevate the guest experience and redefine industry standards.

For more information visit livawards.com

Furniture Design of the Year

Poty Armchair by Stdio Lucas Caramés

1 of 3

The Poty Armchair draws inspiration from the exuberant Craft Culture of the Delta Parnaíba, merging contemporary comfort with traditional local elements. Crafted with a solid wooden structure, its notable feature is the carnauba straw weave enveloping the chair, a nod to the region’s artisanal tradition. This blend of modern design with cultural heritage creates a visually stunning and culturally rich piece, providing both physical and sensory comfort. 

Interior Design of the Year

Daphne by Studio Paolo Ferrari 

1 of 4

Daphne, located in Toronto, reimagines the quintessential American bistro with a contemporary and eclectic touch. Custom-designed furniture and lighting enhance the space, which balances the unexpected with the warmth of New England prep.

Inspired by art, architecture, and cinema, Daphne embodies a cinematic duality, inviting guests to explore and experience the joy of discovery. 

Emerging Furniture Designer of the Year

Otto Lounge Chair by Jenna Jang, Art Center College of Design 

1 of 3

In response to the evolving workspace dynamics post-pandemic, the Otto Lounge Chair is designed to adapt to both home and office environments. With refined cushions and oak wood, it brings comfort to any space. Its versatile design allows it to function as both a lounge chair and a workspace accessory, reflecting the changing needs of modern life. 

Other winners in Furniture Design include JG Neukomm Architecture for The Suffolk Gallery Bench, Noriko Hashida Design winning with Enots Floor Chair, La Firme with Sarto Series and Street + Garden being recognised for Honeysuckle Park Newcastle Australia. 

In Interior Design categories, the recipients include Messana O’Rorke team’s design of the West 53rd Street Apartment, Wow Atelier for the Best Friends: Roadhouse & Mercantile, A-01 (A Company / A Foundation) winning with the Black House (Casa Negra) and No Footprint House (NFH) and HDC Design with Meet the Bund (Xintiandi). Each winner in their respective category reflects the perfect combination of form, function, and aesthetic appeal that sets them apart from the rest. 

Among the distinguished jury members were Alain Gilles, Founder and Lead Designer at Alain Gilles The Studio from Belgium; Bo Zhang, Artist & Chief Designer at Desz Office from New York; Niko Kapa, Design Director at Studio Niko Kapa from the United Kingdom; Christina Chen-Chiao Kuo, Creative Director & Founder of Kuuo Living Limited from Canada; and Nataly Bolshakova, Founder and Lead Designer at Bolshakova Interiors, representing Ukraine. These individuals, representing just a portion of the esteemed panel, contributed their expertise to recognise outstanding design talent on a global scale. 

All the winners can be viewed in the winner’s gallery on the SIT Furniture Design Award website. 

“Our Leichhardt terrace project stands as a testament to the fusion of heritage charm and modern sophistication, breathing new life into a stately Victorian terrace house,” said Ben Tass, co-founder of Tass Construction Group. “Guided by the client’s vision to maximise space and light within the confines of a narrow site, our design journey was marked by ingenuity and a deep respect for architectural heritage to deliver a bright and delightfully textured home.”

Central to their client’s vision was the creation of a luminous sanctuary featuring an open plan kitchen, living, and dining space which seamlessly connects with the outdoors, infusing the interiors with an abundance of natural light. Renovation of existing ground and first floor spaces was complemented by ground floor and first floor extensions and re-purposing the attic to complete the project to the client’s brief.

Full-height sliding doors maximise light and connect the courtyard and garden with the living room. This natural light-filled space at the rear of the home is enhanced by a custom glass roof over the dining table, while five skylights installed further throughout the property help illuminate hallways, bathrooms and living spaces.

“Natural light is a precious commodity in traditional terraced houses and these strategically placed skylights brighten every corner of the residence,” said Ben.

The home effortlessly showcases the terrace’s historic features while presenting a modern design. Render from the existing partition wall was stripped, revealing majestic original brickwork which was tidied, sealed and then highlighted with recessed LED strip lighting in the shadow line of the cornice detailing.

“It really tells a story of the home and ties the new into the old perfectly,” said Ben, noting the splayed external façade details at the rear of the property adds a modern touch to a traditionally rectangular space.

Textured curves catch the eye in different parts of the home, adding a further modern touch. A curved kitchen island feature is complemented by the curved staircase, which cleverly hides the laundry, curved legs of the dining table, and a captivating curved wall in the renovated ground floor bathroom.

Ascending the stairs, an inviting second living space on the first floor has been carved from the original floor space, with a new bathroom and master bedroom created at the rear of the floor. From the first floor, a new staircase leads to the attic which Tass Construction Group repurposed into a loft, perfect for a fourth bedroom or study. 

Light and space is amplified by the loft’s half height wall which maximises light from the large ceiling skylight. A renovation and extension of a narrow historical terrace had its design and construction challenges, yet the final result is testament to the transformative power of design. From the light-filled spaces to original wall textures and curved components, every element speaks to the allure of creating spaces which conjure connections between past and present. 

For more information, visit tasscg.com

Earlier this year, Interior Design students at Lidcombe TAFE, currently pursuing their Diploma in Interior Design, embarked on an exciting challenge to show their design prowess with the ‘Hettich Design Challenge’.

Hettich Australia’s National Technical Manager, Steve Bradley, and Specification Manager, Shelby Hood, kicked off the ‘Hettich Design Challenge,’ immersing the students in the world of Hettich products. They tasked the students with incorporating Hettich’s drawer system, hinges, folding/sliding doors, handles, and LED lighting into their residential kitchen or bathroom project! The students eagerly explored the products, with a particular fascination for the AvanTech YOU Illumination lighting and the Magic lighting concept featuring Zigbee and “Alexa,” igniting innovative ideas for smart home integration.

“It was fabulous to see what the next generation of interior designers came up with when tasked with this challenge. The submissions showed great attention to detail and it was clear how much time had been spent researching the various Hettich products to choose which to specify. Congratulations to Vanessa for her winning entry which showcased not only a fantastic application of the Hettich products but also a thoughtful design solution.” Melanie said of the event.

With prizes on the line, the students reconvened to present their designs, joining Melanie Gardener, who evaluated their 3D residential creations. Congratulations to Vanessa Lincoln for winning the challenge, and thank you to all the students who embarked on this incredible journey with Hettich!

For more information, visit designwithhettich.au

Hettich Australia
hettich.com/en-au/home
FB: facebook.com/HettichAustralia
IG: instagram.com/hettichaustralia/

This is your chance to shine and gain well-deserved recognition for your outstanding work and dedication to excellence in the industry.

A chance to highlight your team’s accomplishments and hard work, the ACFA Industry Awards are open to projects completed between 1st January 2023 and 30th June 2024,  including those not previously entered or non-finalist projects from previous years.

Participating in the ACFA Industry Awards offers numerous benefits that can elevate your business and boost team morale:

Promote Your Business: Winning or being nominated for an award showcases your commitment to quality and innovation, distinguishing your business in a competitive market.

Boost Team Morale: Recognise and celebrate the hard work of your team, motivating them to continue striving for excellence.

Gain National Recognition: Achieve industry-wide acknowledgment and enhance your business’s reputation.

Key Benefits:

• Showcase Excellence: Highlight your outstanding projects and skilled team members.
• Marketing and Promotion: Enjoy extensive media coverage, including features in industry magazines, ACFA’s Award Digital Magazine, newsletters, and social media channels.
• Networking Opportunities: Connect with industry leaders and peers at the prestigious Awards Presentation and Gala Dinner, opening doors to new collaborations.
• Exclusive Rights: Use the ACFA finalist/winner logo to enhance your credibility and attract new clients.
• Continuous Promotion: Benefit from ongoing promotion through ACFA’s media releases and social media activities.

The winners will be announced at the Awards Dinner at Doltone House Hyde Park on Friday, 20th of September 2024. Don’t miss out on this fantastic opportunity to gain recognition, promote your business, and celebrate your achievements. Submit your entries now and take the first step towards showcasing your excellence!

For more information, visit acfa.net.au/awards/2024-industry-awards

The Coolatai House project aims to create an unbreakable bond between its inhabitants and the stunning natural landscape that surrounds the dwelling. With sanctuary-like overtures, iconic design sits in harmony with nature, allowing the owners to escape their daily hustle and bustle and indulge in culinary creativity.

The kitchen space was created to symbolise the convergence of environments with the area surrounded by thin modular glass windows that create a portal connected to the natural world. Its social spirit is underlined by alternate openings to outdoor areas and dining spaces.

A centrally-located stainless steel structure provides a clean, harmonious line within a modern design, with the mirrored finish reflecting the textures of the natural world outside and creating an immersive dining experience.

Equipped with the Unox Casa’s Sub-Zero and Model 1 refrigerator, this kitchen is the nerve centre of gastronomy. Blending harmoniously with the silvery tones of the kitchen, SuperOven blends cutting-edge technology with timeless Italian design.

Model 1 is an essential component of a high-performance kitchen environment, as it transforms a preparation space into a haven of creativity and experimentation.

Large windows frame breathtaking views including the crystal-clear waters of Wye River Bay. The design seeks to allow the home to blend seamlessly with its surroundings, enhancing the colours and hues of the adjacent landscape. Alternating open and closed spaces create a consistent relationship between indoor and outdoor spaces and which facilitates movement throughout the structure.

Designed as a weekend home, Coolatai House transforms everyday comfort into a tangible experience. Three cozy bedrooms, generous living spaces and sheltered, barrier-free outdoor areas shape a comfortable place of escape from ordinary reality. Selected materials such as stainless steel, wood, and metal, along with a deep-toned color palette, convey the safe and stable essence of the house.

Name: Coolatai House
Position: Wye River, Australia
Architecture and interior design: Cera Stribley
Constructions: CJ Henderson Builders
Year of completion: 2023
Photographic credits: Unox Casa

For more information visit https://unox.com/au_au/

The thirteenth edition of the award is a celebration of innovation in process and tradition with a view to championing sustainable thinking. The winners represent a variety of different countries of origin or provenance, and their projects reflect different geographical latitudes and design aptitudes.

FIRST PRIZE

STUDIO OLOLOO, China (Stand C14)

“Deformation Under Pressure”

Lamp

Selected for the experimental approach behind the idea and workmanship of the lamp, which combines inflatable PVC with a tensioned aluminium structure.

SECOND PRIZE

FILIPPO ANDRIGHETTO, Italy-Denmark (Stand C36)

“Veliero”

Bookcase

Two factors were deemed particularly deserving: the use of a single material (wood) and the constructional aspect of interlocking elements, eliminating the need for screws or glues.

THIRD PRIZE

EGOUNDESIGN, Italy (Stand B42)

“Voronoi”

Set of 3D-printed brass cups

Beyond the product itself, the award recognises the research effort leading to a new mode of production and application of 3D printing.

SPECIAL MENTION

MOHAMED ROMANI with CHEMS EDDINE MECHRI and AHMED BSSILA

For Creative Tunisia – Onat (Stand B37)

“Fibra”

Lamp

The lamp reveals how traditional materials can remain alive and be renewed in simple everyday objects. This research that can be adapted to many different crafts.

For more information visit salonemilano.it/en/exhibitions/salonesatellite

Clay and brass, essential materials for ceramics and fittings, prominently feature in the entrance area of the new Laufen Forum.

A wall and reception desk made of rammed earth and flanked by an imposing brass wall provide a sensory experience upon entering. These materials, with their tactile qualities, symbolise the project’s focus on the interplay of raw materials, technical know-how and product aesthetics. The contrast between archaic originality and innovative sophistication are the basis of the concept for the new brand presentation, which Snøhetta developed together with Laufen.

“It was important to us that the core of the LAUFEN brand was the focus in the newly designed LAUFEN Forum. The essence of LAUFEN is represented by the tension between materiality, design and technical perfection” – Patrick Lüth, managing director of Snøhetta Studio in Innsbruck.

A light terrazzo floor, colour-coordinated with the exposed concrete of the curved, two-storey building, provides a neutral backdrop for curated product displays designed with natural clay plasters and paints.

In these niches, visitors can experience the tactile qualities of Laufen’s bathroom products, from washbasins and toilets to matching furniture, faucets, bathtubs, shower trays and accessories. Each bathroom collection is presented with signature colours.

The product display on the upper floor is a little more playful: a wealth of Laufen products can be found on industrial shelves. Visitors can arrange and combine products from various collections on movable racks, allowing for interactive exploration and testing of product combinations.

This hands-on exhibition provides new opportunities to understand and experience the bathroom living space.

The bright terrazzo and exposed concrete create an industrial yet welcoming ambiance for this setting. A digital space complements the analogue brand world, allowing visitors to digitally explore and immerse themselves in the Laufen universe.

For more information visit laufen.com/

This has always been the prestigious institution’s most important recognition, celebrating those whose dedication and passionate work have left an indelible mark on the world of art and design.

It is recognition of Marva Griffin Wilshire’s talent, vision and free spirit, which have seen her become the creator of the first and most authoritative event in the world of design dedicated to professionals under 35 and the “godmother” of more than 14,000 young talents who, thanks to this launchpad, have gone on to gain a foothold in the international design scene.

The Rhode Island School of Design’s decision to award Marva Griffin Wilshire with an Honorary Doctorate in Fine Art was based on her huge commitment to supporting and giving a voice and opportunities to young talents with SaloneSatellite, which selected 600 emerging designers from 32 countries and hosted 22 international design schools and universities from 13 countries.

“It is a huge honour to receive this recognition: I have always had one single objective, which was to help the young people I knew to take part in the Salone del Mobile di Milano so they could show off their creativity to the world” – Marva Griffin Wilshire.

Marva Griffin Wilshire’s Honorary Doctorate is also testament to the ability of SaloneSatellite to intercept ideas, languages and actors capable of expressing new horizons and visions, bolstering the link with the entire world of design production.

Following the Honorary Master’s Degree in Design for the Product Service System, conferred on her in 2021 by Milan Polytechnic University, Marva Griffin Wilshire thus joins the ranks of many other famous names recognised by the Rhode Island School over the years.

For more information visit salonemilano.it/en/exhibitions/salonesatellite

Brett’s relationship with Blum started in 1986. At that time, Brett’s main experience was in sales, having gone straight from school into a sales support role and completing a marketing certificate at TAFE.

Spotting a job ad in the newspaper, he applied for and was employed as a salesperson for Richard Small Distribution, based out of a small facility in Marrickville. Richard was the agent for a number of products, including office furniture as well as a lesser-known brand – Blum. Brett’s initial contact was more with office furniture than with Blum products but, shortly after he started, the incumbent Sales Representative resigned, and Brett was promoted to the position.

As his time with Richard progressed, Brett took on more management roles that he says were a better fit with his skill set. “I was talking more to people, dealing with distributors and looking at what support they needed,” he explains. “As we grew, that also meant I needed to become involved in stock management and logistics”.

The business grew, necessitating more staff. This provided Brett with the opportunity to gravitate into the administrative and management side of the business.

Happily, this coincided with an expansion of Blum’s product line as the company introduced a new range of drawers to supplement the hinges and runner systems. “This created new challenges within the logistics area so we really had to think about how to manage stock and work with the distribution network,” Brett says.

Within a month or two of starting with Richard Small Distribution, Brett attended a show called Profurn in Melbourne. At that time there were no large exhibition buildings but it showed the industry what was possible and Brett was a witness to the set up of the AWISA shows.

“AWISA was driven by the industry realising the power of these trade shows. We created an association, met Geoff Holland and started planning. The first show was in the Yennora Woolsheds which was the only clearspan space that was large enough at the time,” says Brett.

Not long after this, the original facility at Sydney’s Darling Harbour was built and this allowed for the expansion of the show which soon included Melbourne as a location. “It was always a hit from a machinery point of view,” says Brett. “On the hardware side it was definitely the personalities who drive the show. There were characters who pushed hard and brought an entrepreneurial spirit to making it happen”.

Brett remembers his first visit to Interzum in 1987. “I flew for 30 hours to get there,” he laughs. “It wasn’t an easy thing to do in those days and it meant a long time away from a business but it was an amazing experience”. Brett attended Interzum 16 times in total and, in the beginning, having visitors from Australia was an unusual and unexpected occurrence.

“In the early days at Interzum, the visitors were mainly entrepreneurs looking for new products so it’s changed quite a bit. The show has now moved towards more statements from major businesses about where they are headed and the decorative side of things has become a bit more complex,” he adds.

1997 saw the next big shift with Richard Small retiring and Blum Austria, by mutual agreement, bought the agency to create a new entity – Blum Australia. The new entity was a wholly-owned subsidiary of Blum Austria and all the staff transitioned to become Blum Australia staff, with the new management team consisting of Brett as Managing Director, and Bryan Cairnduff and Ron Redman as Sales Managers.

These changes were in the context of so many other changes happening both within the industry and across all businesses. “When I first started communicating with Blum it was via Telex,” Brett laughs. “We even employed a Telex operator specifically for that reason. Then we moved to faxes and soon after we started establishing email addresses to access the company intranet”.

As the technology swiftly changed the landscape, so too did Blum’s product line continue to expand with the appetite for drawers branching out into the need for full-extension runners, and then soft-close mechanisms. “Blum wasn’t necessarily the first to market with these new products, but we were the first to really invest in selling the functionality and usability aspects,” Brett explains.

“We were in the right place at the right time, with the right products, backed by new technologies that helped with the flow of information,” says Brett. “The relationships we could build were suddenly very different and that coincided with a new approach to kitchen design in Australia”.

In the early 2000s, we saw a phenomenal focus on kitchens. Cooking shows were on every channel and the rise of the celebrity chef was in full flight. Renovation and DIY shows were opening homeowner’s eyes to what could be achieved and, all of a sudden, there was an insatiable hunger in the market for hardware.

Blum’s hardware solutions met many of the demands of consumers with more education around the benefits of drawers, the added functionality of soft-close mechanisms and the practicality of in-drawer organisation.

“At this time, we were still working under the original distribution networking arrangement with the distributors placing direct orders and importing the bulk of their stock directly to premises,” Brett explains. “While this had its benefits, it was limited by the space available to store stock and impacted our ability to predict which way the market would go”.

The solution was a purpose-built premises to provide better opportunities to support the distributors, so plans began in 1997 to build a facility in Moorebank. “I don’t think anyone genuinely saw how quickly the market would grow and how fast it would take off,” Brett reflects. “But we could see that the trajectory meant we had to focus on logistics as a main priority”.

The building in Moorebank was Blum’s home for 10 years and it became the hub through which the distributor network was able to scale, allowing previously small enterprises to become national businesses to further support the Blum brand.

“We had just moved into the Moorebank building and we held a presentation for distributors,” Brett recalls. “We created three kitchens in the loading bay – a kitchen from 1997 with no drawers, a kitchen with hinges and some Metabox drawers, and a fully fitted-out Tandembox kitchen with Orgaline”. This became the first of a program of education, training and consultation to ensure a deep connection with the brand and clear understanding of the products and benefits.

As it drew close to the 10-year anniversary of the Moorebank premises, it became clear that the growth in the industry meant more support was needed for the distributor network so a plan was made to build another building that would house a purpose-built, highbay, automated warehouse. “Logistically it just made more sense for Blum Australia to handle orders for everyone,” Brett explains. “Our distributors had scaled up to support the Blum products so it made sense for us to scale up the Blum Australia operation to allow us to service them properly”.

The building process for the new premises was a challenge but Brett relished the opportunity to create something world-class that would show Blum’s commitment to the Australian market. Luckily Blum has many similar facilities around the world so Brett and his team were able to access information and assistance internally to help the building process run smoothly. Even so, it took close to two years to find appropriate land, obtain the necessary permits, finalise the design and get the building under construction. Even with a Project Manager in place, Brett says there was a mountain of administration in order to manage the project properly.

The property was completed in 2010, and then expanded in 2016 when the highbay tower was doubled in size. This activity happened at the same time that David Noakes (Sales Manager) and the Blum sales team was expanding its purpose-built showrooms around Australia and increasing the sales teams to keep pace with product development and provide support for an increasingly complex product range.

“We do have a large and somewhat complex product range so getting that balance right about how much we should stock and allowing for some speculation on what should come in and when to introduce new products was the challenge,” says Brett. “But that’s always been Blum’s attitude – we have to put the effort in and we can’t not provide a premium service”.

When asked to nominate a career highlight, Brett finds it hard to choose just one. “Building the new premises was definitely an experience,” he says. “While we had wonderful support from Austria, it was definitely an Australian/Austrian project and it needed an immense level of collaboration throughout the team to make sure we achieved a good result. Building projects can go astray pretty easily unless all parties are focussed on clear goals so that was my main role”.

Brett credits the company’s long-standing relationships with distributors as a key reason for the success of Blum Australia. “Some of these relationships are more than 40 years old,” he says. “So, we understand collaboration and support and it’s clear on both sides that we create a win-win situation whether it’s building relationships or building buildings”.

Brett officially retires this year and he is understandably looking forward to having time to invest in a number of jobs that have been pushed back. “The kitchen is priority number one,” he laughs. “As that’s long overdue for renovation. And I spent so many years travelling for business, I relish the chance to travel for pleasure and I’m keen to take more time both in Australia and overseas to look around”.

Once Brett retires, Blum Australia will have a new three-person management team in place which better reflects how the company is growing and changing.

For more information visit https://www.blum.com/au/en/

A waterless sanitation solution that integrates with container-based sanitation waste collection models, Kohler Loope was designed to bring safe sanitation to dense urban environments where alternative options are often non-existent.

The Loope toilet was developed within Kohler’s Innovation for Good (IfG) platform, an in-house incubator focused on creating new business opportunities with a social and environmental purpose. The IfG solutions are rooted in making positive impacts on communities and lives around the world by increasing access to safe water and sanitation.

The Loope toilet was inspired by UN Sustainable Development Goal #6 of “ensuring access to safe and affordable sanitation for all,” and iF Design Award jurors noted that “this is a great example of design innovation in the service of humanity”.

“As part of our Innovation for Good portfolio, Loope has the real potential to positively impact a significant number of lives around the world. Winning the Gold iF design award brings much needed attention to the issue of unsafe sanitation that affects so many people,” says Laura Kohler, Chief Sustainable Living Officer for Kohler Co. “This and other products stemming from our IfG incubator program harness associates’ passions to develop meaningful solutions that provide greater access to sustainable living”.

In total, Kohler secured 13 iF product design awards under its Kohler, Mira and Klafs brands for solutions in showering, bathroom faucets, toilets, sinks, storage, kitchen faucets and saunas. The coveted GOLD Award earns Kohler a place among only 75 Gold winners.

With 10,800 entries from 72 countries, the iF Design Award is one of the most prestigious and relevant design competitions in the world. To be the recipient of the iF Design Award means passing a rigorous two-stage selection by renowned design experts, who evaluate submissions based on idea, form, function, differentiation, and impact.

“Our product designs are human-centric, and we strive to create deep interactions and memorable experiences for our customers. We are humbled by the overwhelming list of accolades from the iF organsation, and excited to see our visions rise to the top of global design evaluation,” says Michael Seum, VP of Global Industrial Design for Kohler Co.”

For more information visit ifdesign.com/en/winner-ranking/project/kohler-loope/633569

Nestled among the trees with a view of the Stura Valley in Roccasparvera, Cuneo, the Buen Retiro retreat stands as a testament to the skill of local architect Dario Castellino, who has designed it to blend seamlessly with its natural surroundings. In the scenic area of Broglio, which translates to “sprout” in local dialect, Buen Retiro rejuvenates a historical rural site. This project highlights Castellino’s dedication to revitalising small alpine villages, similar to his work in the Cuneo valleys at Paraloup and Campofei.

Transforming an old stone ruin overrun by nature, Castellino has created a modern extension using burnt larch wood and glass, establishing a seamless connection between the natural environment and the architectural design.

The original stone and lime structure, featuring one room on each floor, has been carefully preserved in both form and materials. Specific efforts to reinforce and reconstruct the roof with reclaimed wood from the Stura valley have maintained its original character. An internal wooden staircase, housed in the rebuilt and insulated old portico, links the new addition to the existing building. The modern extension complements the stone structure, maintaining visual unity and integrity. It integrates smoothly, with horizontal forms and a low profile that fits delicately under the long sheet metal roof.

The extension is constructed with slender wooden pillars on a reinforced concrete base. The walls are made of nailed wooden boards filled with CalceLegnoCanapa® insulating panels, known for their low environmental impact and strong mechanical, seismic, fire-resistant, and insulating properties. The insulated roof is supported by wooden beams and boards. The southern façade features large single-glazed windows, merging the indoor and outdoor spaces. The dark frames and strips on the insulated portions of the facade and internal partitions ensure harmony with the natural setting.

The design thoughtfully integrates materials and colours with the surroundings while playing with contrasts. Smaller windows in the original building evoke a sense of protection, while large panoramic windows create a feeling of openness and immersion in the landscape. These expansive windows allow nature to flow seamlessly into the house, forging a unique connection between the interior and exterior spaces.

1 of 7

Dario Castellino, a strong proponent of the local wood supply chain in the Cuneo valleys, sourced all the wood locally for the new construction. He used the Japanese Shou Sugi Ban technique to preserve the wood, enhancing its resistance to weather, pests, water, and fire through a surface carbonisation process followed by the application of Tung oil.

Moreover, the house is fully energy self-sufficient, equipped with photovoltaic panels on the roof and an energy storage system, embodying a commitment to zero-emission living.

For more information visit dariocastellino.it/en/home/

Photos: ©Fabio Oggero

Project Credits

Structural Works Designer: Eretika, Borgo San Dalmazzo (CN),ing. Ivano Menso

Heating System Designer: Studio Tecno, Cuneo (CN), ing. Emanuele Dutto e arch. Alice Lusso

General Works: Edilbieffe, Borgo San Dalmazzo (CN)

Water and Sanitary System Installation: Termoigienica, Cavallermaggiore (CN)

Electrical System Installation: Alen Impianti Elettrici, Giordano Alen, Boves (CN)

Furniture/Interior Design and Implementation: Paolo Sasia, artisan

Suppliers:

Wood and CalceLegnoCanapa®: Segheria Pedona, Borgo San Dalmazzo (CN)

Furniture: Bensa Arredamenti, Vignolo (CN)

Sanitary Ware: Idroterm, Cuneo (CN)

Glass and Fixtures: Tecnovetro Macario, Borgo San Dalmazzo (CN)

Fixtures: La Casa del Legno di Sibilli Osvaldo, Aisone (CN)

Stove: P&P Prandi Caminetti, Dronero (CN)

Floor Resins: To Be Resine

Products:

Insulation: CalceLegnoCanapa®

Sanitary Ware: Flaminia

Fittings: Zucchetti

Furniture:

Dining Table Chairs: Wishbone Chair, Carl Hansen & Søn

Dining Table: Record, Infiniti

Armchair: Lounge Chair & Ottoman, Vitra

Living Room Chandelier: Radiohus, Louis Poulsen

Bedroom Light: Balloon, Brokis

Bathroom Light: Moon, Davide Groppi

Pouf: Tondo, Valentini Imbottiti

Rugs: Dipodesign

Objects: Rina Menardi | Adriani & Rossi

Illuminated Sideboard: Living Day, Novamobili

Log Holder: Caligaris Objet

Understairs Armchair: Nest, Nicoletti Home

Book Table: Circle, Novamobili

Bathroom Stool: Tronco, Gervasoni

And the winners are…

2024 HIA Australian Kitchen of the Year

Winner: Craig Linke Bespoke Building

With elements that have been meticulously selected, this kitchen exudes elegance and style in abundance to create a contemporary space perfect for a luxury abode. The exquisite fluted marble, with distinct veining and polished finish is a true standout and creates a breathtaking centrepiece to the kitchen. Beautifully balanced by Tasmanian oak veneer joinery and brass-handles Shaker cabinet doors finish the space to a high level of quality and luxury.

1 of 4

Judges praised the harmonious materials and the addition of a butler’s kitchen with a dedicated coffee-making zone for significantly boosting the space’s functionality.

About Craig Linke Bespoke Building

A small volume builder that specialises in quality residential projects in Adelaide and surrounds, Craig Linke Bespoke Building are with you from the beginning, supporting you as your bespoke project takes shape through ideas, design and the build itself.

This is the second year in a row that Craig Linke Bespoke Building has won this category.

2024 HIA Australian Kitchen Design

Winner: Studio Minosa

Convention has been banned in this opulent and sophisticated kitchen that expertly blends a mix of materials for an incredible effect. Corian, liquid metal, quartzite stone, timber veneer and bronze accents create a warm and welcoming atmosphere while clever layout and space planning optimises functionality. With a sleek and cohesive ambiance, the kitchen utilises textures and finishes to accentuate the raw beauty of off-form concrete and terracotta tiles. A standout feature is the pop up bar area which is a glamorous inclusion that features integrated voice control, layered lighting and hidden speakers.

1 of 4

The judges commented that this reinvents traditional kitchen design and creatively redefines luxury living.

About Studio Minosa

A luxury design studio that focus on the kitchen and bathrooms as hubs of the home, Studio Minosa design environments that foster qualities of organisation, comfort, relaxation, security and peace. An appreciation, passion and commitment to bespoke, authentic keeps Studio Minosa inspired to continue creating better spaces for people to live, nourish and relax in.

This is the fourth time that Studio Minosa has won this category.

2024 HIA Australian Bathroom of the Year

Winner: Pichelmann Custom Building & Precise Custom Joinery

It was the attention to detail that was so evident in this bathroom and made it a worthy winner in this category. Crisp lines in the shower niche are elevated thanks to meticulous tile placement to create a seamless visual flow. A careful selection of layered materials creates a calming ambience which is underscored by expert craftsmanship. Lighting – plus the large skylight to provide natural light – is unobtrusive yet effective and serves to highlight the marble, copper and veneer elements within the space.

1 of 4

Judges were particularly impressed by the sleek, minimal aesthetic and have described this bathroom as subtle, warm, and with perfect flow.

About Pichelmann Custom Building

Since 2005, Pichelmann Custom Building has been a builder that always delivers. With a team focused on the highest levels of quality and service, this family owned business has produced exceptional new builds and renovations time and time again. Husband and wife, Parry & Meike Pichelmann have represented Australia and Germany respectively at the International Vocational Skill Olympics.

About Precise Custom Joinery

Precise Custom Joinery have been supplying joinery to Canberra, Queanbeyan and the surrounding regions since 1999. With a passion for fine woodworking and providing quality without compromise, Phil and his team have quickly built a reputation to become one of Canberra’s premium joinery shops.

2024 HIA Australian Bathroom Design

Winner: Concepts by Gavin Hepper

A complex design that combines soft curves and clever layering of materials, together with a variety of textures, this bathroom is both playful and highly functional. With an abundance of natural light thanks to the circular skylight, privacy is maintained for a relaxing bathing experience. Concealed behind a curved wall, the walk-in shower is a secluded and luxurious space in which to unwind, while underfloor heating provides comfort in the cooler months.

1 of 4

Judges observed the complex design is perfectly executed, making this a memorable and inviting space.

About Concepts by Gavin Hepper

Concepts by Gavin Hepper is an Illawarra based Interior Design studio with a rare combination of over 25 years experience across both design and industry trade platforms. This award will mark the studio’s third year in a row of winning at the Australian Housing Awards.

To see the full list of winners visit hia.com.au/awards-and-events/australian-housing-awards/2024-australian-housing-award-winners

Most recently, she was crowned KBDi Australian Bathroom Designer of the Year at the KBDi 2023 Designer Awards, held in Brisbane. At the same event she took home the Bathroom Designer NSW, Laundry Design NSW and Australian Laundry Design, Master Suites NSW and Australian Master Suites, Small Bathrooms NSW and Large Bathroom NSW Awards.

“It takes a lot of work to enter awards,” she explains. “So, it’s lovely to have that recognition. Of the four categories we entered, I was the lead designer on only one project so it was so cool to be able to share that with the team and for them to see the results of their hard work”.

Sarah won her first “big” award with KBDi (Kitchen & Bathroom Designers Institute of Australia) in 2016 and she says it took a lot of courage for her to enter. “It was my first full home renovation and it was such a big job. But I was so proud of it and, even now when I look back at that kitchen, I’m still amazed at what we achieved,” she says.

As a young child, Sarah says she always had a creative streak but not necessarily in artistic endeavours such as painting or drawing. She was good with her hands, making and creating, using her problem-solving skills to find solutions and overcome barriers.

“I grew up in a creative household – both my parents were always very creative,” she explains. “I remember always making towns and 3D structures from sticks and leaves or whatever I could get my hands on”.

When Sarah left school, she thought she would follow a path to Architecture as it felt more familiar than the concept of “Interior Design” which was at the time a fairly ambiguous term. A visit to the University of Canberra to attend an information session on architecture led to an accidental discovery of Interior Design. “I saw a sign on a door for an Interior Design information session and I stepped in on a whim,” she says. “A past student was describing the course and it absolutely resonated with me. It was everything I loved about architecture but with that extra layer of creativity”.

Sarah completed her three-year course and graduated with her Bachelor’s degree. She started working in the industry while she was still studying taking on roles as an intern, undergoing practical placements and doing whatever she could to supplement her learning. After graduation, she worked for an Architectural firm in Canberra which had just opened an Interior Design division and then moved into a role with a specialist interior design firm.

“I always contemplated going out on my own,” she admits. “But I will always be grateful for the benefits of having all that experience before I established my own business. The catalyst was a move to Wollongong where I looked for work but I couldn’t find anything that felt like a good fit. So, I saw that as a sign to start my own firm”.

As with all small businesses, in the beginning Sarah took on all the job roles and supplemented that with a variety of interns as a way to help others studying in the industry. Becoming established took time – Sarah says it was at least five years before word-of-mouth and referrals were providing the bulk of her work.

“When I started, I knew I had to invest to make sure the business would be a success,” she says. “I took the first five to six months to build the website, prepare the business, undertake an intense amount of networking and make sure I was properly established before we officially launched”.

The name of the business is very personal but also carefully chosen as Sarah knew she didn’t want to link her name to her business. “Somehow I always knew eventually I would have a team and it was important that the designers all feel part of a collective,” she explains. Out and about one day, she had a vision of a raven and then her husband suggested the name Blackbird. “When I looked into the character of a blackbird I really felt it fit with my personality and my aesthetic,” Sarah says. “But the name Blackbird was taken by a graphic designer in Queensland so we flipped it which was the best decision we ever made. The name is unique, it makes people think and it’s memorable, so it’s perfect”.

Sarah’s first official job in her new business was the very small task of choosing a tile for a splashback and organising the trades to complete the installation. Then she took on a bathroom renovation, then another, and continued networking and building the business.

Her favourite project to date is the recently launched Hai Lang Residence. “The projects that resonate with me most are the ones where the client trusts us and this project is no exception,” she explains. “It was challenging in every respect – everything was curved and many of the materials and application were all experimental – so we faced many roadblocks along the way. But I’m so proud of how we pushed through – it was a huge collective effort over the last four years to see it through to completion”.

When it comes to the professionalism of her industry, Sarah feels passionately about accreditation for Interior Designers and educating the industry and the public about professionally-trained Designers and the strengths they can bring to a project. “Accreditation allows us to make the distinction between us and other sectors of the industry,” she says. “I welcome the opportunity to set some standards and benchmark what it means to be an Interior Designer in Australia”.

Sarah does feel that a blanket ban on those without a formal education is not the right approach but she is also passionate about protecting hers and her peer’s rights and having that level of oversight that governs the industry and encourages everyone to provide a more professional level of service.

When asked what advice she would give to those starting out in the industry, she is quick to respond. “Get your degree – that’s what’s going to set you apart,” she says. “Do the hard yards at the beginning of your career and understand that it’s now super competitive. It’s become a very ‘trendy’ career path to follow and most don’t realise how hard you have to work”.

She also recommends developing an “epic” portfolio and working on developing self-confidence. “Ask lots of questions and plan for ongoing learning. Be open to continuing professional development and always be willing to be taught and have the perseverance to keep going,” she advises.

One area Sarah definitely recommends new Designers work on is fostering a belief in yourself. “Creative people can also be sales people but you need to be taught how to make that combination”, she says. “I was definitely shy growing up but, being in business, you don’t have that luxury”.

The other area of advice Sarah has is related to awards and when or how to enter. “I know that feeling of not winning,” she says. “I don’t want people to think we were handed anything – we had plenty of years of entering and walking away with nothing. It’s hard but you have to keep going. All the top designers have had breakthrough projects and you will have yours. While you wait, enjoy the clients who trust you even if it’s a lower budget project – their trust in you is the win”.

In terms of what’s next for Birdblack Design and Sarah’s team, now the Hai Lang Residence is finished they are embarking on a daunting project in Fiji which is next-level complicated. All materials and supplies must be shipped over meaning logistical challenges to overcome as well as managing communication. Then, another large project on the South Coast of NSW which will afford them the opportunity to try a few new tricks, work with some new and interesting materials and generally stretch their creative muscle. So, watch this space.

For more information visit birdblackdesign.com.au/

Good Guys Commercial Offer

ACFA has worked to bring its valued members a new member-only offer. ACFA Members can now get access to a new online shopping site with The Good Guys Commercial. Members will be able to see ‘live’ discounted pricing for the extensive The Good Guys range of products. That’s great deals on thousands of products. Furthermore, items will be able to be purchased online – saving time and money.

Members can register for their own Good Guys Commercial account by filling out the form here.  

From time to time, ACFA will share monthly specials on top of prices listed on The Good Guys Commercial site. Keep an eye out on the ACFA Facebook Members Page for when the next special becomes available. 

Up to 3 months free ACFA membership and Milwaukee prize pack for new members

New ACFA members are invited to take advantage of ACFA’s special limited time offer. New annual memberships who join during the promotion period from the 1^st of April to the 30^th of June 2024 can receive up to 3 months membership services for free*.

New members will also go into the draw to win a Milwaukee M18 FUEL™ 2 PIECE POWER PACK 2A3 consisting of:

• M18 FUEL™ 13mm Hammer Drill/Driver (Tool Only)
• M18 FUEL™ 1/4″ Hex Impact Driver (Tool Only)
• (2) M18™ REDLITHIUM™-ION 5.0Ah Battery
• M12™ REDLITHIUM™-ION 2.0Ah Compact Battery
• M12™ & M18™ Rapid Charger

How ACFA Membership supports your business

• Unlimited calls and emails to our Workplace Advisory Team
• Answer workplace relations questions specific to our industry, including wage rates and allowances
• Performance management assistance across the employment lifecycle
• Access to industry specific policies, checklists, and fact sheets
• Provide assistance with contracts of employment
• Distributes up-to-date information and communications on critical issues, workplace laws and legislation

To become an ACFA member click here.

* (Dependent on date of joining and membership tier)

2024 ACFA Industry Awards Early Bird Offer

ACFA would like to remind all members that nominations are now open for the 2024 ACFA Industry Awards and discounted early bird entry fees are open until the 31st May 2024.

Entries to the ACFA Industry Awards showcase recent work to both the industry and potential clients. There is no limit to how many entries a business can place, whether that be across multiple categories, or multiple entries for a particular category.

There are 25+ categories covering Kitchens, Bathrooms, Furniture, Commercial, and People with nominations closing 31st July 2024.

The Industry Awards, set to be held on the 20th of September 2024, bring many beneficial opportunities for finalists and winners to promote their projects and achievements to potential clients.

For more information on the awards, visit acfa.net.au/awards/2024-industry-awards

Australian Cabinet & Furniture Association
acfa.net.au/
FB: facebook.com/AustralianCabinetandFurnitureAssociation
IG: instagram.com/acfaofficial/

Kate describes herself as having always been creative as a child and it seems to run in the family. “Mum was a crazy decorator back in England,” she explains. “Every two years she’d redecorate the house and my sister was also very creative and artistic so I grew up in this incredibly inspirational environment”. When Kate was 10 years old her sister married and moved out of home, leaving Kate with a large double bedroom all to herself.

She describes the feeling of freedom and excitement at the chance to decorate the space on her own. “I made curtains, ‘borrowed’ some Lloyd Loom chairs from another room, grabbed a coffee table and my record player and set up my own hideaway,” she says.

Moving to Australia as a teenager in 1967 was a culture shock and after six years she briefly returned to England in the early 70s. But the move to the antipodes eventually led to Kate meeting her husband Ian who was studying architecture. They purchased an 1867 terrace house in Rozelle, Sydney and spent four years renovating it, with Kate rolling up her sleeves and doing much of the work herself. This process gave her the realisation that not only was she hugely interested in design, but she was also very good at it.

“I was lucky,” Kate muses. “I was keenly interested in what Ian was doing and he taught me so much. And that, coupled with the course I was taking with the New York School of Interior Design really helped me work out what I wanted to do”. Kate also took on an architectural drafting course which she credits with helping her hone her knowledge in structural design and understanding the relevance and application of building codes. “In those days you did a lot of learning on the job,” she laughs.

Kate even lived for a year in Lucca, Italy in 1981 and she describes this time as magical, and a place to which she returned often in the ensuing years. “That experience really kick-started my whole love affair with Italy,” she says. “It was amazing and I will never regret it”.

Throughout her career, Kate has always had an interest in and a wish to pursue sustainable design and an opportunity arose in the early 80s to move to Northern NSW and build one of the country’s first solar houses. As it was one of the first of its kind, there were very few templates to follow so Kate was learning while doing. “I did a lot of the building work myself and was on the tools most days,” she remembers. “We built it together and much of the work we did ourselves. It took around 18 months in total and then we lived there for a while before heading off for our next adventure”.

A move to Brisbane saw Kate working for many of the top designers of the time and she is grateful for the opportunities they gave her to take on more responsibility and gain a wide variety of experience. In 1987, she and Ian took the plunge and established their own business – The Design Works – which enjoyed 10 successful years before the recession of the late 1990s particularly impacted the Queensland market.

Kate describes those years as busy and challenging but ultimately hugely rewarding as they worked on high-end residential, hospitality, health and aged care, and retail projects as well as partnering with a number of high-end construction companies.

Another move saw Kate back in Sydney where she obtained her Certified Kitchen Designer accreditation (then through HIA) and was working for a number of kitchen companies, as well as doing some training for HIA. And, then, a wonderful opportunity arose to contribute to a magazine called Luxury Home Design, produced by Universal Magazines (now known as UMCo,) which Kate did for a short time before applying for the job as Editor when the incumbent resigned.

This fortuitous event sparked a relationship that would span more than 16 years and see the launch of many highly successful publications under Kate’s leadership including the renowned Grand Designs Australia magazine. “My philosophy has always been that everybody has the right to experience good design,” she says. “It’s not just for those with means. I really wanted our readers to understand about the benefits of using a qualified designer and I was fabulously lucky to be able to use the magazine as a vehicle for that message”.

Kate also made her mark with Luxury Home Design (now known as Home Design) because she took the approach of covering not only the who’s who of the design industry but also profiling up-and-coming talented young people. She quickly established a reputation as a talent spotter and the magazine was not only gaining popularity with its readership but also with advertisers.

It was important to Kate that she not lose touch with her designing roots, so she continued to take on projects now and again – either for herself or for someone she knew. She mainly stuck to her core interests of kitchens and bathrooms and this meant she stayed in touch with the industry as well.

Another fortuitous meeting came when Kate was asked to give a talk at Enmore TAFE to students studying interior design. She was asked to talk about her own path into the industry and to give the students some ideas about different sectors of the industry. Catherine Whitting was teaching at Lidcome TAFE at the time (now at Enmore) and, following Kate’s retirement from Universal Magazines, she and Kate went on to establish a very successful venture as St James Whitting. This new partnership took on interior design work but also branched out into fabric and rug design, art, and a wonderful collaboration with Resene to develop new paint colours.

Having had such a broad career, Kate struggled when asked to pinpoint one thing she was most proud of. “I’m proud of so many achievements,” she explained. “I loved my time working in health and aged care/retirement villages as these can be very challenging and really require you to have a lot of specialist knowledge. And building my own house was fantastic – it was such a learning curve but I got so much hands-on experience. And my later work with the rugs, fabrics and paint has been so rewarding”.

Kate also believes in giving back to an industry that has provided her with such an amazing career. Over the years she has held a number of voluntary roles including Chapter Convenor of the Design Institute of Australia, President of the Australian Architecture Association and Board Member of the Australian Institute of Architects. She says these roles might be hard work and sometimes time consuming but it has been worthwhile to be able to contribute to promoting professional design.

Kate says that working in a creative field often doesn’t feel like “work” and the satisfaction that comes from finding a fabulous solution is like nothing else. “Every building has to start with a plan,” she says. “You have to have an idea but you also have to get it right – there is a lot to consider – and it has to be practical as well as beautiful, and designed for longevity”.

When asked what advice she would give to young designers starting in the industry she makes a number of points. “Get the best qualifications from the best place you can,” she emphasises. “Then join an industry association such as the Design Institute of Australia – get behind the industry that supports you. Get involved in networking events, go on design tours, and continue your education. Keep in touch with what’s going on in the world – read books, magazines and online publications”.

Kate is well-known in the industry for her commitment to mentoring and also feels strongly about the role designers play in their client’s lives. “You absolutely must leave your ego at the front door,” she says. “Be prepared to take feedback and criticism and be prepared to ‘do’. Remember that you are in someone’s home, and they must live in that space so it’s not about what you want, it’s about them and their family”.

For more information and to stay in touch with Kate visit facebook.com/stjameswhi/

Friday, 20th September 2024 at Doltone House Hype Park will be the location of this year’s Award Dinner, an exciting new venue for the awards. Conveniently located in the Sydney CBD, the venue will deliver a great atmosphere to join together as an industry.

After great feedback from the 2023 Industry Awards, ACFA is excited to see the calibre of entries into this year’s program. Early Bird Entries will close on the 31st of May and all entries must be entered by the 31st of July 2024.

2023 Cabinet Maker of the Year was awarded to Matthew Martin and the Team at Northern Kitchens and Joinery, who were thrilled to take home one of the major awards of the night. Matt mentioned, “This award means so much to me and my team. It really is a reward to my whole team for the hard work they put into each job we produce. This is certainly a team award”

Taking onboard feedback, this year’s awards are open to projects completed between the 1st of January 2023 and 30th of June 2024. This opens up projects that were unable to be photographed in time for the 2023 Awards. Projects awarded as Finalists and Winners in 2023 are ineligible to enter.

The ACFA Industry Awards celebrate and recognise the outstanding talent and skills within our industry. Dean Brakell, CEO of the Australian Cabinet and Furniture Association, added that “Each year it is remarkable to see the way projects continue to raise the bar and innovate with design, materials and the latest hardware. Now is the time to start thinking about what projects you may enter.“

Key Dates

Early Bird Entries Close: 31st May 2024

Final Entries Close: 31st July 2024

Finalists Announced: Mid-August 2024

Awards Dinner: 20th September 2024

For more information, visit acfa.net.au/awards/2024-industry-awards

Royston’s journey into the design world was not straightforward; his career has spanned such diverse industries as butchery, hairdressing and painting. Eventually, though, he discovered interior design and soon thereafter started winning awards and making a name for himself on the local and international scene.

After leaving school at 15, Royston worked a number of odd jobs before, incredibly, travelling to Australia on his own when he was 16 through the Big Brother scheme. He eventually worked all over the country, even (literally) running away with the circus for a stint before he ended up on the Mornington Peninsula where he settled for a longer period.

His odd-jobbing saw him involved in a number of renovations and remodelling projects. “I was always very handy,” he recalls. “I’d spend my pocket money on things I could pull apart and remake. I was fascinated with the technical nature of ‘things’ and I always wanted to know how they worked”.

Having met and married his wife Pamela, Royston was encouraged to attend adult education classes which he admits was daunting as someone who had never achieved well at school. But it was here that he connected with a teacher who was able to provide him with techniques to handle challenges such as dyslexia, which he now realised was one of the reasons he had always found schooling so difficult.

Following some time as a hairdresser – also a good fit as this is a very technically-minded profession – Royston decided he wanted to go continue his education. “I was always interested in colour,” he says. “In school, I was part of a national study into colour. All my classmates were tested to see how much of the colour spectrum we could see. Generally, women can see a much broader colour spectrum than men, but one in every hundred men can see the same range as women and I am one of those men”.

Originally Royston had his heart set on undertaking an Interior Design course at RMIT but this was not to be. But the story of how Royston was accepted into a Diploma of Interior Design and Decoration course at his local TAFE exemplifies his determined approach.

“I found out about the course and was told enrolment day was taking place in the near future. So, on the day, I went down and joined the queue. As I progressed through the queue, I chose my subjects, filled in forms and eventually paid my enrolment fee. When I reached the end of the queue they couldn’t find my name on the list – I was supposed to have submitted a folio and attended an interview! But, as I had all my other paperwork ready they stamped my form and let me in,” he says with a laugh.

After Royston graduated, he decided to start his own business. It took cleaning offices and shops at night while he was building up his own practice, but around 5 years later he was finally in a position to say he was a full-time designer. Then, in a move that would prove to be hugely impactful, he decided to enter an awards program.

Royston’s first success was with SIDA (Society for Interior Designers – now part of the DIA) where he was named “Best Kitchen – Runner Up”. His first national award was with HIA in 2001 which set in motion a cascade of awards all the way through to 2015 when he decided to “retire” from entering. In 2005, Royston was honoured with an SBID international award which he says was such an exciting, and humbling, experience.

In Royston’s career he has mostly been associated with bathroom design but his skill set has seen him involved with a wide variety of projects across building and interior design. As he became more well-known he was also invited to participate in industry events, as well as attending overseas design shows. He sat on the HIA (Vic) Kitchen & Bathroom Committee for almost 10 years and joined KBDi in 2007 before joining the national board in 2008, sitting as its President and being promoted to Executive Director in 2020.

“It was an honour to be asked to serve KBDi in this way,” he says. “I tried to use my time in these roles to foster ongoing education and establish connections with training organisations. As well as forging new and enduring relationships, I also worked on mending relationships where needed and I’m really proud of the work we’ve done”.

When asked what is on the horizon for the newly-retired Royston, he mentions catch-up lunches with industry associates and a renewed focus on private projects. “I’m looking to build the design practice back up but I’m very happy to make time to do other things,” he points out. “I’m lucky that I can be a bit more choosy about what projects I take on and I can focus more on those that are meaningful and interesting”.

When asked what advice he would give to anyone starting out this industry he is quick to answer with a laugh: “Don’t be too precious,” he says. “Stay humble and keep your head. Know when to ask for help and don’t be an island”.

If you’re interested in seeing more of Royston’s work, check out his Instagram @RoystonWilsonDesign and drop him a line.

The floors in the living area and kitchen are tiled with the Beton porcelain stoneware collection in the light Pearl colour and the 75.5×75.5cm and 75.5×151 cm sizes, while the Dark colour was chosen for the bathroom, in the 75.5×151 cm size, making a total of 146 square metres.

On the ground floor, a large open-plan area features the living room, the dining area, screened off with a masonry partition wall, the master bathroom, a study separated from the rest of the home by a sliding panel made of wooden boards, and an outside area. Above this floor are the mezzanines, a typical feature of loft apartments. The whole living space is characterised by the contrast between the white floors and walls, the black iron and décor elements and the warm allure of the birch wood furnishings.

1 of 6

To obtain a larger, more regular surface area, and to make the most of the height of the building, the renovation project involved the removal of the wall dividing the two long, narrow parts of the industrial construction, as well as the construction of three metal carpentry mezzanines. On one of the mezzanines is the bedroom, with a jacuzzi and a small bathroom; on another is a lounge area, while the third is used as an area to host guests. Under the larger mezzanines is the entrance to the apartment, decorated with wallpaper, as well as the walk-in-wardrobe, main bathroom and the study, which has its own entrance.

1 of 6

To add a dynamic edge to the whole place, the stairs up to the mezzanines have been designed in different shapes and colours. The lighting has also been studied with great care to create a distinctive atmosphere for each area and their different functions.

1 of 2

Lastly, a part of the roof has been removed and closed off on two sides with large sliding door frames, to create a private outdoor area, make the whole home brighter and allow for a smooth transition between indoors and outdoors.

1 of 2

Concrete effect porcelain stoneware is one of the top trends for fans of a metropolitan or urban chic style. This innovative ceramic material takes concrete and gives it a soft, stylish, cloudy look with an appealing colour effect. This offers a striking response to the evolving requirements of contemporary living styles, and is the ideal choice to shape enchanting, sophisticated living spaces with plenty of character.

1 of 4

The Beton porcelain stoneware collection by Casalgrande Padana features neutral tones and soft spatula effects, making it a perfect complement for a variety of styles: from the metropolitan style typical of loft apartments, to a more modern, contemporary Nordic look. Beton comes in a natural surface, and is available in five shades (Dark, Ivory, Mud, Pearl and Sand) and five sizes (30×60 cm, 60×60 cm, 37.5×75.5 cm, 75.5×75.5 cm and 75.5×151 cm).

For more information visit casalgrandepadana.com/

Text by Sara Costi for Casalgrande Padana | Photos by Jana Sebestova

The restaurant is located on the top floor of the Luigi Rovati Foundation and is known for its haute cuisine that showcases the chef’s philosophy of exploring the relationship between memories and taste.

1 of 4

The interior design of the restaurant, by Flaviano Capriotti, was conceived to create a path of discovery and surprise, in a continuous intertwining of light and dark, as in the dialogue among the surfaces in black bucchero and the long glazed path, to give a sense of theatrical intensity to the space. The same architectural studio has designed the Caffè Bistrot, proposing a narrative that develops around a palette of neutral tones and an undisputed predominance of wood combined in several finishes and processes – from natural to stained, blond and burnt, smooth and ribbed – to create a warm but not excessive environment that welcomes guests without overloading the atmosphere.

The restaurant covers an area of 400 square metres, with 36 seats spread over eight tables facing the kitchen, which is completely open. The flagship is its wine room, a walk-in area seamless with the lounge, where guests may admire the 650 labels from all over the world that are on display.

1 of 5

The labels represent an incredibly valuable collection, for which it was necessary to create specific units in terms of dimensions and technical features, able to perfectly preserve the bottles, while enhancing their display.

The wine room glass doors show refrigerated stainless-steel compartments divided into shelves of different heights and enhanced by a specially-designed lighting system which enhances the labels, making them decorative elements. The internal ventilation allows for an even distribution of temperature, which is vital not only for the correct conservation of bottles, but also and foremost for their tasting. Finally, in the lower part of the columns some refrigerated compartments have been placed to store water bottles and other drinks.

On the other hand, the Caffè Bistrot, on the ground floor, welcomes its guests in a more casual setting, with twenty-two seats, plus another twelve in the outdoor area overlooking the secret garden of the palace. The panorama is directly connected to the interior design, as if framed, also thanks to the wide wrap-around windows.

Once again Prisma has contributed here with the making of display showcases, refrigerated and heated, to preserve the labels and some of the sweet and savoury offerings of the venue. Elements of discreet elegance, which well match the timeless refinement of Capriotti’s design.

For more information visit www.prismaitalia.com

Four particularly impressive designs were recognised from the more than 1000 submissions to the re-conceptualised Pure Talents Contest: a mobile sauna, roof tiles made from recycled palm fronds, a skilfully crafted, textile partition screen and a foldable three-seater sofa.

The jury of five international designers was, for the first time, composed of former nominees of the competition who have made a name for themselves in the international design community. They were Marco Dessí from STUDIO DESSí, Esther Jongsma from VANTOT, Jonas Wagell from Studio JWDA, Tomás Alonso from Tomás Alonso Design Studio and Yael Mer from Raw-Edges Design Studio.

The winning entry in the “lifestyle and home living in cities with limited space” category was the “MFG Mobile Sauna” (in which “MFG” stands for “Mobil für Gelassenheit” or mobile serenity), an interior design concept from Emil Löber, Sophia Reißenweber and Friedrich Gerlach. Their collaborative submission applies the tiny house principle to an unusual type of space: a mobile sauna. The micro-architectural structure is designed for use in compact settings such as parking spaces, and pairs lightwood with a transparent outer shell. This represents a new, modern take on the communal sauna, a concept deeply entrenched in Scandinavian culture.

Carolin Schelkle is the winner in the “lifestyle and home living in a circular society” category with her “Wasted Treasure” project. The design showcases an alternative way of using biomass generated during palm oil production, especially that produced from the plant fibres in palm leaves, which do not decompose easily. Schelkle’s work illustrates the advantages of this material using roof tiles as an example. The addition of limestone and the recycled material brick dust results in dried, finely ground fibres that make for a weather-resistant, breathable building material. The intelligent repurposing of industrial waste is an important issue that permeates all areas of home living and building.

The winning design in the “lifestyle and home living as a statement/message/concept” category is the “Pleated Partition Screen” from Fenna van der Klei. The screen is made entirely of textiles and constitutes a new and innovative take on traditional folding techniques such as pleating. The fabric is stiffened without binders or adhesives, and stability is achieved merely by means of the folding technique, supported by the felt elements integrated into the pockets. The exquisite use of colours and patterns combines with thoughtful touches and the design’s simplicity to make this submission particularly charming. The self-supporting structure can be easily transported in flat packaging.

In addition to the three winning designs, the jury gave a special mention to the “Ballast” project from Anton Defant, in recognition of his unconventional furniture design. Jury member Tomás Alonso describes it as “probably the quickest three-seater sofa in the world to set up”. “Ballast” makes use of a radical approach that reduces the seat and backrest to the mesh material normally used to secure baggage stowed overhead and is surprisingly comfortable. The compact sofa can be collapsed in minutes, uses little material and is suited to all kinds of living spaces, ensuring that it meets the demands of a nomadic lifestyle.

For more information visit imm-cologne.com/events/pure-talents-contest/

This year we were privileged to be involved in a wide variety of awards programs with various industry partners. Plus, it was great to see and report on awards programs happening around the world. Here’s a wrap up of all our awards stories from last year!

ACFA

ACFA 2023 Industry Awards – Major Winners – read full article

ACFA 2023 Industry Awards – Kitchen category winners – read full article

ACFA 2023 Industry Awards – Bathroom, Laundry & Robe winners – read full article

ACFA 2023 Industry Awards – Furniture & Commercial category winners – read full article

ACFA 2023 Industry Awards – remaining category winners – read full article

KBDi

KBDi Designer Awards 2023 – National Winners – read full article

KBDi Designer Awards 2023 – State Winners – read full article

KBDi Designer Awards 2023 – Kitchen Category Winners – read full article

KBDi Designer Awards 2023 – Bathroom Category Winners – read full article

KBDi Designer Awards 2023 – remaining categories – read full article

HIA

HIA Victorian Regional Kitchen & Bathroom Awards – read full article

HIA Brisbane Kitchen & Bathroom Awards 2023 – read full article

HIA ACT & Southern NSW Kitchen & Bathroom Awards 2023 – read full article

HIA-CSR Victorian Kitchen & Bathroom Awards 2023 – read full article

HIA-CSR NSW Kitchen & Bathroom Awards – read full article

HIA WA Kitchen & Bathroom Awards 2023 – read full article

HIA Australian GreenSmart Awards 2023 – read full article

2023 HIA-CSR Australian Housing Awards – Kitchen & Bathroom winners – read full article

2023 HIA-CSR Australian Housing Awards – Home of the Year – read full article

If we missed your state or region, don’t worry… we’ll be completing our wrap up when we return from break in 2024.

IDA

Qld HIA & IDA Interior Design & Decorate Awards – read full article

International Awards

SIT Furniture Design Awards 2023 – read full article

LIT Lighting Design Awards 2023 – read full article

BLT Built Design Awards 2023 – read full article

Interzum 2023 Awards – Best of the Best – read full article

SaloneSatellite Awards 2023 – read full article

Stay tuned for more Summer Series articles coming soon!

Interior Design of the Year

Muskoka Cottage

Company/Designer: Studio Paolo Ferrari

Photo Credit: Joel Esposito

Location: Lake Rosseau, Muskoka, Canada

1 of 5

Overlooking Lake Rosseau, Muskoka Cottage was designed to complement but not overwhelm the environment in which it sits. Featuring warm minimalism, the space has a lovely sense of balance, where refined details coexist alongside unfinished surfaces. Refined Douglas fir millwork sits alongside rugged blocks of granite ensure a connection to nature within a luxury setting.

Furniture Design of the Year

Typology Ribbon Bench

Company: Landscape Forms

Designer: Designworks, a BMW Group Company

Photo Credit: Courtesy Landscape Forms

1 of 5

Combining modular seating solutions with enhanced lighting, the Typology Ribbon Bench connects spaces, guides pedestrians and is able to form hubs of community interaction. Constructed from aluminium and ultra-high-performance concrete, the bench has been designed with a gap between the two profiles to allow for the mounting of backrests, armrests and other surfaces.

Innovation of the Year

M3 Performance® Mattress

Company: BEDGEAR®

Designer: Eugene Alletto

Photo Credit: BEDGEAR

1 of 4

Allowing the user to choose from four highly-breathable firmness levels on either right or left, the M3 Performance® Mattress is the world’s first dual-sided modular design that means sleepers never have to compromise on comfort.

Emerging Furniture Designer of the Year

Daejo

Designer: Tom Man

Other Credit: Ravit Laser

Photo Credit: Pavel Zubenko

Location: Tel Aviv, Israel

1 of 5

A series of wooden stools, Daejo embodies holistic design to highlight a piece of furniture that has a long history as a functional inclusion within human life. The design has focussed on the visual elements – shape, composition and material – to create different levels of contrast in each stool. Designer Tom Man says, “My personal design projects focus on the visual elements as I explore how shapes, composition and materials have in their power to attract users, evoke delightful emotions and provide different emotional experiences”.

Emerging Interior Designer of the Year

Soul Cave – Patagonia

Designer: Tony Wu

School: Savannah College of Art and Design

Location: Savannah

1 of 5

A new concept for a retail setting that challenges the notion that retail environments are often without emotion or human warmth. The designer sought a solution for the retailer to communicate the brand’s story in a way that retains the spirit of the items being sold and creates a deeper relationship between buyer and seller.

For more information visit sitaward.com/

Western Victoria

Bathroom of the Year

Partnered By Miele

Enso Homes

1 of 4

The ensuite of the Lighthouse 26 display in Armstrong Creek is a refined, elegant and modern space. A flat roof solar openable skylight, complete with rain sensor, and LED lighting surrounds on the mirrors ensure the space always has the perfect amount of light. Quality fixtures and finishes are used throughout. A shelving and drawer tower with a laundry hamper provides convenience and additional storage, and the attention to detail shown by all trades was noted by the judges.

Kitchen of the Year

Partnered by Miele

JV Dodd Building

1 of 4

Achieving a sense of opulence and luxury was key to the brief for this Brown Hill kitchen, and it delivers in every respect: the judges were impressed with all aspects of this kitchen. The black and white colour palette is elegant, matched with brushed-brass tapware. Bi-fold servery windows provide seamless connection to the alfresco area, and a large butlers pantry provides ample storage and additional work space. Careful consideration has been given to ergonomics and workflow. The judges noted the quality of the work done by all trades to deliver a refined, practical and connected space, and touches such as the waterfall edges on the island bench round out an outstanding package.

Laundry

Partnered by Miele

Enso Homes

1 of 4

The laundry of the Lighthouse 26 display home in Armstrong Creek is designed with modern families in mind. Discreetly tucked behind the kitchen cabinetry door, it offers compact convenience with a number of unique features. One such standout feature is a pet bathing station with a matte black hand shower and nib walls. The room boasts premium finishes, hanging rails and ample storage, and high quality workmanship completes a very impressive package.

Outdoor Kitchen

Partnered by Miele

Claytons Alfresco

1 of 4

Located in Bell Post Hill, this outdoor kitchen is the centerpiece of an extensive alfresco renovation. Purpose-designed for entertaining large groups, the space includes a barbecue, double-door fridge, sink and tap, as well as plenty of bench space and a 1.7 metre long breakfast bar overlooking the home’s pool. Steel frame construction is matched with black aluminium mineral composite doors and natural granite benchtops, for a finish that looks fantastic and will continue to do so for many years to come.

Eastern Victoria

Bathroom of the Year

Partnered by Miele

Virtue Homes

1 of 4

With the Olivia 42 ensuite in Traralgon, the builder wanted to achieve the look and feel of a luxurious five-star hotel. In that respect and more, the finished product is a huge success. A freestanding bath is the centerpiece of the design, and reeded glass walls for the shower and toilet areas maintain both privacy and the minimalist aesthetic. Quality fixtures, finishes and fittings are on display throughout, and all works have been completed to a very high standard. The icing on the cake is the large Velux skylight over the bath, which ensures the space receives ample natural light and enjoys a bright, airy feel.

Kitchen of the Year

Partnered by Miele

de Wacht Cabinets & Design

1 of 4

The renovation of this Mornington kitchen has both modernised the space and greatly improved its functionality. The level of craftsmanship displayed on this project, and the careful consideration given to every detail, impressed the judges greatly. Pull-down iMove shelves and two pull-out pantries provide ease of access, while finger recess drawers and touch-to-open doors ensure ease of use and also a clean, minimalist look. The joinery has been customised to the needs of the owners, ensuring that everything has a home and is easily accessible. Excellent tradesmanship rounds out an impressive package.

Kitchen Design

Partnered by Miele

Arkadian Homes

1 of 3

The design of the Sandpiper display home in Warragul is a modern take on the classic farmhouse style. The space enjoys ample storage, with a generous walk-in pantry located off the butlers pantry. Shaker cabinets, soft-close drawers and a pot filler tap are among just some of the well-considered inclusions.

Outdoor Kitchen

Partnered by Miele

Claytons Alfresco

1 of 4

Part of a knock-down rebuild project in Inverloch, this outdoor kitchen has been placed so the owners can enjoy ocean views while they cook! Located on the homes second level, it features a six-burner barbecue, double door fridge, sink and tap. Aluminium mineral composite doors and steel frames ensure this kitchen will stand the test of time in its harsh coastal environment, and the judges noted the attention to detail that has gone into the build.

Laundry

Partnered by Miele

Virtue Homes

1 of 4

The laundry of the Windsor 38 display home in Traralgon has been designed to exude luxury and style. The oversize room boasts a huge central working bench, navy cabinetry and stone benchtops. There is ample storage, and the space is perfectly suited to the needs of a working country home. The judges were impressed by the work of all trades on this room.

Northern Victoria

Bathroom of the Year

Partnered by HIA Insurance Services

Second Generation Builders

1 of 4

This renovated bathroom in Tatura is a stunning, light-filled space thanks to the fully-glazed ceiling installed over the length and width of the shower. VJ panels and floor-to-ceiling tiles are complemented by feature timber on the vanity. Ergonomics and layout could not be faulted, and the judges were impressed with the quality of workmanship on display.

Kitchen Design | Kitchen of the Year

Partnered by HIA Insurance Services

LA Smith Studio

1 of 4

The goal for this Wodonga kitchen was to create a modern, Hamptons-style space that showcases high-end architectural joinery and design detail. It succeeds in all respects. Natural quartzite and feature-grade blackbutt timber combine with a custom colour palette to deliver space that is as stylish as it is functional.

For more information visit hia.com.au/awards-and-events/award-winners

From more than 800 submissions from 58 countries, a distinguished panel of 45 industry professionals evaluated the entries and selected those that exemplify outstanding creativity and innovation.

Architectural Lighting Design of the Year 2023

ERRELUCE – IronPlate Restaurant

Designers: Ryan Salim & Mitha Audina

1 of 6

Highlights include a dramatic entrance featuring a strategically placed zig-zag mini spotlight and a central kitchen illuminated by narrow-degree spotlights (2700K, CRI95) to authentically showcase the colours of cooking meat.

Lighting Product Design of the Year 2023

Hydrel – FLAME Lighting Technique

1 of 4

FLAME is a unique lighting technique with two beams in one luminaire – a central beam and an outer beam that blends harmoniously.

Entertainment Lighting Design of the Year 2023

Eleftheria Deko & Associates – “Persephone Reconsiders Her Fate”

1 of 6

The dance performance seamlessly integrated light and projection to create an atmosphere representing the in-between world of the living and the underworld.

Emerging Architectural Lighting Designer of the Year 2023

Ripple by Takatoku Nishi – Tokyo University of the Arts

1 of 5

Emerging Lighting Product Designer of the Year 2023

“Moist Sparkle” by Arash Abbaszadeh – Hochschule Wismar

1 of 4

Lifetime Achievement Award

Roger Narboni

For his exceptional contributions to landscape, urban, heritage, and architectural lighting over more than 35 years. A true pioneer, Narboni’s work has left an indelible mark across the globe.

Spotlight Prize

DarkSky International

For their outstanding commitment to preserving the darkness of the sky. Recognised by the discerning jury, DarkSky International’s mission involves restoring the nighttime environment and protecting communities from the harmful effects of light pollution.

For more information visit litawards.com/winners/

New Bathroom of the Year | New Bathroom $20-$40K

Also HIA Qld Bathroom of the Year

Partnered by Cosentino

HNT Builders

1 of 4

This family-centric haven features well-appointed bathing spaces to ensure an elegant bathroom experience. Seamless access and expansive rear views of the back yard and pool, together with careful material selection, add a distinctive touch that draws inspiration from European farm houses.

New Bathroom up to $20K

Partnered by Cosentino

Martin Corp Homes

1 of 4

This bathroom sits in a modern Mediterranean-inspired home with a design that balances privacy and open-plan living. Financial constraints and tight deadlines were overcome to create a beautiful bathroom that is tailored to the client’s profession as a photographer.

New Kitchen of the Year | New Kitchen over $50K

Partnered by Hettich

PK Kitchen Design

1 of 4

A truly distinctive space, this large, functional and stylish kitchen features thoughtfully-designed workspaces, integrated appliances and an expansive island bench. With an adjacent well-planed butler’s pantry, the kitchen is seamlessly integrated into the home.

New Kitchen $30-$50K

Partnered by Hettich

Monument Homes

1 of 4

The old kitchen has been transformed into a vibrant Hamptons-inspired space, complete with butler’s pantry and contemporary finishes and fixtures. In order to achieve a seamless blending of old and new, mouldings to match the skirtings and architraves were meticulously designed and crafted.

New Kitchen up to $30K

Partnered by Hettich

Martin Corp Homes

1 of 4

Carefully designed in order to capture the natural light, this kitchen is an open-plan, family-friendly delight. Some financial constraints, together with an irregular lot shape, created some challenges but a client-centric approach with a focus on their needs helped to overcome these obstacles.

Bathroom Design

Partnered by Hettich

Askin Cabinets

1 of 3

Modern, with a touch of elegance, this sleek and stylish bathroom balances contemporary style with timeless grace to ensure years of enjoyment. Warm and welcoming, the design is highlighted by the ambient glow from the shaving cabinet and complemented by warm wood grain features.

Kitchen Design

Also HIA Qld Kitchen Design

Partnered by Hettich

CG Design Studio

1 of 4

A fully integrated kitchen brings a sense of luxury and elegance to an early 2000s family home. Effortlessly balancing minimalist and maximalist design, a stunning marble complements the light oak joinery which, together with the gunmetal hardware, creates a stunning visual aesthetic.

Kitchen in a Display Home

Partnered by Miele

Kitchen Gallery

1 of 4

The epitome of Queensland coastal style, the kitchen is vibrant and open, with an inviting atmosphere. Making ample storage and organisation a priority, the kitchen seamlessly connects with the rest of the home and underscores the modern, coastal lifestyle.

Renovated Bathroom | Renovated Bathroom $40-$100K

Partnered by Cosentino

Bathrooms Are Us & Sally Carson Interiors

1 of 3

Open and inviting, this bathroom is a sanctuary within the home. With a large freestanding bath adding a sculptural feature, the room is flooded with natural light. The lush garden views are enhanced by the leafy wallpaper which reflects the connection to the outdoors.

Renovated Bathroom $20-40K

Partnered by Cosentino

Bathrooms Are us & Sally Carson Interiors

1 of 3

To create a striking focal point, vibrant wallpaper was chosen for the wall opposite the vanity, which is then enhanced by the tile and vanity selections. A graceful and elegant space, the bathroom is perfectly aligned with the client’s vision for a peaceful oasis within their home.

Renovated Kitchen | Renovated Kitchen over $50K

Partnered by Miele

Urban Kitchens & Joinery

1 of 3