Designed by Roberto Gobbo for Euromobil, the island is made entirely of brushed stainless steel, a material that combines solidity and refined aesthetics.

The use of brushed AISI 304 stainless steel, known for its resistance, hygiene and eco-sustainability, guarantees a recyclable solution that withstands the wear and tear of time and the challenges of everyday life. The FIT drawers help organise space and ensure easy storage of utensils, thanks to integrated dividers made of grey oak, mocha oak and aluminium.

The frontal base units, grooves, plinths, top and welded sink integrate harmoniously, creating a linear and continuous design, ideal for both contemporary and classic spaces. Free Steel is the symbol of an eternal kitchen, a design that encapsulates the essence of Made in Italy: innovation, fine materials and attention to detail. A choice that never goes out of fashion, capable of remaining as relevant today as tomorrow.

Euromobil, founded in 1972 in Falzé di Piave, Veneto, and part of Gruppo Euromobil, was among the first companies to produce modular kitchens. It doesn’t just create simple kitchens or storage units but real architectural structures that redesign spaces, creating, altering, and shaping them according to the desired environment. This all occurs in a context where the materials used and craftsmanship are paramount, where design meets architecture, and space becomes multifaceted.

For more information visit euromobil.com

A balanced synthesis of innovation and design, when it was presented in 1999, it marked a true revolution, breaking into a market which was dominated by laminate in all its forms and finishes with its industrial aluminium aesthetic.

Designed by Vico Magistretti, an unforgettable Master of Italian design, the Cinqueterre continues to be absolutely contemporary, to the point that nothing has been changed in its aluminium extrusions that made it unique. Even for the handle, the original section was maintained, with only the length recalibrated to extend it along the entire length without any apparent interruption.

In addition to modularity recalibrated for contemporary demands and adaptability to current technologies, the kitchen presented at the Milan Design Week “Tribute to Cinqueterre by Vico Magistretti” introduces a different material dimension: alongside the iconic anodized aluminum finish, is now introduced a natural stone, particularly Portoro, a precious variety of black limestone from the western area of the Gulf of La Spezia, in tribute to the brand’s origins.

Schiffini’s story began almost a century ago with a small factory producing naval furnishings, later expanding during the 1950s by riding the early developments of industrial design and venturing into the world of kitchen furnishings. Last year, it was acquired by SCIC, which relaunched its image with a youthful and modern look, at the same time, however, the Ligurian company remains faithful to the traditional principles from which it was born: design, refinement of materials, and attention to detail blend into timeless compositions aimed at meeting the specific needs of the kitchen environment.

Schiffini has always elevated Italian craftsmanship and design to new standards thanks to innovative and forward-thinking creative directions, capable of shaking the market with kitchen models that combine pleasing aesthetics and practicality.

Designed by Ballabeni&Catellani Studio

Furniture Engineering: R&D SCHIFFINI

Rendering: Andrea Cardelli Studio

For more information visit schiffini.it/en/

Available through Nover, Salice’s Silentia+ hinges are ideal for creating an ergonomic kitchen environment by ensuring doors close smoothly and consistently under any conditions. The advanced soft-close technology reduces noise and prevents slamming, enhancing both safety and convenience. This makes daily kitchen use more comfortable by minimising the effort required to open and close cabinets.

The EvoLift system offers ergonomic benefits through its adjustable design, which allows smooth and controlled movement for all flap door applications. Its compact dimensions maximise storage space while ensuring easy access to items, reducing the need for awkward reaching or bending. With options like soft close and push-to-open mechanisms, EvoLift provides a seamless, user-friendly experience.

The Exedra pocket door system further supports ergonomic kitchen design by optimising space and improving accessibility. With its cam-assisted sliding action and linear damping system, Exedra enables smooth, controlled door movement, making it easier to hide or access appliances and storage areas. This system is versatile enough to be used across various kitchen applications, reducing installation time while ensuring a sleek, organised, and user-friendly environment.

Another range in Nover’s extensive offering is Peka – a company that combines smart, innovative storage solutions with Swiss quality. Peka offers innovative storage solutions designed for maximum accessibility and convenience in the kitchen. Its corner and larder unit pull-outs make optimal use of kitchen space, keeping utensils and ingredients within easy reach. Peka’s range includes the Pegasus Shelf Lift, which allows users to easily access the top, bottom, or back of units, and the Extendo pull-out shelf, providing a clear view and easy access to stored items. The Pleno Plus larder pull-out further enhances functionality by allowing access from three sides, making Peka the ideal choice for ergonomic kitchen storage solutions.

For more ergonomic kitchen solutions, read Nover’s white paper in full here.

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Casablanca – Regional Winner | Residential House Over £1M – Australasia

Design Practice: Sherwood Design

Project Location: Perth, Australia

Design Practice Location: Perth, Australia

Project Casablanca, inspired by Spanish Colonial heritage, seamlessly blends architectural grandeur with contemporary elements. Situated by Western Australia’s Swan River, it encapsulates timeless elegance through innovative interior design. The project surpasses the client’s brief, combining heritage with modern sensibilities, resulting in a warm, sophisticated space. Communal areas and intimate retreats balance luxury and comfort. Meticulous attention to detail in furnishings, local craftsmanship, and curated art pieces create a unique, dynamic home. Casablanca redefines transitional design, showcasing how diverse styles and textures can produce visually stunning, conceptually rich interiors.

Residential House Over £1M - Australasia | Casablanca

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McBreen Residence – Regional Winner | Residential House Under £1M – Australasia

Design Practice: Trenzseater International

Project Location: Christchurch, New Zealand

Design Practice Location: Christchurch, New Zealand

The McBreen Residence is an architecturally designed home set in a rural setting on the outskirts of Christchurch which we renovated. The architecture was designed to a high specification and it was our brief to ensure we complimented the architecture without compromise. Our brief for this prestigious project was to present something that was new, different and exciting, the design also had to be practical so the home could be used and lived in by the clients without being precious.

Residential House Under £1M - Australasia | McBreen Residence

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Hidden Gem – Global Winner | Kitchen Design – Australasia

Design Practice: Celia Visser Design

Project Location: Auckland, New Zealand

Design Practice Location: Auckland, New Zealand

Celia Visser was commissioned to design a new open-plan kitchen incorporating a dining, living space extension to their character home. The kitchen’s moulded doors blend with the character house hides each workstation from view and appear as a large piece of furniture to conceal storage and appliances. The island slab anchors the space in a contemporary block format. Revego Duo Door system allowed me to achieve this. When closed, the exterior appearance has a very clean look, but once open, an entirely different look transpires. A hidden gem, two kitchens in one.

Kitchen Design - Australasia | Hidden Gem

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Snakes and Ladders – Regional Winner | Kitchen Design – Australasia

Design Practice: Du Bois Design

Project Location: Auckland, New Zealand

Design Practice Location: Auckland, New Zealand

New Zealand company Du Bois Design, led by Natalie Du Bois, was engaged by her client to redesign and renovate the kitchen in her inner city suburb home located in Saint Marys Bay. Natalie was involved in the full design service of this project including, specification, procurement of products, quotations and manufacture and installation liaison with the builders and trades involved.

Kitchen Design - Australasia | Snakes and Ladders

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For more information on the SBID International Design Awards, visit sbidawards.com

From waste management and the organisation of pull-outs and drawers to storage space solutions – plastic was the material of choice at Sicam in Pordenone, Italy, in terms of both shape and colour. The complete base unit “Qanto“ which Ninka had placed in the centre of a huge kitchen island proved to be an attractive eye-catcher in Hall 2.

As if from nowhere, a food processor appeared in the centre of a flush marble worktop measuring around three square metres. However, the user did not have to stretch out to use it; the tray and its load could be pulled into easy reach. After use, the appliance disappeared back into the attractive structure at the touch of a button.

As a second possible application, Ninka showed the spice unit “Qanto“ equipped with three shelves within easy reach directly next to a hob in a kitchen unit. The lower shelf had space for tall bottles of oil and vinegar as well as spice mills, while the middle shelf, which was only half the size, held numerous small jars of spices. After cooking, everything is perfectly tidied away in the base unit. In this “Qanto“, the upper shelf fits into the worktop when retracted, providing a firm base for smaller kitchen utensils for preparatory cooking steps.

The “one2eight” waste collection system, which was positioned next to a water treatment system in the base cabinet, also proved to be an eye-catcher for visitors. The system can also be used as a solitary solution installed in the centre.

Inspired by the British market, Ninka presented 25.5-litre waste bins which can offer a total volume of 51 litres in combination with the “one2five” and “one2six” suspended frame systems in 40 cm base units. In 60 cm base units, a large bin of this type supplements the three-bin configuration with a 42- and an 8-litre bin and enables triple separation to a total of 75.5 litres. Ninka also offers a suspended waste bin solution for shallow installation depths of just 486 mm. To prepare the systems directly for installation, the manufacturer has developed a complete set with a push-to-open mechanism.

In addition, Ninka showed some clever combinations at Sicam. As all container systems are equipped with a static shelf-cover, above which there is usually storage space, the manufacturer suggested the use of suitable organiser trays, which are normally used in drawers.

Ninka was also creative when it came to the “one2top” range of bin lids and inserts: from organic waste lids with coconut mat odour filters and visually appealing metal inserts, which are particularly popular in Italy, to tidy organisation solutions with dustpans, hand brushes and cloth hangers – variety was the order of the day at the supplier trade fair for the furniture and interior design industry, which was once again very popular.

Ninka products are available in Australia through Hafele.

For more information on Ninka products, visit ninka.com

For Salice, product performance and ease of use were fundamental to the growth of the brand which is evident in its offerings. The Salice product range has also grown over the past three decades. Primarily producing world class quality hinges, Salice has now expanded its product offer to include lift fittings, drawer systems, wardrobe accessories, and sliding / folding systems.

The Evolift family of systems ensures perfect opening and closing movement for flap door applications. The Flap door can be used in various furniture applications: office furniture, kitchens, bathrooms, living- and bedroom furniture. Highly innovative and designed with elegance and refinement, EvoLift’s modernist, linear profiles are complemented by neatly designed covers, presented in tasteful colours and finishes that blend perfectly with all furniture styles.

The Evolift Bi-Fold Lift system is an elegant solution featuring a broad range of adjustments, is compatible with both wood and aluminium-framed doors and provides two different strength options based on the dimensions and weight of the door.

Exedra is a pocket door system with cam-assisted sliding action that is enhanced by a linear damping system to gently control the final opening and closing movement. Easy to install and remove from the cabinet, Exedra enables the optimisation of space and can be used in a host of applications – from larder units for kitchens, to hide away appliances like washing machines, freezers or even sinks; in living rooms for media or library units; in bedroom wardrobes and in office storage applications. Each system is supplied partly assembled reducing manufacturing and install times.

For the first time in over 30 years, Salice products will be available through Nover’s network on the East Coast of Australia. With local stock, local expertise, and a commitment to supporting local businesses, Nover is dedicated to meeting your product needs with exceptional service and quality.

For more information, visit nover.com.au/salice-opening-systems

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As a subtle and discrete electrical solution for interior design and architectural projects, ZETR 48 is able to be designed and configured to provide unique tessellations for each unit. The minimalistic, flush series was created following extensive industry feedback to meet the requirements for customisation and personalisation within power specification.

ZETR recognises that the landscape of power, data, charging and connectivity is evolving, with an increased need for innovative solutions that have minimal impact.

The flush design is achieved with proprietary mounting assemblies; fixed and adjustable, allowing for on-site cutting and trim-less installation using readily available tools – reflecting user demands. A single, circular product offers flexibility and configurability of an electrical system to the designer, facilitated by a series of mounting solutions that simplifies a complex process for the installer. Configure your way with 48; double pole flat pin, round pin and switch grids in matte or metal.

ZETR 48 provides a completely configurable single power and switch series, with no excess plastic, or excess product. User or specifier can design the layout that they want, in the most compact and minimal way possible. The 48 system considers proportion, scale and provide a subtle impact on the surrounding surfaces. With consideration of onsite installation, ZETR has designed the intricate product to be easily and neatly installed on-site with readily available tools. In addition, circular cut-outs can be achieved on site.

Thanks to its 48mm footprint, ZETR 48 brings power to the most compact of spaces and is compatible with a wide variety of options for switching and dimming, as well as data and control systems.

Grid, or tessellated layouts are possible with 48 Round, along with symmetrical patterns that can be aligned 45 degrees, extending the options for configuration out to hundreds more options.

Made from high quality matte finish polycarbonate, designed to blend with surrounding surfaces, ZETR 48 is available in a complementary series of flush fit metal faceplates in seven finishes; natural brass, aged brass, bronze, steel, mirror, brass and black steel. There is no need for an on/off switch, or internal double pole auto switch, leaving the faceplate as minimal as possible.

Designed for tight spaces; the 48 Mounting Assembly has a flexible, ‘breakaway’ frame suited to a range of size applications. Installation and removal can be achieved with standard and commonplace tools while the bayonetted locking system allows for quick installation of the outlet or switch which is fastened with a proprietary circlip for safety.

For more information visit https://www.zetr.com.au/round-single-outlet-flat-black

COF01 countertop oven

The 50’s Style range expands with the new COF01 countertop oven, whose curved shapes evoke the unmistakable timeless style of FAB refrigerators. Like the iconic freestanding refrigerator, the COF01 oven can transcend the boundaries of the kitchen and take on a prominent role in any environment or context.

Available in black, white, cream, pastel blue, pastel green and red, the COF01 oven has a 30-litre capacity and is equipped with Galileo Combi-Steam technology – an innovation developed through research conducted on Smeg built-in ovens – which allows improved heat distribution.

COF01 has ten functions included in the single oven: from air frying to heat maintenance, defrost to Chef Mode and includes 33 automatic recipes. The water tank, easily removable from the top of the oven with the press of a button, ensures 24 hours of continuous steam: it is therefore not necessary to interrupt cooking to fill the tank, even during slow cooking at low temperatures and depending on the recipe, the user can opt for 100% steam cooking or combined steam cooking, with an adjustable humidity level from 20 to 70%.

PIC01 portable induction hob

The new PIC01 portable induction hob is part of the Collezione range, characterised by an elegant and distinctive design, available in a combination of colours with chrome finishes that integrate seamlessly into both modern and traditional kitchens.

User-friendly and easily transportable, the new hob is suitable for pots and pans with a diameter between 12 and 24 centimetres. It is equipped with a touch control display which allows the user to select up to 9 power levels and a Boost mode, whilst an external probe monitors the food’s core temperature. With the probe, users can set a target temperature to automatically stop cooking once reached (Probe Target mode) or set a timer that maintains the desired temperature for a specific time (Probe Timer mode). The Preset Modes button includes Keep warm, Fry and Barbecue.

For more information, visit smeg.com

Each piece in the collection features a rigorous design with minimal decorations, carefully conceived to serve specific functions. The modular concept allows each element to be adapted to the specific needs of any environment, ensuring a unique and distinctive result.

ESSENTIA is composed of three independent patterns, seemingly disconnected from one another but strongly linked through their creative genesis. Each design stems from a contemporary approach, aimed at interpreting how we live and interact with the spaces around us. The versatile graphics and extensive colour palettes offer users the opportunity to create multiple aesthetic solutions, allowing for an imaginary and dynamic division of spaces, whether public or private.

The skilled hands of Giovanni De Maio, heir to a centuries-old tradition of working and enhancing ceramic surfaces, have successfully combined the precision of computerized designs born from Marco Piva’s creativity with artisanal techniques passed down through generations.

DOXA 

DOXA consists of four rectangular modules (two measuring 30×10 cm and two measuring 60×30 cm) which, through their different combinations, allow for virtually infinite compositional possibilities, exploring the contrast between the world of superficial perceptions and the hidden, deeper essence of forms. The minimalist, rationalist design reflects a pure aesthetic, where the simple decoration represents the sensible world, while the essential, functional, and perfect form highlights the search for a deeper truth beyond appearances.

EIDOS

EIDOS, composed of three rectangular 30×10 cm modules, plays with the perception of three-dimensionality achieved by juxtaposing static elements, which together create visual harmony. This embodies an ideal concept of symmetry and order, reflecting an ideal idea or form that transcends materiality. The aesthetic captures the essence of Plato’s Eidos, evoking the purity and perfection of the original idea through the medium of ceramics.

AUREA

AUREA consists of 10 square modules, five in the 30×30 cm format and the other five in 15×15 cm, representing the path of elevation from sensory perception (Doxa) to the understanding of pure ideas (Eidos). The undulating, curvilinear patterns, with fluid lines that harmoniously unfold across the tiles, create a sense of movement and continuity, allowing for infinite combinations. This design embodies the harmony of divine proportion and the progression towards knowledge.

For more information, visit studiomarcopiva.com/ or giovannidemaio.com

The two new collections are inspired by elements and shapes from the Orient: Kimono, in bold, vibrant colours, takes cues from the knots and folds of the traditional Japanese robe, and Wă suggests the architecture of rural villages in China with their uneven terracotta tiles.

The new products for 2024 were displayed in a contemporary, original staging featuring warm, earthy, contrasting tones that offers a tactile and visual experience of the new collections. Ceramics cover the walls and surfaces of the space, alternating with evocative photographic images illustrating the research and conception process behind their development.

“Decoratori Bassanesi is constantly committed to exploring the full potential of ceramics through innovative, audacious collections that meet the highest quality standards, – says Paolo Serraiotto, Founder and President. Those who choose our brand embrace a design-oriented approach – in fact, since 2008 the company has collaborated with international designers in the pursuit of new inspirations, welcoming new challenges and exploring the full potential of the material.”

The new products and the mise-en-scene for the latest edition of Cersaie demonstrate the brand’s aim to offer an ambitious concept of sophisticated, elegant ceramic coverings, continuing the evolution of aesthetics and form that Decoratori Bassanesi has been building together with art director Federica Biasi. 

Kimono – design by Federica Biasi

The Kimono collection designed by Federica Biasi is inspired by the composition of traditional Japanese kimonos, which involves a complex series of knots and folds almost like a sort of origami: the eri collar, the sode sleeve, the doura lining of the top part of the kimono all contribute to create geometric designs with different fabrics and patterns, which Biasi draws on in creating surfaces and ways of laying them. The collection also reprises some elements form the firm’s historical archive of patterns and colours.

“Decoratori Bassanesi‘s historical archive was a great source of inspiration, a point of departure for an exploration of colour, ceramic yield and glazing, while the geometric motifs and bold colour combinations of the Far East opened the way to new high-contrast laying patterns, – says Federica Biasi – The Kimono collection is a reflection on the infinite possibilities of colour and material, blending distant traditions and cultures.”

Kimono reprises one of the firm’s historic products, Millerighe, with references to the ceramics of the late 1980s. The project also revives a few finishes and processes typical of Decoratori Bassanesi’s early days, double-firing and enamel glazes, with their distinctive shiny texture and vibrant shimmer. With its sinuously smooth feel, Kimono offers that same sort of aesthetic effect, updated with new materials and contemporary workmanship. 

The result is a textured collection in bold, vibrant tones: 8 colours, two finishes – smooth and ribbed – and 2 different sizes – 5×15 and 15×15 –encourage designers to play with combining them in creative ways.

Wă, design by Federica Biasi

The design for the Wă collection by Federica Biasi carries us away to the Orient, taking cues from the designer’s travels in China, where she was inspired by the roof tiles of pagodas and typical dwellings in rural villages. 

In these buildings, irregular handcrafted terracotta tiles are layered and stacked atop one another in an interlocking system inherited from ancient, traditional Chinese techniques. The designer has translated her impressions of the patterns of these tiles into a design structure, giving rise to the Wă collection.

“Usually, it’s the simplest elements that catch my eye, straightforward images that call up a specific vision. – says Federica Biasi – For the Wă collection, the sharp, strong lines of the buildings, with their ties to history, ancient forms of craftsmanship and the use of natural materials, were a flash of inspiration that, over time, generated the creative process the design grew out of.”

The Wă collection has a harmonious, warm, vivid aesthetic that blends décor with functionality and comes in four natural tones ranging from hazelnut to caramel. As in a mosaic, each individual element is repeated in a 9.5 x 18.5-cm portion that makes up the new covering, in full-body porcelain tile.

For more information, visit decoratoribassanesi.it

TKBB spoke to Ryan Fritsch, CEO of Noveco Surfaces, about what this award means for this relatively young business.

“Winning an award of this size/prestige is incredibly exciting for us and helps bolster our credibility in the market of balancing sustainable, responsible manufacturing while also being design-forward,” he says. “As the design community is a significant stakeholder of ours, having this in our list of achievements, particularly in such a strong category in the awards, shows we are and will continue to become a more prominent organisation within the surfaces industry”.

Noveco Surfaces is an Australian-owned and -operated sustainable surfaces manufacturer, based in NSW. All its surfaces are entirely crystalline silica free and are made from up to 80% recycled materials. At the end of their lifetime, all products are 100% recyclable.

Ryan explains that the original concept came from a research project that was looking into waste glass as a problem waste material in Australia and investigating viable pathways for its use. Several years into this research, the team realised this waste product created the foundation for a high-quality surface product, first in the tile industry but, now with the ban on engineered stone, also as a replacement benchtop surface. “We are in the process of setting up a new factory to service this new segment, which we expect to be in production by December 2025 and fulfilling orders by January 2025,” adds Ryan. The new factory will provide Noveco Surfaces with 250,000sqm of production capacity per year.

The research and development into the base product was carried out over a number of years with specific trials and testing to ensure compliance with all construction and architectural Standards. It was important to the team that the newly-developed product met a number of criteria; to create a sustainable product that utilised the abundance of waste glass created, to address the health risks of products containing silica, and to create a reliable stream of product for the housing and construction industry.

For this purpose, a “micro” factory was established to test a commercially viable product before its launch to the marketplace. The success of the application for tile production provided the opportunity to expand production into benchtops, furniture, architectural elements and base construction pieces. “Our products aren’t just surfaces,” explains Ryan. “They’re crystalline silica-free statements of ingenuity”.

As with the development of any new product, the initial manufacturing stages have thrown up a few challenges along the way. “The fundamental step-change for the business was the transition, over several years of lab-format production, to bespoke designs for specific clients and into production at scale,” says Ryan. Ryan adds that, however frustrating, each set of challenges were essential in allowing the team to develop a high-performing circular product.

Glass for Noveco’s products is sourced as post-consumer glass but Ryan and the team are looking into expanding this to include other feed sources in 2025. “Post-consumer glass will always be the core of our supply, given the sheer volume in the Australian market that is not suitable for recycling,” explains Ryan. “When this glass is broken beyond a reasonable size it’s no longer feasible for it to be used through traditional recycling methods, in most instances. But we can”.

As production ramps up into 2025 it will be very interesting to watch the trajectory of Noveco Surfaces and see how its products are received and utilised by the design and building industry, so watch this space!

For more information visit novecosurfaces.com/

One way to assist clients to enhance waste management efforts is by adopting the “5 Rs” approach: Refuse, Reduce, Reuse, Recycle, and Rot.

The 5 Rs of Waste Management

1. Refuse: The first step in managing waste is to be mindful of consumption habits. This involves making conscious decisions to refuse items, particularly single-use products and non-recyclable materials, before they even enter the home. Opt for reusable bags, containers, and bottles, and avoid unnecessary packaging, especially single-use plastics. By doing so, households can prevent waste before it becomes an issue. Pantry storage has never been easier, or looked better, with drawer solutions such as the AvanTech YOU.
2. Reduce: Reducing waste means purchasing only what is necessary and seeking products with minimal or recyclable packaging. For instance:
   • Buy in Bulk: Purchasing items in larger quantities reduces packaging waste, especially for staples like grains, nuts, and cleaning supplies.
   • Choose Quality Over Quantity: Investing in durable, high-quality items that last longer reduces the need for frequent replacements, minimising overall waste. This can apply to clothing, electronics, and household goods.
3. Reuse: Reusing items is key to lowering demand for new products and the resources required to produce them. Whether repurposing containers or extending the life of everyday items, reuse helps reduce the volume of waste sent to landfills.
4. Recycle: Recycling ensures that materials like paper, plastic, and metal can be processed and turned into new products, reducing the demand for virgin resources. However, contamination remains an issue in Australia’s curbside recycling services. Proper sorting of recyclables is essential to ensure they are effectively processed. Keeping a clean, organised kitchen with discreet pull-out bins, such as those under the work surface, can make sorting waste more manageable and stylish. These concealed bins allow for easy access during food preparation and help maintain a sleek, clutter-free kitchen environment.
5. Rot (Compost): Organic waste, such as food scraps and garden clippings, can be composted at home to create nutrient-rich soil for gardening. A compost bin or tumbler in the backyard is ideal for breaking down organic matter over time. Hettich’s Bin.it range, with its 2-3 separate compartments, facilitates the segregation of recyclables, organic waste, and general trash. This system promotes proper waste separation and environmentally friendly practices within the home.

By incorporating the 5 Rs into daily routines, Australian households can take meaningful steps toward reducing their environmental impact. As waste management becomes an increasingly critical issue, these simple yet effective practices can make a lasting difference in the quest for sustainability.

For more information on Hettich products, visit designwithhettich.au   

Liro’s thin-walled shelves and full use of unit height makes it a compact and space-efficient solution for narrow units and it can be used anywhere in the kitchen – next to the fridge, oven or at the end of a row of kitchen units. It’s a perfect solution for storing spices, packets, tins, bottles and more. Even when fully loaded, Liro is very easy to open.

A true winner for pantry storage, when the front pull-out is opened, all the items stored in the unit slide out into view – no matter how high they are stored. The clip on shelves can be positioned as required and extra shelves can be retrofitted at any time without tools. Cleaning the shelves is a breeze as they can be easily removed and clipped back into place.

With three generations of expertise, peka’s history goes back to 1964, when Ernst Weber founded the small company, manufacturing drawer runners in Mosen, Switzerland. Thus the foundations were laid for the company now known as peka-metall AG. Longevity and sustainability are central to the development of peka products. peka understands that the longer its products can be used, the less impact they have on the environment which is why the company uses only high-quality and durable materials manufactured using the latest, environmentally friendly processes, and guaranteeing a long service life for its products.

For more information, visit nover.com.au/peka-standard-larder-pull-out-liro/

TKBB spoke to Liam about the award and about his inspiration for this incredible design. “This was my Honours project for Industrial Design at the University of New South Wales,” he explains. “When trying to decide on a project topic, we’re often encouraged to look for new and unique ways to make life easier for people. My grandfather had suffered a stroke around five years prior so his experience was fresh in my mind”.

Liam saw first-hand the way his grandfather’s life changed after his stroke and noticed how he was unable to easily take on everyday tasks. In his grandfather’s case, the stroke affected his eyesight but in Liam’s own words “it started the cogs turning” and he decided to research and interview a number of stroke survivors to find out more about their experience.

The end result is the Halo sink. Halo is a sink designed to allow individuals with hemiparesis to safely and easily clean kitchen cookware and cutlery one-handed.

Liam’s research revealed that one in four people are expected to suffer a stroke in their lifetime and, of those, 40-50% are expected to experience long-lasting upper extremity impairment.

“This can lead to difficulty performing everyday tasks, such as washing up after cooking,” explains Liam. “The current assistive hand-dishwashing market is limited, with individuals opting to develop their own one-handed cleaning techniques or makeshift devices”.

Additionally, he discovered that many assistive products lack aesthetic qualities, with a focus solely on functionality and this, Liam says, can contribute to creating a stigma around their use and ownership. “The design challenge was to create a more functional, aesthetically-pleasing and assistive kitchen sink that allows stroke survivors to easily and safely clean one-handed,” he adds.

Utilising integrated steps, Halo can grip pots, pans, plates and bowls, allowing the user to scrub effectively with their more able side. With its taper design, the sink accommodates variations in pot and pan sizes from 140mm to 300mm, as well as plates and bowls, ensuring all cookware can be gripped for easy cleaning. The taper design was conceptualised during user testing and rounded out the sink’s functionality. The pot tipper adds additional functionality to the sink, allowing stroke survivors to safely pour water from pots into the sink, where they may struggle otherwise.

Liam says the design process wasn’t quite the linear path that some might assume. “I started off wanting to make some sort of glove that would stimulate the nerves in the hand to help it open and close,” he laughs. “But I quickly realised that I could not achieve that in the year that I had. So, I needed to pivot and focus on just one activity”.

Liam’s research encompassed talking to stroke survivors as well as occupational therapists and additional investigation to collate as much advice and information as possible. “I realised I couldn’t make assumptions without talking to the survivors and finding out what they needed and hearing from them what would work for their circumstances,” he says. Liam also became immersed in the world of Australian Standards and regulations around sink installation and manufacture.

“I wanted to make sure it would be wheelchair accessible so I made it slightly shallower than a traditional sink to allow space for the chair underneath,” Liam says. “And I designed it to fit an existing cut-out so the benchtop wouldn’t need to be replaced. I also looked into NDIS requirements to make sure that Halo was suitable”.

Liam says the biggest challenge was functionally getting the sink to work. While his own pots and pans from home were a set size, he was aware of the wide range and variety of cookware available so his motivation was to come up with a solution that was flexible enough to accommodate all options.

“Before I found the step design there was nothing that would do what I wanted it to do,” he recalls. “I started with flexible walls but they weren’t strong enough – the user needed the full strength of their arm to lock the item in place so that was no good.

“But, once I found the solution I felt as though it was so simple,” he laughs.

Halo’s major benefit is in the improvements to self-worth and quality of life for stroke survivors as it fosters increased independence and helps to avoid feelings of burden. Liam feels this will contribute to improved relationships in households with stroke survivors as they are able to become more independent and less reliant on those around them.

He is particularly proud of the modern aesthetic of the Halo sink as its design makes a visual statement that makes the sink more covetable for a modern home.

Halo is constructed in stainless steel for its longevity and resilience. “Maybe it would have been easier to manufacture in plastic but it wouldn’t have been as durable,” says Liam. “I didn’t want the connotation of a lower quality product and I was super conscious of sustainability; the sink can be fully recycled at the end of its lifecycle”.

TKBB asked Liam about his design process, and whether he prefers to start with the problem or the solution, or somewhere in between. “I think it’s different for each project but, in this case, I started with the problem and then I came up with three or four ideas that might solve the problem,” he says. “I then took my solutions to a stroke survivor and had them test them for me. The stepped design was the favourite so I took that and developed it further”.

For a newly-graduated designer, this is a significant award so TKBB asked Liam what it mean to him and how he saw it changing the trajectory of his career. “This award is amazing and I’m very honoured to receive it. Winning an award like this one can change the potential of my career,” he says.

Liam says there were many stages during the design when he doubted his decisions and worried that he had chosen the wrong product, or received feedback that wasn’t what he had hoped for. But this award proves that staying firm in his belief paid off. “My advice to any young designer is: if you have an idea you feel is strong enough then trust your gut and stick with it to see where it goes,” he says. “Don’t give up!”

As for what’s next for Liam, he proudly tells us he has secured a position with a commercial furniture manufacturer and plans to spend some time honing his design skills and working in the “real world”. He will take a break from study for now but hasn’t ruled out a PHD in the future. His dream for the future is to work in disability design, and even maybe establish his own company. “I see so much potential for design solutions that are functional as well as aesthetically pleasing and I don’t think products designed for those with disabilities should sacrifice great aesthetics so I’d love to explore that further,” he says.

For more information visit https://www.liamlocascio.com/

Ram Hardware Products (RHP) was established in Bay of Plenty, New Zealand a decade ago and established a distribution centre in Lawnton, Queensland seven years ago. It’s best known for its hero products – a stunning range of library ladders but it has also established a reputation for supplying distinctive hardware solutions for the home.

“Our goal is to find and supply hardware that solves unique problems and helps designers maximise every centimetre of space in the home,” explains Beth.

RHP started as the exclusive distributor of a range of American library ladders which quickly grew in popularity because of their customisable nature and wide range of applications. “We see them used regularly in kitchens and butler’s pantries,” says Beth. “But, also, in home libraries and home offices, and they are particularly popular for mezzanines”. Beth says she is seeing an increase in the creativity with which designers are utilising the ladders in their projects.

The library ladders can be specified with rollers or with hooks that can be stored flat against the wall. All rollers come with weight-braked wheels for added safety – the only ladder system to do so. The ladders are particularly popular for commercial projects as they meet all compliance for safety regulations.

The Quiet Glide ladder system is available in five finishes including Black, oil-rubbed Bronze, Satin Nickel, Satin Brass and Chrome. It can also be purchased as individual components or as a kit for those who prefer to customise the ladder for their needs. “We find the level of customisation is what impresses our customers the most,” says Beth. “The designer or builder can literally have anything they want to suit the project requirements”.

Beth says the system is often perceived as being overly complicated but the team has worked hard to undo this preconception by adding a full-service element to the product. Specialist team members are on hand to answer questions, work through the specifications of the project and provide expert advice on what is needed.

The beauty of the system is that the designer or builder can personalise all hardware components of the ladders including wheels and end rail caps. All Quiet Glide ladders are supplied unassembled and unfinished to allow for further customisation. Two standard ladder heights are kept in stock with two widths available – standard and wide – in American Oak and Maple. But a wide range of custom ladders are also available.

RHP has established a reputation for responsiveness and high levels of customer service, working alongside architects, builders and interior designers to create stunning interior spaces for residential and commercial projects. In addition to the library ladder collection, RHP stocks a range of hardware for internal organisation and access, sliding door systems, pivot hinge systems, bi-fold door systems, and corner solutions.

For more information visit https://www.ramhardware.com.au/

Kabinspace, Cabinet Folding and Corner Box provide elements that are suitable for a range of environments and integrate harmoniously with the rest of the house. Perfectly suited to open-plan kitchens, these solutions recognise the kitchen as a dynamic environment in need of functionality and order, as well as practicality and beauty.

Kabinspace

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An authentic architectural element, Kabinspace is an innovative system that generates space and allows multiple storage areas without structural intervention. Declinable in multiple configurations, it is a structure with sliding doors and concealed runners inside which are convenient glass shelves that allow an immediate view of the food placed higher up, or removable stainless-steel shelves that duplicate the worktops.

Cabinet Folding

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Designed to exploit every centimetre in a concealed operating unit. The kitchen does not lose its intrinsic characteristics, but acquires a new modularity thanks to Cabinet Folding, the storage system designed for maximum exploitation of space and simplified use. Proposed in multiple variants, Cabinet Folding by its very nature can be a free-standing kitchen or can be integrated with tall units allowing base units, wall units and shelves of all kinds to be hidden from view.

Corner Box

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As its name suggests, Corner Box is an advanced corner storage system designed to multiply space. Also available as a full-height, floor-to-ceiling unit, inside the box can be equipped as desired with shelves, accessories and columns, or it can accommodate appliances and pull-out shelves. Different opening configurations allow for total accessibility.

For more information visit https://www.euromobil.com/en

Established in 1954 originally as a civil engineering business by Norm Overmeyer and Ken Cowley. The company name “Nover” is an amalgamation of Norm’s first and last names. Nover was heavily involved in construction through the 1960s with the partners renovating and refurbishing a number of blocks of flats throughout Sydney as well as one-off construction projects such as the Visitors Stand at Drummoyne pool. This soon led to Nover establishing a joinery business which was used to supply cabinetry to the construction arm of the company.

Norm sold his share of the business in the late 1960s and Ken took over as the sole owner.

Ken’s background was in the wool industry, having spent many years working for a firm of wool brokers. As is the case today, products are not sold directly but through an established trading house. When his contacts in these trading houses learnt of his association with the building industry, Ken was offered the opportunity to take supply of and resell a number of building products. Initially this was a hodgepodge of items (even including items such as tyres and air hoses) but gradually this broadened to include a general range of building products.

“The joinery industry was very different in those days,” explains Steve Cowley, son of Ken, and now Managing Director of Nover. “There was no real cabinet hardware to speak of, for example, and all the cabinets were timber framed”.

Soon Nover began to import High Pressure Laminate and this range of products soon expanded to become the backbone of the business for the next 40 years. “As the industry changed over time, Nover grew its product lines and became more of a wholesaler specialising in joinery products,” adds Steve.

By the early 1980s the wholesaling side of the business had taken priority so the family made a decision to exit the joinery business which was sold to a third party. This happened soon after Steve joined the business in 1976 and he and Ken set about specialising in the cabinet making and joinery industries.

“I had a background in accounting so, when I first started, I was working in what you’d call the accounts department,” says Steve. “But I quickly realised that wasn’t for me so I made a sidestep into product management and sales which was a much better fit”.

Of course, the cabinet making and joinery industry was very different at the time Steve joined the company. “It was a far simpler industry in those days,” he recalls. “This was even before metal runners were the norm – it was all plastic components. And manufacturing was a very different ball game”.

Being such a specialist in this area, Nover was often leading the way and an early adopter of new products and new technologies. Its business has always been based on sitting across a variety of product families and very much driven by what joiners wanted and needed in their factories. “We sit across most sectors of the industry and our product range is the broadest of any supplier in the industry,” says Steve. “We have a plan but we’ve also allowed for organic growth that is driven by the industry and the feedback we receive from customers”.

As a market leader, Nover saw an opportunity for the supply of hardware and panels as well as consumables and ancillary products such as handles. But the product range has always included a variety of wood-based panel products including decorative surfaces and low-pressure melamine, plus a decent selection of hardware which has expanded as new technology and expectations from the design community required.

“Our customer base is extremely broad,” Steve explains. “It’s made up of kitchen manufacturers, cabinet makers, furniture manufacturers, shop fitters, joiners and fit out companies so our goal is to stock and sell all the major components needed across this diverse customer base”.

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As a business, Nover invests heavily in sourcing its products preferring to establish exclusive relationships where possible. Steve says Nover seeks to source products that match the philosophy of the business, and have the quality required for our Australian market, which they are able to sell at a price that matches the expectations of its customers. “We make sure we have a presence at international design shows and hardware shows, and we travel to visit factories as these all form an essential part of our research and staying in touch with new developments,” says Steve.

Having been in the industry for so many years, Steve has seen first-hand how much it has changed with the advent of technology and new manufacturing methods. “The biggest change I’ve noticed is that joinery businesses used to make everything – doors, benchtops, carcasses, the lot. As we moved away from laminate benchtops we’ve needed to work with specialist stonemasons and then specialist door painters, and glass splashbacks. So, now joinery businesses have to interact with so many more third parties to complete projects,” he explains.

When asked to predict the future of the cabinet making industry, Steve points to more specialisation requiring a narrower skill set as we compartmentalise the industry further and further. But, overall he sees the size of the industry growing, as will the size of projects being undertaken.

In terms of Nover’s plans for the future, Steve says the company intends to remain at the forefront of sourcing new products and supporting those products already in the family. “Whenever we have the opportunity of course we will try to be first,” Steve laughs. “But those opportunities don’t come along too often. Any vacuum left when a new product comes onto the market is very quickly filled and so our product range will evolve as it has to”.

Steve points to the introduction of two new product families which he feels rounds out Nover’s offering to the industry. The company has recently secured an arrangement with Salice for its hardware and ColourPyne for its range of board products. The company is well established with branches across the three eastern states of Australia and intends to remain 100% family owned.

When asked what he thinks makes Nover unique in this crowded part of the market Steve is quick to point to its employees. “Our philosophy is that our people are so important,” he says. “We employ well over 100 people in ten different locations and the average length of service is eight years – with some at up to ten or even 20 years”.

We’re excited to see what the future will bring for the Nover company, the Cowley family and the company’s employees so watch this space!

For more information visit https://www.nover.com.au/

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This new, united voice will provide significant benefits and more robust representation for those in the kitchen, bathroom, furniture and cabinetmaking sectors. The combined organisations will be able to better advocate for the industry at all levels of government, promote the interests of members and elevate the standards of design and manufacture in the industry.

The merger is still subject to a vote by KBDi members, but careful consideration has been given as to how to create the union and plot the pathway forward. Over the next six to twelve months, both organisations will work closely together, shaping future collaborations and determining how best to service this united industry.

Greg Grant, Business Manager for KBDi, said, “I have been working in this industry for over 40 years, and the opportunity to unite the design, manufacture and installation of kitchens, bathrooms and furniture making into one representative association is amazing and one not to be missed. I am extremely excited by what this union will deliver”.

Dean Brakell, CEO of ACFA, said, “This is a truly remarkable opportunity, and one ACFA is fully committed to. From design to installation, we will cover it all and provide members a truly integrated experience”.

ACFA and KBDi members were advised of the proposed merger at the end of August. KBDi members will have the chance to vote at an Extraordinary General Meeting on 25 September 2024. If accepted, members will experience the benefits of this new, stronger representation, including:

• Enhanced advocacy and representation – a unified voice provides a more significant impact both within government and the industry.
• Expanded networking and collaboration – members will network and collaborate with a broader community of professionals to foster creativity and create new business opportunities.
• New markets and resources – bridge the gap between design and manufacturing to help explore new avenues for partnership, growth and success.
• Comprehensive industry support – combined expertise and a wider array of resources will provide unparalleled support to both memberships.
• Elevated industry standards – the merger will ensure best practices are shared and implemented widely to improve the quality of work and enhance the industry’s reputation.
• More professional development – comprehensive training and development programs will help all members stay ahead of industry trends and technologies.

The representatives of both organisations are available for further consultation and discussion, so please reach out if you would like more information.

For more information, visit acfa.net.au/ or kbdi.org.au/home

Carmel is a qualified Interior Designer and has been working with GIA Renovations in Melbourne for the last 12 years. Her latest accolade – Australian Bathroom Designer of the Year – is a dream come true which still feels quite surreal. “I have so much respect for the other finalists in this category,” Carmel says. “To be on the stage with them and then take out the award was an incredible experience. I still can’t quite believe it happened”.

The project which won her the award (pictured above) was the result of a serendipitous confluence of the right client, the right space and the right time. “I met the client three years ago,” explains Carmel. “I quoted a laundry that didn’t go ahead but we developed such a rapport that, when it came time to renovate the ensuite, the client came straight to me”.

“In some respects, that’s what made it extra special,” says Carmel. “Rather than tinker with the quote to get the price down, the client was willing to wait, save and do it right. But it’s worth it when the client and the designer have the relationship to make it happen”.

Carmel says that she’s never wanted to be anything other than an interior designer and remembers informing her parents when she was still in high school of her chosen career path. They were dubious but couldn’t deny her years of painting (and repainting), accessorising and decorating her bedroom as well as many of her friend’s bedrooms. When she finished school, Carmel attended the Whitehouse Institute in Sydney which she describes as “the most intense course I could have chosen”.

The course ran for two years and Carmel attended school five days per week for long hours – sometimes 12-hour days – but she says this prepared her for the reality of working in a fast-paced industry. It was also a course requirement to work in the industry on weekends so she picked up work with an interior designer/decorator doing drafting and working in the showroom, and then at a tile showroom within a bathroom renovation centre which worked with high-end builders.

“It was an intense two years,” says Carmel. “But it was so amazing to go to school every day and be surrounded by such inspiration”.

A move to Melbourne saw Carmel take a role with a bathroom renovation company before she headed overseas for a time. Back in Melbourne, she started in an interior design role with a company that undertook large extensions and renovations but found the larger, more complex projects were less conducive to life with small children. This led to a suggestion by her cabinet maker to approach GIA Renovations as they saw an alignment of values within design and client management.

“The owner, Illan Elberg, has created an inspiring and fun work space,” says Carmel. “At GIA it’s like a big family where all the highs and lows of renovating are shared and worked through together with designers and trades to get the best outcome for the end result”.

Carmel’s personal design philosophy has evolved over the years but she says the key to a project’s success will always come down to the relationship between the homeowner and the designer. “The more I do this, the more I realise that you have to find clients who you can work with,” she says. “By that I mean finding clients who understand your role in the project and who appreciate what you can bring to the table. The best projects are those where the client trusts the designer to do what they know needs to be done”.

Carmel takes her role as a confidant and adviser very seriously and this comes across in her approach to building a rapport with the client. “My goal is to only quote a project once,” she explains. “It’s important as designers that we are responsible with our client’s budgets and that we don’t undermine the quality of the work by trying to cut corners to win work – especially in the bathroom”.

Carmel doesn’t believe she has a particular design style as she sees her role more as a collaborator and facilitator. “Homes are meant to be lived in and enjoyed, to be used and be messy at times,” she says. “I love the challenge of having to adapt my style to suit the client and the home, and to add value to that space”.

“But I do love colour,” she confesses. “Colour makes your soul happy and there has to be joy in our interior spaces!”.

When asked about how the industry has changed during her 22 years, Carmel says she has mostly noticed the change in the understanding of the role of an interior designer. She started in the industry around the same time that The Block hit our television screens and she feels this has had both positive and negative outcomes.

“I’m not a fan of them but reality renovation shows do showcase the benefit of design and the skills an interior designer will bring to a project,” she adds. “And it pushes the product suppliers to stretch the limits of the product applications as well as provides impetus for bringing in a broader range of products. This, in turn, educates the homeowner to be more adventurous and embrace new ideas”.

When it comes to the hot topic of registration of designers, Carmel agrees there should be the facility to make a distinction between stylists, decorators and qualified designers. In her opinion, any profession with the word “design” at the end should mean that person is skilled enough to be responsible for detailed plans, as well as specification of finishes – both hard and soft. “The process is about so much more than just shopping,” she expands. “You have to have the ability to draw your design concept but also to be able to communicate that clearly to the client and to those who will be bringing the project to life. It’s a very specific skill set”.

Carmel feels passionately about her industry and offers this advice to any newcomers: “Remember that you can do it! Trust who you are and find your own way,” she says. “Don’t try to imitate other designers. Take inspiration if you like but seek out what can be truly yours. Work hard and don’t be afraid of competition, as competition can push you further than you would normally go on your own”.

Carmel says she and workmate Olivia Cirocco continually challenge each other in a positive way and this helps both stay at the top of their game. She loves this part of their work relationship as they both win by continually improving and pushing the boundaries of what they can do. Together they are both keen to look at what the industry can do to support more women in this space. Particularly in the area of communication throughout the project, from the initial design process to handing over the job to the onsite team who are more often male, Carmel feels strongly about building relationships that provide the best outcomes for her clients.

In terms of future plans, Carmel has a number of larger projects that are coming to fruition in the second half of this year as well as balancing work and a busy home life with her three children. So, watch this space!

For more information visit https://www.giarenovations.com.au/ and stay in touch with Carmel via https://www.instagram.com/carmelwylie_interiordesign/

Smart Appliances: The Heart of the Modern Kitchen

High-Tech Refrigeration

Smart refrigerators have evolved to become the centrepiece of the modern kitchen. Many brands now offer models with touchscreens, internet connectivity, and interior cameras, allowing homeowners to check contents remotely, manage grocery lists, and even receive recipe suggestions. Integrating these into a luxury kitchen involves selecting models that complement the overall design aesthetic, whether it’s sleek stainless steel or custom panelling that blends seamlessly with cabinetry.

Intelligent Cooking Appliances

Smart ovens and cooktops offer features such as remote monitoring, automated cooking programs, and voice control via virtual assistants like Amazon Alexa or Google Assistant. These appliances not only enhance the cooking experience but also add a touch of sophistication to the kitchen. Designers should focus on integrating these appliances into the kitchen layout in a way that maintains a clean and uncluttered look, possibly through built-in units and minimalist controls.

Automated Systems: Enhancing Convenience and Efficiency

Smart Lighting

Automated lighting systems allow homeowners to adjust lighting levels and colours through voice commands or smartphone apps. In a luxury kitchen, layered lighting can be programmed to create different moods; bright task lighting for prep, cooking and clean up or softer ambient lighting for dining, entertaining or relaxing. Integrating smart lighting involves strategic placement of fixtures and the use of concealed wiring to maintain the kitchen’s sleek design.

Voice-Activated Assistants

Devices such as Amazon Echo or Google Home can control various kitchen appliances and systems. These assistants can be integrated into the kitchen design by placing them in discreet yet accessible locations, such as under cabinets or within island countertops, ensuring they do not disrupt the visual harmony of the space.

Automated Ventilation

Smart rangehoods with sensors that automatically adjust fan speed based on cooking activity ensure optimal air quality and comfort. Many brands offer models that integrate with home automation systems. These can be seamlessly incorporated into the kitchen design by choosing built-in options or custom vent hoods that match the cabinetry.

IoT Solutions: Creating a Connected Kitchen Ecosystem

Centralised Control Systems

A centralised control system can manage all smart appliances and systems from a single interface. This creates a cohesive and user-friendly experience. Designers should consider installing control panels in easily accessible yet unobtrusive locations, such as inside pantry doors or on walls near the kitchen entrance.

Smart Kitchen Faucets

Touchless and voice-activated faucets add both functionality and luxury, and are becoming more popular in our new hygiene-focussed world. These faucets can be integrated seamlessly into the kitchen design by selecting finishes that match other fixtures and maintaining a consistent aesthetic throughout the space.

Integrated Charging Stations

With the proliferation of smart devices, having integrated charging stations in the kitchen is essential. Designers can incorporate wireless charging pads into countertops or create dedicated charging drawers that keep cables out of sight and maintain the kitchen’s streamlined look.

Integrating smart technology into high-end kitchens in Australia involves a delicate balance of innovation and design. By carefully selecting and incorporating smart appliances, automated systems, and IoT solutions, designers can create kitchens that are not only technologically advanced but also visually stunning and user-friendly. These modern kitchens offer unparalleled convenience, efficiency, and luxury, setting a new standard for contemporary living.

Kitchen Design

Winner: Earthborne By Design

Partnered by Hettich

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With a beautiful contrast of natural textures and contemporary finishes, this kitchen presents a visually appealing space. Modern living is enhanced with integrated appliances and a white stone benchtop balanced with the herringbone oak flooring for a classically elegant finish. Brushed nickel handles and a feature rangehood panel finish the look.

Bathroom Design

Winner: PNP Constructions

Partnered by HIA Insurance Services

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With a focus on comfort and independence, this bathroom was purpose-designed for an NDIS participant. Featuring a modern elegance and an emphasis on functional accessibility, the space is indulgent yet accommodating. A fabulous example of inclusive design, the ensuite has been transformed into a rejuvenating retreat.

Kitchen of the Year

Winner: Aria Property Group

Partnered by Hettich

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A stunning kitchen in a penthouse apartment features natural stone benchtops as well as a feature marble portal, enhanced by LED mood lighting. Meticulous design sees the inclusion of premium appliances and state-of-the-art fixtures. The focus was on creating a true entertainer’s kitchen with luxury finishes that seamlessly integrates with the adjacent living and dining areas.

Bathroom of the Year

Winner: Cobb and Co Projects

Partnered by HIA Insurance Services

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This luxurious master retreat was designed to reflect the resort-style location of the home and features a spacious layout together with seated makeup nook. A multifunctional double shower includes an aromatherapy steam room for the ultimate in luxury living. Warmth and sophistication abound, enhanced by the cohesive material selections and smart lighting choices.

Affordable Kitchen

Winner: Kitchen Gallery

Partnered by Hettich

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A lovely blend of rich black cabinetry and stone benchtops creates a sophisticated space. The owners can enjoy the naturally beautiful surroundings thanks to a stunning splashback window that frames the native gumtrees outside. A textured battening was chosen for the island to introduce a touch of modern luxury and helps create a classic kitchen with a timeless feel.

For more information visit https://hia.com.au/awards-and-events/awards/brisbane-kitchen-bathroom/award-winners-2024

The BORA QVac can be flush-mounted in worktops or surface-mounted on top to suit the design of the kitchen and the needs of the homeowner.

The interaction of the well-thought-out BORA products provides inspiration and enjoyment for home cooks, resulting in a special cooking experience that allows users to achieve professional-standard results with minimum effort: they can simply marinate or vacuum seal food with the BORA QVac, store it in the BORA Cool refrigerator, then cook it in the BORA X BO using the “Sous-vide cooking” special programme.

The BORA QVac has three functions: vacuum sealing in vacuum boxes and vacuum bags, resealing bottles, and marinating. A vacuum seal keeps bottled liquids, such as oil or wine, usable for longer after they have been opened. Once vegetables have been cooked, the resultant stock can even be stored as a basis for sauces, for example. The auto-stop function automatically switches off the vacuuming system as soon as the correct vacuum level has been reached. An acoustic signal indicates when the process is complete.

The BORA QVac also makes it much quicker and easier for home cooks to marinate fine foods such as meat, fish or vegetables. The marinating ring, which is placed on one of the associated vacuum boxes, creates a vacuum when the function is activated. This opens up the pores of the food, allowing it to absorb the marinade very quickly. With this integrated function, the marinating process takes no more than ten minutes rather than several hours or days.

Thanks to the innovative and unique installation concept, the BORA QVac doesn’t take up any valuable worktop space in the kitchen: las with the substructure for BORA cooktop extractors, the device is fitted below the worktop. The BORA QVac comes in two different colours: All Black and Stainless Steel. The smoked-glass vacuum boxes supplied are BPA free as well freezer and dishwasher safe. In addition to small and large vacuum boxes with matching marinating rings and the vacuum seal for bottles, the BORA QVac also comes with three different-sized vacuum bags for food.

Stock is expected in Australia in Dec/Jan 2024/2025.

For more information visit bora.com/au/au/

COLOURpyne is a pre-finished product that successfully delivers a cost-effective option for a modern look and is durable, hygienic, and low maintenance making this board the progressive choice for design. The characteristics of COLOURpyne are selected with an eye for quality and permanence and are balanced with an independence of spirit.

With various finishes, such as smooth, lightly textured, shiny gloss, and embossed woodgrain, the decorative panels will enhance the look of both residential and commercial  cabinetry applications.

In addition to domestic internal joinery, COLOURpyne is also ideally suitable for many interior commercial applications, including but not limited to, hospitality, retail, aged care, commercial furniture and fit-out, and educational furniture. The COLOURpyne commercial melamine board range allows for extensive design opportunities to suit any commercial environment.

For peace of mind, COLOURpyne Melamine doors and panels are Australian-made and come with a 7-year warranty.

To gain a deeper knowledge of COLOURpyne, the Nover team recently visited the Australian Panels factory in Oberon, NSW and observed the manufacturing process of the COLOURpyne substrate. The exceptional facility truly impressed the team and they are excited to share their process knowledge with their customers.

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For more information, visit nover.com.au/colourpyne-decorative-panels

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I’m keen to know more – please send me info!

As the population ages and the desire to create inclusive spaces grows, designing kitchens that are both stylish and accessible has become an essential skill for Australian designers. Kitchens should be functional, safe, and accommodating for all users, including those with disabilities or aging-related mobility issues.

Understanding the Needs of Aging Clients and Those with Disabilities

Before diving into design specifics, it’s important to understand the unique needs of aging clients and individuals with disabilities. This includes considerations for mobility, reach, strength, and vision. The goal is to create a space that allows for independence and comfort while ensuring safety and functionality.

TKBB spoke to a number of experts in this area for their tips on designing a liveable and adaptable home. Liz Grimmett, designer and trainer with Designer Training Australia, says “Consider an even wider gap than the standard 1.2 metres between benchtops to allow for manoeuvrability of wheelchairs or walkers, and non-slip surfaces in the kitchen are a must. Lever taps are best for those with reduced hand function and I like to include power points and switches on a rocker which are easier to use”.

Clinton Norris, National Business Development Manager – Assisted Living for Hafele Australia, says that a liveable and adaptable home is one that can change with the needs of the occupants without the need for costly renovations. “We need to be thinking about the changing needs of individuals and enhancing the environment to facilitate independence. Independence is what gives us dignity and the design community has an opportunity to approach the built environment in a way that does not impede this independence,” he adds.

Best Practices in Accessible Kitchen Design

1. Layout and Space Planning

Traffic management

The main traffic pathway, connecting the sink, stove, and refrigerator, should be adapted to ensure ample space for movement and connectability between the spaces. Pathways should be at least 1.2 meters wide to accommodate wheelchairs or walkers, ensuring easy navigation and reducing trip hazards.

Manoeuvrable Benchtops

Incorporate benchtops at varying heights to accommodate different tasks and users. Look for motorised options that allow for moveable heights that allow the benchtop to be optimally positioned to suit the user and the function being carried out at the time.

Accessible Cabinets

Consider recommending options such as glass-fronted cabinets or open shelving that make it easier to see inside and reach items without the need for extensive bending or stretching. Pull-down shelves or motorised lowering and raising options can be installed in upper cabinets for added accessibility.

“You could also think about a 760mm section with no cabinets underneath to allow for wheelchair access,” suggests Liz. “But when you take away storage under bench you have to think about where else can you add it back in”.

2. Accessible Appliances

Side-Opening Ovens and DishDrawer Dishwashers

These appliances are easier to access than traditional models. Side-opening ovens prevent the need to lean over a hot door, while drawer dishwashers can be installed at a height that minimises bending which also assists with loading and unloading.

Induction Cooktops

Induction cooktops are recommended for older or less able users as they reduce the risk of burns, accidentally leaving the appliance on, or loose clothing being caught in an open flame. They add an extra layer of safety in that they cool down almost immediately.

Refrigerators with Pull-Out Shelves

These models allow for easier access to items without deep bending. French door refrigerators with a freezer drawer are also a good option as they minimise the need to lean down to access food.

Efficient Rangehoods

Ensure you specify a powerful rangehood to ensure cooking odours, as well as splatters from grease and cooking activity, are quickly whisked away.

3. Ergonomics

Lever-Style Handles

Lever handles on taps and doors are easier to use than traditional knobs, particularly for those with arthritis or limited hand strength.

Touchless Tapware

These taps are both hygienic and user-friendly, reducing the need for manual operation.

Low maintenance surfaces

Specify low maintenance surfaces that promote hygiene and reduce the need for over-zealous cleaning.

4. Lighting and Visibility

Task Lighting

Consider the positioning of installed lighting in and around work areas such as benchtops, stove and sink. Ensure general lighting is enhanced by task lighting that throws light directly onto the work surface, rather than from behind where it will cast a shadow.

“It sounds like a no brainer, but really good task lighting above workspaces in the kitchen can make it so much easier for everyone who uses that space,” says Liz. “Sensor lights are a great inclusion – both inside and outside the home – to help with navigating the space at night”.

Ambient and Natural Light

Maximise natural light through windows and skylights, and use ambient lighting to ensure the kitchen is well-lit. Dimmers can help adjust lighting to different needs and times of the day.

Contrasting Colours

Including strongly contrasting colours can assist those with vision impairments or memory issues to help identify work zones and more safely navigate around the kitchen space.

5. Storage Solutions

Pull-Out Shelves and Drawers

Full-extension drawer runners are a minimum requirement for a functional accessible kitchen but also investigate pull-out shelves for pantry areas to allow for full accessibility without bending or excessive reaching.

Rotating fittings

These can be installed in corner cabinets to make better use of space and provide easy access to stored items. Or consider rotating options that do not encroach on the usable space.

Adjustable Shelving

Allows customisation of cabinet interiors to suit the user’s specific needs and preferences, and is usually designed to suit particular items that need to be stored. Consider a motorised option for heavier kitchen appliances such as a stand mixer, so they don’t need to be lifted onto a benchtop for use.

“Our homes are often not designed to accommodate changing needs over time,” says Clinton. “The challenge is always to find the balance between architecture and practicality. And this can come down to something as simple as choosing a door – should it be a swing door, or a sliding door? Should the doors be automated? Will you specify a handle or a knob?”.

6. Integrating Style with Accessibility

Modern Design Aesthetics

Everyone deserves a stylish and functional kitchen, even in an accessible kitchen. Use modern, clean lines and high-quality materials to maintain a contemporary look. Integrate accessible features seamlessly to avoid a clinical appearance.

Custom Solutions

Customised cabinetry can be designed to accommodate individual items, such as the width of a wheelchair. Grab rails can be included (and double as handles, if needed) to assist with navigation. Internal organisational systems can make individual items easy to access, locate and pick up.

Stylish Safety Features

Grab bars, handles and other safety equipment can be specified that complement the kitchen’s design. Many manufacturers offer sleek, stylish options that blend with modern décor.

“When designing for accessibility it’s important to change the mindset to focus on how the environment can change over time,” adds Clinton. “The environment is what will hamper the liveability of the space and we all deserve an environment that’s conducive to our wellbeing and living well”.

Liz adds, “The Baby Boomer generation is a huge demographic and we want to encourage people to stay at home for as long as possible. This means our approach to the internal environment has to accommodate how our needs change over time – and that starts at the front door”.

As more Australians show a preference for living well in their own home, no matter their needs, it will become more important for the kitchen and bathroom design community to be aware of small inclusions in design solutions that can enhance lifestyles and play a vital role in allowing clients to stay at home for longer. These best practices will continue to evolve at home, ensuring that accessibility becomes a standard design consideration and that our kitchens are adaptable to the changing needs of users to support independence and enhance the quality of life for everyone.

Owner Mark Mastroianni is a cabinet maker based in Sydney and has been producing custom joinery for more than 22 years. It’s this experience and understanding of the quality required that gives him a unique insight into the needs of the industry.

“For many years I had been searching for quality cabinetry panelling, but nothing quite met our standards”, Mark explains. “Through years of researching a number of companies and brands, I landed upon Latho Components. It was at that moment I knew we’d found our brand showcasing quality product.” Mark wasn’t specifically looking for an Italian supplier however the connection between an amazing design aesthetic and high-quality materiality associated with an Italian-made product meant he was sure he’d found the right product for the Australian market that met international standards.

Mark did his due diligence and had a number of conversations with the owners of Latho Components before he and wife Kelly went to visit the facilities based in Treviso, Italy. “I was like a kid in a candy store,” Mark laughs. “And I was so impressed with the finesse and the finish. We were able to see the intricate detailing behind how the product was made and constructed”.

Mark and Kelly initially ordered some panels to be shipped to Australia and it was seeing the quality of the products first hand that made him even more sure that this was the right product for Australia. “The owners had never shipped products to Australia before,” explains Mark. “We had to do a lot of work to build their trust but as soon as we met face-to-face we knew it was a great fit”.

The Cabinetti Panels business model is very similar to the Latho Components business model – only on a slightly smaller scale. “Latho Components is based very much on knowledge and advice, and a high level of service to match the high quality of the products,” Mark says. “We set up Cabinetti Panels in the same way and we provide exactly the same service that I would expect if I was a purchaser”.

Integral to the success of Cabinetti Panels is Mark’s lived experience within the cabinet making industry which also meant he could easily spot the superior characteristics of the Latho Components panels. “I was so impressed with the detailing of the manufacturing process,” he says. “The way the panels matched up to create a seamless join is exactly what we need in the Australian market”.

With a product that is priced at the premium end of the market, Mark understands that it’s service that will set Cabinetti Panels apart. Rather than dealing with a salesperson, you’ll be dealing with a person with years of experience in the industry who is willing to collaborate to make your project a success.

Having – literally – walked in his customer’s shoes, Mark understands what designers and cabinet makers need to create unique, memorable projects. With his trade background he has a detailed understanding of both form and function and Mark prides himself on being able to provide next-level advice.

“My goal is to work in partnership with our customers to help with advice on product application and the intricacies of various environments, and to help with product selection,” he says. “Our aim is to provide quality service with a quality product where you can ask us anything and we’ll gladly share all our knowledge and expertise”.

Cabinetti Panels provides sample packs on request, understanding that the products speak for themselves with a range of natural solid timbers, profiles and veneers – even some that look like a fabric – so reach out and request your sample pack today.

Cabinetti Panels will be busy in the second half of this year fitting out a purpose-designed showroom to showcase the first two premium collections being offered in Australia; Milled and Move. Milled features solid timber skins and Move is a collection of patterned veneers, both natural and engineered. Most stock is held locally in Australia, reducing the long shipping times normally associated with a European product. Special order products can be air-freighted as needed.

The new showroom will be the perfect location for designers, renovators, builders and cabinet makers to view the products and bring clients for selection meetings. Set up with desks and accessories, you’ll be able to create flat lays and mix-and-match products to find the ideal solution – complete with true Italian coffee.

Italian hospitality is second to none, as is the idea of creating a “family”. Latho Components is a multi-generational family business, as is Cabinetti Panels, and both are excited to welcome their Australian customers into the family.

For more information, or to request a sample pack, visit https://www.cabinettipanels.com.au/

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A new island block system transforms the workspace into a sculptural monolith, which is both elegant and exceptionally functional, accentuating Elementi’s minimalism. Its surface seamlessly integrates functionality and aesthetics, crafting a kitchen environment where beauty and practicality harmoniously coexist.

Noteworthy are the details, such as the framed top with a basin, showcasing exquisite craftsmanship and an added precaution to prevent water overflow. Available in ceramic, stone, or marble, the block features a horizontal mark that not only enhances the surface but also conceals the joints between the sides and the top.

Configuring the new aesthetics of the Elementi kitchen are the ground breaking PVD mirror-effect Amalfi doors. This mirror-effect finish reflects the surroundings, creating extraordinary scenes that captivate both the eye and touch.

The diamond cream ceramic of the island and the Ribbed aluminium European walnut wood of the cabinets come alive thanks to these reflections that bring the spaces to life. The kitchen transforms into a reflection of its environment and consequently, of the style and personality of its occupants.

Sipario pocket-doors doors promote a pure, linear kitchen aesthetic. With their discreet presence, they open to reveal a fully-equipped working area, while when closed, they maintain a seamless surface, contributing to the minimalist and uncluttered appearance of the space. In its various configurations, the curtain portal adapts to different functional solutions such as operational kitchens, pantries, and appliance storage, ensuring a cohesive design scheme.

The Groove door, unique to Elementi, continues to be a defining feature of the kitchen, enhancing it with its sleek design that hides the handle and enables easy opening, adding to the kitchen’s clean and modern style.

Elementi is part of Snaidero’s handle-less models, characterised by its 81cm height and adaptable design that accommodates even the latest large appliances, giving the kitchen a more streamlined and cohesive look.

Doors in PVD mirrored Amalfi and ribbed European walnut; benchtops and island block in Diamond Cream Ceramic; Sipario pocket doors with interior in Italian walnut tech materic.

For more information visit https://www.snaidero.com/en/

In the world of high-end kitchen design, Australia has emerged as a leader by blending international trends with its unique sensibilities. Modern Australian kitchens are characterised by their seamless integration of global influences, resulting in spaces that are both innovative and reflective of diverse cultural inspirations. From European elegance to Asian minimalism, and American functionality, these influences are reshaping the look and feel of Australian kitchens, creating environments that are not only visually stunning but also highly functional.

As a regular visitor to international design shows, I’m always fascinated to see what’s being heralded as the latest in kitchen and interior design trends, and how these trends morph their way around the world, particularly when it comes to the adaptation within our unique Australian design aesthetic.

European Elegance and Craftsmanship

European design, particularly from countries such as Italy and Germany, has long been synonymous with luxury and sophistication. Australian kitchens increasingly feature sleek, minimalist lines, and those high-quality materials that are hallmarks of European style. The use of premium materials such as marble, porcelain, solid surface, and bespoke cabinetry crafted by skilled artisans adds elegance and aesthetic appeal to these spaces. European engineering, renowned for its precision and functionality, influences the incorporation of advanced hardware and innovative storage solutions, ensuring that Australian kitchens are not only beautiful but also highly efficient.

Scandinavian Simplicity and Sustainability

The Scandinavian design philosophy, with its emphasis on simplicity, functionality, and sustainability, has found a receptive audience in Australia. The clean lines, neutral colour palettes, and use of natural materials such as wood and stone align well with the Australian lifestyle and appreciation for the natural environment. Scandinavian influences encourage the creation of bright, airy spaces that maximise natural light, fostering a sense of calm and openness. The focus on sustainability is also evident in the choice of eco-friendly materials and energy-efficient appliances, reflecting a growing awareness of environmental responsibility among Australian designers and homeowners.

Asian Minimalism and Zen Aesthetics

Asian influences, particularly from Japan, bring a sense of tranquillity and minimalism to high-end Australian kitchens. The Japanese concept of ‘Ma,’ which emphasizes the use of space and the balance between objects, encourages clutter-free environments that prioritise functionality and simplicity. The integration of natural elements such as bamboo, stone, greenery and water features can create a serene, Zen-like atmosphere. Sliding doors, hidden storage, and multifunctional spaces are design elements that not only save space but also contribute to a clean, cohesive look.

American Innovation and Functionality

While we often don’t see too many correlations between American and Australian manufacturing, the American kitchen aesthetic is often characterised by its emphasis on innovation, practicality, and comfort. This influence is evident in the open-plan kitchen layouts that have become popular in Australia, promoting a seamless flow between cooking, dining, and living areas. The use of cutting-edge appliances, smart technology, and multifunctional islands enhances the functionality and convenience of the kitchen. American design also brings a focus on personalisation and customisation, allowing Australian homeowners to create bespoke kitchens tailored to their specific needs and preferences.

Fusion of Global Influences

One of the most exciting aspects of modern Australian kitchen design is the ability to fuse various international influences into a cohesive whole. This eclectic approach allows designers to draw on the best elements from around the world, creating kitchens that are truly unique and reflective of a global design perspective. Whether it’s the elegance of European craftsmanship, the simplicity of Scandinavian design, the tranquillity of Asian aesthetics, or the innovation of American functionality, the result is a dynamic and inspiring kitchen space.

With the information highway showing no signs of slowing down, it’s clear that global influences will continue to shape high-end kitchen design in Australia. We are known as a county that is open to diverse cultural inspirations and the absorption of knowledge from a wide variety of sources. By blending elements from different design traditions, Australian kitchens are not only setting trends but also redefining the standards of luxury and sophistication in the culinary space. Our standing on an international stage is further proof – if any were needed – that today’s Australian kitchens are at the forefront of design innovation, offering timeless elegance and unparalleled functionality.

Decorative acrylic panels with a difference, Acrylic Couture offers a striking visual throughout the high-quality Acrylic, which is crystal-clear and vastly superior to other “similar” panels. The intricate detail of fabrics and particulates appear to be floating in space due to the highest quality resin it is encased within.

As seen in this Mount Nebo Kitchen and Outdoor Living project, designed by Kim Duffin of Sublime Group, Acrylic Couture was beautifully paired with Staron Solid Surface. The eye catching Acrylic Couture is clad to the island front and connects the metal elements within the overall design showcasing interlaced and woven metallic fabric which is embedded in acrylic.  

To further enhance the Acrylic Couture, LED strip lights were used on the edge of the island for mood lighting and illuminate the Acrylic Couture panelling, creating the illusion that the material inside is dancing.

Both artificial light and sunlight make Acrylic Couture come to life, yet left as it is, it is still truly alluring and stands out in the crowd with its unique lustre. With the exception of Malachite, which is specifically designed for the adaption of backlighting, Acrylic Couture can incorporate lighting detail from both face and side lighting, saving time and money on backlighting installation costs. 

For peace of mind, Acrylic Couture has a 10-year guarantee on UV resistance & weathering and a 30-year guarantee against polymer degradation for indoor applications.

For more information, visit austaronsurfaces.com/acrylic-couture/

Austaron Surfaces
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This updated space serves as a stunning showcase for Bentley’s Wardrobes and Kitchens’ latest offerings and it prominently features Krome Lighting. Visitors can now explore an extensive array of wardrobes, kitchens, and other bespoke cabinetry solutions in an environment that highlights the elegance and functionality of Krome Lighting fixtures.

Some of the Krome lighting products Bentley’s Wardrobes and Kitchens chose for its kitchen displays include the Krome Flexible Strip Light Kit in Cool White, Krome LED Recessed Aluminium Designer Channel 3M Clear and the Krome COB LED Strip Lighting while in a wardrobe display, the Krome Neon Flex Kit in Neutral White illuminates the space beautifully. 

Nover’s selection of Krome Lighting products are designed to seamlessly blend functionality with contemporary style, ensuring they enhance the aesthetic appeal of any environment they illuminate. Whether it is for a kitchen or living space project, Nover’s diverse selection of downlights and strip lights provides an ideal solution to infuse your client’s space with additional brightness and a welcoming ambience.

Discover how Nover’s modern and sleek designs can elevate your space with cool, neutral and warm lighting, making every corner shine with renewed vitality and style here. 

Nover Australia
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This meticulously crafted product embodies a perfect blend of advanced technology, robust materials, and rigorous testing, ensuring it remains a reliable companion to kitchens for years to come.

Built for Australian Conditions: *Colorbond® Steel Housing

The Isodrive® is housed in Australian-made Colourbond steel, specifically chosen for its resilience in the tough Australian climate. This material is engineered to withstand extreme weather conditions, from scorching heat to heavy rain, ensuring the Isodrive remains rust-free and structurally sound. The robust housing protects the internal components, providing a durable barrier against the elements.

Engineered tough for the Tropics to the High Country

The Isodrive® is designed to excel in a wide range of temperatures, earning its T-Class Tropical rating. It is fully operational in ambient temperatures from -25ºC to +70ºC, making it suitable for various climates. Whether it is dealing with the frigid winters of Tasmania or the sweltering summers of Queensland, the Isodrive® performs flawlessly, maintaining optimal kitchen ventilation.

BAL-40 Certified by CSIRO

In Australia, bushfire safety is paramount, and the Isodrive® meets the highest standards with its BAL-40 certification from the CSIRO. This certification indicates that the Isodrive® is capable of withstanding extreme radiant heat and ember attacks, providing peace of mind for homeowners in bushfire-prone areas. The Isodrive® robust construction and safety features make it a prudent choice for protecting homes.

IPX6 Rated Motor

Adding to its robust design, the Isodrive® features an IPX6 rated motor, providing superior protection against water ingress. This rating ensures that the motor can withstand powerful water jets, making it exceptionally durable and suitable for all weather conditions. The IPX6 rating further guarantees that the Isodrive® will continue to operate reliably, even in the most challenging environments.

Efficiency Meets Performance

Despite its powerful capabilities, the Isodrive® is highly efficient, consuming only 57W of power. This low energy consumption translates to significant savings on electricity bills, making the Isodrive® an environmentally friendly and cost-effective choice. The efficient operation of the Isodrive does not compromise its performance, ensuring kitchens remain well-ventilated without excessive energy use.

Pest & Rodent Proof Design

In addition to its other robust features, the Isodrive® is designed to be pest and rodent proof. The secure housing and construction prevent unwanted intrusions, maintaining the cleanliness and hygiene of kitchen environments. This feature is especially important in maintaining the long-term functionality and safety of the Isodrive® system.

German Precision: EBM Motor

Under the hardened steel exterior lies the heart of the Isodrive® system, the German-made EBM centrifugal motor. Renowned for its precision engineering and unparalleled performance, the German-made motor is the cornerstone of the Isodrive® reliability. German manufacturing excellence ensures that each motor is built to exacting standards, delivering consistent power and efficiency with minimal wear and tear.

A Decade of Assurance: 10-Year Warranty

Schweigen stands behind the quality of the Isodrive® with a generous 10-year warranty. This commitment to longevity ensures that customers can rely on the Isodrive® for a decade of seamless operation. The extended warranty reflects Schweigen’s confidence in their product’s durability and performance.

* Colorbond® is a registered trademark of BlueScope Steel Limited.

The heart of the quietest, most energy efficient and powerful domestic extraction unit on the market today – now BAL-40 certified by the CSIRO.

For more information, visit the Commercial Portal

Schweigen Silent Rangehoods
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Given this illustrious past, it may surprise you to learn that Rex was originally a clinical biochemist and worked at the Alfred Hospital in Melbourne for a number of years before deciding to take a risk and branch out into a completely different profession. By chance, a friend of Rex’s had a small cabinet making business and Rex found helping his mate with designs was far more satisfying than being in the hospital and decided to change his career.

Rex’s first job in the industry was with Customtone Kitchens, the company that gave birth to the kitchen industry as we know it today. They were the dominant player in the kitchen renovation industry for many years. “I always had good spatial skills,” Rex recalls. “So, I think that gave me a really good eye for design and layout, and I quickly found my place within kitchen design”. Rex started as a commission salesman/designer, but quickly found his passion for training and he became Customtone’s National Training Manager.

After 18 months, Rex jumped at an opportunity to purchase a small cabinet making business based in his hometown of Albury/Wodonga and this allowed him to implement new systems and procedures that were more reflective of his personal approach. “One of the biggest benefits of purchasing that business was that over the next few years, I was essentially an apprentice in my own factory,” Rex explains. “It was a steep learning curve but a very important one as it gave me a deep insight into the cabinet manufacturing process. This, in turn, helped me to be a better and more informed designer”.

He relocated the business to Wodonga in Victoria and quickly grew in size to eventually be the largest cabinetmaker between Melbourne & Sydney markets, delivering 20-30 kitchens each week.

“At that time in the industry, the goal was to keep the range of choice offered to the customer to an absolute minimum,” recalls Rex with a laugh. “You’d only offer three door colour options and maybe four benchtop colour options. It wasn’t about the customer experience or education – in fact, the customer wasn’t an important part of the process at all. The aim was to simply sell as many kitchens as you could, so the needs of the customer weren’t even a consideration. It was a fairly brutal business those days”.

Rex remembers that, in the early days, the average kitchen cost around $500 and was made from chipboard, with raw edges exposed, chipboard shelving, no drawer runners, standard 45cm deep benchtops and a 45cm deep forward bowl sink. But he says his time at Customtone showed him there was a different approach to the design and manufacture of a kitchen. It was this revolutionary approach that provided the spark for Rex to re-think his own tactics and start to develop the methodology that has gone on to serve him so well in his business.

As so often happens with small businesses and changing economies, the Albury/Wodonga business did not survive, so Rex made the decision to move to Melbourne, having sold his house to meet his debts. However painful this experience, Rex says it made him realise how passionate he was about the industry, and about finding new and better ways to build productive and harmonious relationships with his clients.

“I realised it was important to take a responsible and ethical approach to selling kitchens,” Rex says. “And I decided that being able to train my own people, using my methodologies, was the only way I would be comfortable staying in the industry”.

Soon after moving back to Melbourne, Rex took over management of a small showroom in Nunawading, and he was supplied by Sunshine Group Industries – at that time the largest cabinet maker in Australia. Very quickly, the store became a success and Rex purchased a second showroom.

“I was lucky that it was a success, but I worked my backside off,” Rex explains. “Eventually, I ended up with seven showrooms in Melbourne and we were selling 30-35 kitchens each week.”

But the industry was still very much focussed on heavy-handed sales tactics, no emphasis on long-term client relationships, and a price war that saw many in a race to the bottom.

The turning point for Rex was a trip to America in 1982 where he attended KBIS for the first time and was introduced to an industry association – the National Kitchens & Bathrooms Association (NKBA). “NKBA taught me so much about how to be more professional,” Rex recalls. “Being a part of a professional association exposed me to more ideas around ethical business relationships with a focus on how to look after customers”.

This triggered a shift in how Rex approached his own business and, shortly after, he sold all his kitchen showrooms except one – even today, he still owns just the one showroom, in Canterbury, Victoria. The success of Let’s Talk Kitchens & Interiors has partially happened organically but has been very much driven by Rex’s personality, commitment, drive and passion to raise standards within the industry.

“For the last six or so years, I’ve only employed CKD, CBD and/or qualified interior designers and all my staff are on salary – no commission-based sales people,” says Rex. “This approach has improved our business tremendously and allows us to take a very professional approach to the service we provide. All of my people are committed to their design profession, not just their bank accounts”.

Rex’s philosophy is centred around the customer, with a focus on education, assistance and ethical actions. “My view of business is not to worry about the money so much,” he says. “If you do a good job and invest in creating relationships, the money will come. As a company we don’t ‘sell’ anything – we develop a relationship with the client that allows the client to make a decision in their own time”.

Rex also maintains his connection to training and still oversees all training of staff members to ensure a cohesive approach to customer service. “My mantra is: it’s never about the price, it’s always about the outcome,” Rex says. “This reaffirms that if you focus on your client’s needs and satisfy those needs, your client will reach a point where they stop focusing primarily on the cost and instead focus on wanting “you” to do their project, because of their trust and faith in you and your care for them”.

Rex laughs when asked about the lessons he has learnt during his time in the industry and says that he was lucky to have learnt what not to do when he was younger. Today, he feels privileged to have had the longevity to create a profitable business with a full-service interior design firm, where the client’s needs are put first.

On his return from his first USA trip, Rex was keen on the idea of setting up an Australian Chapter of NKBA in Australia. The moniker NKBA was unable to be used then, so the initial iteration of the organisation was known as the Australian Kitchen & Bathroom Institute, (AKBI). Rex was in charge of memberships, as well as being the association’s President. It was a tough slog, because most firms were suspicious of Rex’s motives and he became used to hearing “what’s in it for you?”, when approaching new members. Eventually, a relationship with HIA was established and the organisation was renamed NKBA and it grew from there.

For many years, NKBA existed as a subsidiary of HIA until circumstances changed.  Rex explains: “HIA decided to shut down the NKBA as they realised they were a building industry lobby group, not a professional association, per se”.

“I had been trying to get it restarted when Ron Redman (then with Blum Australia) introduced me to Alex Milne, who was also trying to restart the NKBA. Alex had previously been QLD President of the HIA and knew everyone there. Alex and I had a number of meetings with HIA and they assisted us to create a new and independent organisation, that would become the Kitchen & Bathroom Designers Institute of Australia (KBDi), as we now know it,” he adds.

Today, Rex is as busy as he has ever been. “Even now, I still do all the staff training,” says Rex. “And that’s specifically because most people think it’s about how to sell kitchens, but it’s not”. Rex describes the ‘Let’s Talk’ approach as exemplified in the name of the business. “We have a chat, we have a conversation. There are no heavy sales tactics. Our focus is on help, advice and education,” he adds.

Rex feels it’s vital to allow the customer to walk their own path through the decision-making process, and to be able to do this in their own time. This also explains his insistence on the process not being driven by a commission – he doesn’t want to turn his designers into sales people. “It’s a methodology that’s grown organically over time. I do share my experience with design,” Rex explains “But my training is more about the interaction with the clients, how to talk them through the process of design and renovation, and how to create lasting relationships. Once that’s done, the sale takes care of itself”.

When asked about the future of the industry, Rex says he feels positive about the changes he has seen and the new approach to design which is evident throughout new graduates. “The industry now has a value and a standing in the minds of the consumer and I’d love that to become further entrenched,” he says. “I see a wider range of education options and registration of design professionals will mean a more specialised approach to the design process and a more ethical industry overall”.

For more information visit https://www.ltki.com.au/

With this collection, the Californian duo MC+ (Mattia Biagi and Cardenio Petrucci) explored the fascinating imperfection of nature with a system of iconic products conceived as functional artworks capable of illuminating the domestic scene with new reflections on living.

The Limited Edition Kitchen Suite is 100% made in Italy and is named for the Latin name for “disorder” to evoke the breaking of patterns and the entropy that drives the organic evolution of natural ecosystems. The design is pure, organic and dynamic. This concept combines refined design, the finest Italian craftsmanship and the best raw materials, forged to be durable and environmentally friendly.

The internal structure of the three islands is made of ecological panels produced from recycled materials and wood fibres obtained from renewable sources certified PEFC, FSC and CARB-P2 (low chemical emissions). The side and front panels are made of steel processed using jewellery techniques to obtain different surfaces and effects of light: two super-gloss finishes (dark gold and nickel tones, a tribute to the warm reflections of the sun), combined with a super-matt finish (brass tones, a tribute to the icy surfaces of icebergs).

The worktops are made of high-performance ceramics in a dark slate shade and a three-dimensional Vulcan effect surface, inspired by pristine solidified lava. The cooking island integrates concealed induction technology, exploiting the technical characteristics of the ceramic material that allow electromagnetic transfer even in the absence of a glass cooktop. The washing island is equipped with a hand-assembled single-material sink using traditional stone-working techniques.

The Limited Edition Kitchen Suite was displayed in the stunning setting of the Sala Stoppani at the Istituto dei Ciechi di Milano to create an evocative contrast between matter and time.

For more information visit tmitalia.it/en/

Photos: VivaioCreativo

Wonder Landscape is the first instalment of the Utopian Garden project – environments that evoke a beautiful dimension in which intimacy, imagination and nature are freely interpreted. Garcia Cumini studio has created a scene that is a product of the two designer’s imaginations and which portrays a dreamlike landscape with photorealistic elements. The idea was to blend past and future, and bring these scenes to life by utilising cutting-edge AI technologies.

The landscape is printed on MVi Inalco using a revolutionary production process. MVi (minerals, vitrified, innovation) is a new surface from Cesar created with the highest technical, ecological and aesthetic standards. The production process yields a recyclable surface characterised by a texture that plays beautifully with transparency and translucence.

The result is a visual and tactile experience that is extraordinarily deep and natural.

Rich visual archetypes evoke idyllic and exotic environments, while the landscape conveys a sense of tranquillity and wellbeing. With the scenes immersed in a soft and enchanting light, the flowers and animals depicted do not actually exist but the design draws inspiration from the sophisticated wallpapers and fabrics seen in the 19^th and early 20^th Centuries.

The result is a fantastical design, with visually striking images which are rich in allure and emotionally evocative, made even more original by the unique approach to its finish.

In this example, the N_Elle island, with top in matte Barazza stainless steel, is complemented by The 50’s double-sided bookcase system which is now also available in a new corner solution (as seen at the recent Salone del Mobile.Milano). Available in both wall-mounted and double-sided versions, the corner structure is perfect for the kitchen, dining room, living room or any other interior space that needs to be subdivided with a “wall” of simple furniture.

The 50’s double-sided corner solution is featured here with open units and a Verde Comodoro structured lacquered door, uprights in Verde Comodoro lacquered silk finish and Fume glass shelves.

For more information visit cesar.it/en/

In recognising a demand for solid and veneer panels for the design and manufacturing industry, Cabinetti Panels has partnered with Italian company Latho Components to bring these quality products to renovations closer to home. The owners of Cabinetti Panels have real-life, hands-on experience in manufacturing, having been producing joinery and panels in their Sydney-based workshop for more than 22 years. This gives them a unique understanding of the needs of the industry and has underpinned their commitment to providing only the best and highest quality products for their customers.

Years of product testing and research led to the partnership with Latho Components, itself a family business with more than 50 years’ experience in producing surfaces for the furniture and furnishing industry. Located in Treviso, Italy, Latho Components is known for its industry-leading solutions and high-quality products, supported by its commitment to remaining 100% Made in Italy.

This partnership allows Cabinetti Panels to offer the industry a unique solution for joinery projects that combines the design aesthetic of a Made in Italy product, with a deep understanding of the Australian market and the needs of Australian designers and manufacturers. As the exclusive distributors for Australia, New Zealand and Oceania, Cabinetti Panels leverages its manufacturing expertise to provide customised substrates and materials tailored to various applications.

Two premium collections are offered; Milled and Move. Milled features solid timber skins and Move is a collection of patterned veneers, both natural and engineered. The collections include eight Milled profiles and 13 Move profiles, all available in stock as skins, and customisable on various substrates.

Customer service is at the heart of this business with equal passion for product quality as well as the customer experience. Coming from a joinery background, Cabinetti Panels has an in-depth understanding of the needs of manufacturers and a long history of co-operative relationships with designers.

An extensive sample pack is available for both designers and manufacturers, ideal for flat lays and on-site client meetings, and is available on request. These products are leading the way in the established design trends of the moment, offering the ideal panel solution for today’s renovation market.

For more information, or to request a sample pack, visit cabinettipanels.com.au/

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“Our Leichhardt terrace project stands as a testament to the fusion of heritage charm and modern sophistication, breathing new life into a stately Victorian terrace house,” said Ben Tass, co-founder of Tass Construction Group. “Guided by the client’s vision to maximise space and light within the confines of a narrow site, our design journey was marked by ingenuity and a deep respect for architectural heritage to deliver a bright and delightfully textured home.”

Central to their client’s vision was the creation of a luminous sanctuary featuring an open plan kitchen, living, and dining space which seamlessly connects with the outdoors, infusing the interiors with an abundance of natural light. Renovation of existing ground and first floor spaces was complemented by ground floor and first floor extensions and re-purposing the attic to complete the project to the client’s brief.

Full-height sliding doors maximise light and connect the courtyard and garden with the living room. This natural light-filled space at the rear of the home is enhanced by a custom glass roof over the dining table, while five skylights installed further throughout the property help illuminate hallways, bathrooms and living spaces.

“Natural light is a precious commodity in traditional terraced houses and these strategically placed skylights brighten every corner of the residence,” said Ben.

The home effortlessly showcases the terrace’s historic features while presenting a modern design. Render from the existing partition wall was stripped, revealing majestic original brickwork which was tidied, sealed and then highlighted with recessed LED strip lighting in the shadow line of the cornice detailing.

“It really tells a story of the home and ties the new into the old perfectly,” said Ben, noting the splayed external façade details at the rear of the property adds a modern touch to a traditionally rectangular space.

Textured curves catch the eye in different parts of the home, adding a further modern touch. A curved kitchen island feature is complemented by the curved staircase, which cleverly hides the laundry, curved legs of the dining table, and a captivating curved wall in the renovated ground floor bathroom.

Ascending the stairs, an inviting second living space on the first floor has been carved from the original floor space, with a new bathroom and master bedroom created at the rear of the floor. From the first floor, a new staircase leads to the attic which Tass Construction Group repurposed into a loft, perfect for a fourth bedroom or study. 

Light and space is amplified by the loft’s half height wall which maximises light from the large ceiling skylight. A renovation and extension of a narrow historical terrace had its design and construction challenges, yet the final result is testament to the transformative power of design. From the light-filled spaces to original wall textures and curved components, every element speaks to the allure of creating spaces which conjure connections between past and present. 

For more information, visit tasscg.com

The Ravenna-based brand featured a wide range of products on its stand at the show, including furnishings, accessories and surfaces, as well as the new kitchen design. The theme for the stand was a celebration of the union between the company’s decorative spirit and its innovative and colourful soul. The Rialto kitchen was one of a number of themed spaces throughout the stand which illustrate SICIS’s ability to creative environments brimming with personality, enriched with stylistic references and represent iconic collections with worldwide appeal.

The design of the Rialto kitchen is characterised by softened geometrical lines, functional curves and a meticulous attention to proportion. A decorative and elegant project, the modular system offers a wide range of compositional options which allow for customisation, personalisation and tailored solutions.

Backlit Vetrite panels make for visually stunning splashbacks and only add to the appeal and ambiance of the space.

A combination of Vetrite inserts, Champagne satin-finished metal and meticulously-crafted wooden caning showcases a new interpretation of timeless, international luxury. The central island, distinguished by its soft and sinuous form, is the highlight of the kitchen, with visitors drawn to its intriguing mix of materials and finishes.

To enhance this feature element, options exist to add an overhanging table (seen above), available in either a round or ellipsoidal shape, which rotates on a central pivot.

The Rialto system includes an extensive range of customisable columns, bases and wall units to meet the needs of preparation and storage. Column doors which slide laterally, needing only a gentle movement, provide ample functional space internally.

Also featuring in the kitchen as pictured above is the stunning Gemma ceiling lamp with its matching metal frame in Champagne and Vetrite inserts – available in both 90cm and 120cm diameters; Amaretto stools in Balmoral Limestone leather with a metal frame in Polished Champagne finish; kitchen cabinetry in Channelled Matte Elm with Polished Champagne metal edging and backlit Vetrite OniGem Giada, kitchen island in Channelled Matte Elm with Polished Champagne metal edging and backlit Vetrite OniGem Giada.

For more information visit sicis.com/GLOBAL/en/

The 90cm version was launched last year and has been followed up with a cute 45cm compact version (pictured) launched this year. Featuring beautiful seamless design with TouchOpen feature (the handle-free door only requires a light tap to open easily), these are high quality items with mirror glass and Swiss beech timber shelves.

The V-ZUG V4000 90 WineCooler integrates seamlessly into any kitchen, dining or entertaining space and, with space for up to 38 bottles, is the perfect accompaniment to casual or formal entertaining.

Two temperature zones ranging from 5°C to 20°C are controlled by a digital touch display allow the user to customise the settings as needed, while ambient lighting is provided thanks to the 10 energy efficient LED lights included. The timer-controlled lighting subtly illuminates the interior for an elegant and striking display of the wine bottles.

A unique “presentation mode” allows the user to angle the position of the bottles to display them at up to 30° for an additional visual element. A noise-suppressing SilentPlus function can be activated whenever silence is desired; it makes the appliance whisper-quiet and virtually inaudible.

The V-ZUG V4000 90 WineCooler features the minimalist, elegant Swiss design for which the appliance brand is so well known. Its dedication to SwissMade quality is supported by a market leading 10 year warranty.

The appliance is available in proprietary V-ZUG black and platinum mirror glass finish, with a new pearl mirror glass now available which is perfect for kitchens with timber or warm tones or to feature in pared back light and bright kitchens to compliment beachside living. These wine coolers perfectly match the aesthetics of V-ZUG ovens, steamers and other products in the range.

All V-ZUG appliances are produced in Zug, Switzerland with Co2 neutral manufacturing since 2020.

For more information visit vzug.com/au/en/products/kitchen/wine-cabinets/wine-cabinets/winecooler-v4000-90

The Laminex story began in 1934 in suburban Melbourne where Robert Sykes started Laminex in a small tin shed. Over the years, this business grew to be one of Australia’s leading manufacturers.

While the iconic Australian brand has grown a lot over nine decades, its ethos has always remained the same – the belief that every Australian deserves great quality products with great quality design.

The evolution of Laminex began after World War II, when Sykes was captivated by a new trend appearing overseas for decorative laminates. He travelled to the US to research the fabrication of decorative laminates and began producing Australia’s first interior décor product range in the early 1950s. With Australia’s cities booming, new house builds thriving and a demand for affordable furniture escalating, Sykes’ foresight to innovate was astute.

The Cheltenham plant in Victoria was established in 1952, which featured a cutting-edge hydraulic press to enable rapid production processes and an expansion of the product range to meet market demand and improve revenues. It was here that Laminex became the only producer of thin high-pressure and more recently compact laminates in Australia and New Zealand – which still stands today.

For the past 90 years, Laminex has consistently set the benchmark for material innovation, leading to an extensive product range that has expanded to include modern laminates, acrylic surfaces, wall panelling products and more. For many Australians, Laminex products have been a fundamental part of their households – bringing durability, functionality, and personality to the heart of the home.

This year commemorates the remarkable 90-year journey of Laminex. This significant milestone is a celebration of the evolution of being the very fabric of Australian design. Over the past nine decades, Laminex has created a range of innovative and diverse brands that are serious multi-taskers, leading the way in expert quality, design-led materials for contemporary living. With an extensive portfolio across Laminex, Formica, Surround by Laminex and HI-MACS, there is a carefully curated product for everyone and every space.

The success of Laminex products can be attributed to an ongoing focus on product and manufacturing innovation, and a pursuit of continuous improvement, elevating performance across its entire spectrum of operations. Throughout the company’s 90 years in business, Laminex has continually adapted, reinvesting in the skills, safety, performance, and capacity of its plants through new equipment, training, and development.

90 years on, Laminex takes pride in knowing its customers can take comfort in the fact that the Laminex products used in their homes are not only design-led and durable, but also support the Australian economy and are backed by incredible sustainable credentials. The design world may be forever evolving, but one thing that remains the same is Australia’s love for Laminex – it isn’t just owned and manufactured in Australia; it’s loved in kitchens, bathrooms and beyond, nationwide. 

For more information on Laminex products, visit laminex.com.au 

This new appliance caused great excitement at the recent Salone del Mobile.Milano when it was featured both on the Gessi stand at the show and also at Casa Gessi Milano in the heart of the city.

The Vita Gessi™ multifunction system, in addition to providing still and sparkling water, cold and boiling, with different levels of customisation and with the possibility of storing up to twenty-four levels of quantity, is now available with a new function.

Thanks to its innovative and patented digital interface, Vita Gessi Caffe™ now has an integrated coffee function using capsules.

The digital interface offers the possibility of a double dispensing, short or long coffee, according to the needs of everyone. Its modularity and flexibility translate into an elegant and iconic design, available in two versions and seven different finishes.

Hospitality and a strong sense of connection to the home have always been distinctive values for Gessi and this new offering contributes to the protection of the environment by reducing the use of plastic and saving water and energy.

The well-being derived from water transforms daily rituals into precious moments to be enjoyed together with loved ones. Stylistic research and technological innovation converge in the unmistakable Gessi design style, the perfect combination of quality and excellence.

The company, an ambassador in the world of Made in Italy, integrates essentiality and avant-garde, design and respect for the environment, elevating the simplicity of a daily moment linked to water to an ethically sustainable gesture. A tangible value in the daily routine aimed at improving people’s lives.

An Australian release date has not yet been confirmed but we have been told to expect that the Vita Gessi Caffè™ will be available in 2025.

For more information visit gessi.com/en

The Coolatai House project aims to create an unbreakable bond between its inhabitants and the stunning natural landscape that surrounds the dwelling. With sanctuary-like overtures, iconic design sits in harmony with nature, allowing the owners to escape their daily hustle and bustle and indulge in culinary creativity.

The kitchen space was created to symbolise the convergence of environments with the area surrounded by thin modular glass windows that create a portal connected to the natural world. Its social spirit is underlined by alternate openings to outdoor areas and dining spaces.

A centrally-located stainless steel structure provides a clean, harmonious line within a modern design, with the mirrored finish reflecting the textures of the natural world outside and creating an immersive dining experience.

Equipped with the Unox Casa’s Sub-Zero and Model 1 refrigerator, this kitchen is the nerve centre of gastronomy. Blending harmoniously with the silvery tones of the kitchen, SuperOven blends cutting-edge technology with timeless Italian design.

Model 1 is an essential component of a high-performance kitchen environment, as it transforms a preparation space into a haven of creativity and experimentation.

Large windows frame breathtaking views including the crystal-clear waters of Wye River Bay. The design seeks to allow the home to blend seamlessly with its surroundings, enhancing the colours and hues of the adjacent landscape. Alternating open and closed spaces create a consistent relationship between indoor and outdoor spaces and which facilitates movement throughout the structure.

Designed as a weekend home, Coolatai House transforms everyday comfort into a tangible experience. Three cozy bedrooms, generous living spaces and sheltered, barrier-free outdoor areas shape a comfortable place of escape from ordinary reality. Selected materials such as stainless steel, wood, and metal, along with a deep-toned color palette, convey the safe and stable essence of the house.

Name: Coolatai House
Position: Wye River, Australia
Architecture and interior design: Cera Stribley
Constructions: CJ Henderson Builders
Year of completion: 2023
Photographic credits: Unox Casa

For more information visit https://unox.com/au_au/

Designed for both professional chefs as well as home cooking enthusiasts, this tap combines state-of-the-art functionality with sleek, contemporary aesthetics, for the perfect fusion of beauty and performance.

Key features include a high-performance spray with dual spray modes that enable powerful cleaning or a gentle stream, for the ultimate in versatility for the kitchen. The 360-degree swivel spout provides maximum flexibility and ease of use, particularly when needed for handling large cookware.

The laminar aerator reflects the taps’s superior design and functionality while the high-positioned spray allows for greater flexibility when cleaning. A dual spray performance featuring both a needle spray and laminar flow option, provides a powerful water stream making it easy to wash stubborn dirt off dishes.

Franke Icon has been recognised for its excellence as the recipient of many prestigious awards including the Red Dot Design Award and the iF Design Award. Innovation and elegance delivers a crystal-clear, non-splashing water stream to maintain a peaceful kitchen environment and provide a superior offering as expected by today’s discerning homeowners.

The tap is available in Chrome or Matte Black.

For more information visit franke.com/au/en/home-solutions/products/featured-products/icon-semi-pro-tap.html

A modular kitchen from the Fluido line, this award-winning, tool-free assembly kitchen is perfect for modern workspaces, fostering creativity and collaboration. The Fluido kitchenette is customisable with features like a sink, dishwasher, induction hob, and minibar, all in a compact space. It is made with durable materials such as Fenix, melamine, lacquered glass, and aluminium frames.

The Fluido kitchenette is the result of a combination of refined design and practical functionality, and is the ideal solution for office-break environments furnished with desks and tables in a coordinated style. Integrated components allow you to create your own workstation in the configuration that best meets the needs of the environment and the users.

The Fluido line aims to create versatile, sustainable furniture for new living and working environments. The Fluido kitchenette, along with other eco-friendly collections, highlights Martex’s commitment to well-being and sustainability.

Fluido won the 2023 Sustainability Award, an accolade dedicated to companies with a mission centred on sustainability. It is the result of the use of sustainable and recyclable materials, guaranteeing minimal environmental impact throughout the product’s life cycle.

Martex, based in Friuli, Italy, blends craftsmanship with technology. The company’s philosophy is to use design to emphasise unique, timeless quality. Martex focuses on combining beauty and functionality, ensuring products are durable and practical. Each item is carefully assembled, checked, and packed for shipment.

For more information visit https://www.martex.it/

Linear® pocket frames for sliding doors are designed to eliminate the need for jambs and covering profiles. They are known for their durability and easy assembly, combining essential technological and aesthetic qualities for interior design.

To address challenges in installing sliding doors near electrical sockets and pipes, Linear® is now part of Magic Box®, a collection of pocket frames with spaces for electrical and water utilities, designed and patented by Protek®.

The design includes spaces for electrical and water systems on both sides of the pocket frames, using a special expanded polystyrene mould. The Linear pocket frames are available in three options: Magic Box Linear Elektro for electrical systems, Magic Box Linear Hydra for water systems, and Magic Box Linear Domotika for both.

Magic Box® Elektro is ideal for situations where electrical wiring would typically require a swinging door. It accommodates switches, sockets, video intercoms, thermostats, and other electrical devices along the entire height of the pocket frame on both sides, offering maximum flexibility without a floor footprint.

Magic Box® Hydra is designed for areas needing a sliding door that also needs to allow for pipework, with insulated housings for plumbing and heating systems pre-fitted on the structure.

Magic Box® Domotika combines features of both Elektro and Hydra, providing a versatile solution for homes, offices, hotels, and other spaces requiring extensive home automation.

For more information, visit protek-controtelai.com

The collection’s colour and design redefine the idea of wooden surfaces, replicating the charm of rare, sought-after wood in a palette of beautiful colours. The sophisticated texture and tactile sensations emphasise the delicate veining and grain of these porcelain stoneware planks, creating warm and cosy settings in any style. 

Project Wood is the result of research to obtain a durable, environmentally sustainable product. It comes in five colours (Mesola, Migliarino, Paneveggio, Pollino, and Quarto) and two formats. The  20cm x 120cm format has a 9mm thickness and a natural or grip finish, while the 40cm x 120cm format has a 20mm thickness and an anti-slip finish for outdoor use. This latter version can be laid on screed with adhesive, perfect for balconies, patios, terraces, verandas, and poolsides.

When applied directly to turf, gravel or sand, it creates instant walkways. In addition, in line with the  latest trends, these tiles allow the merger of indoor and outdoor spaces, creating a stunning visual continuity and improving their functionality and comfort all year round. 

The Project Wood collection stands out for its modern aesthetic and extraordinary resistance to  impact, abrasion, flexure, and stains. That’s why it’s ideal for the indoor and outdoor floors and walls of residential and public spaces and projects in the contract furnishing, hospitality, and  wellness sectors. 

Like all Casalgrande Padana porcelain stoneware collections, Project Wood tiles are non-absorbent, eco-compatible, fire-resistant, and easy to lay and clean. In addition, they have antibacterial properties, thanks to the Bios Antibacterial® treatment (available upon request). These tiles are not affected by temperature fluctuations, whatever the latitude, and never warp, maintaining their beauty over time.

Casalgrande Padana porcelain stoneware tiles’ innovative production processes ensure excellent aesthetic and technical qualities and help protect the environment. This way, the spaces they create are not only beautiful and functional but also safe and healthy, free of harmful substances, easy to clean, and environmentally friendly. 

For more information, visit casalgrandepadana.com

Chalet S, where residential architecture combines traditional alpine building techniques, featuring exposed wooden structures and sloping roofs with refined, detailed interior design, is a space in which natural stone is one of the undisputed protagonists.

This stylistic signature can be found even in the garage, which is both the access point to the home and a real wooden jewel box embellished with three large backlit slabs of Patagonia Original “Extra”, a Natural Quartz which is part of the Exclusive Collection offered by Antolini.

A marvel of nature set among wooden staves, in which the dance staged on its surface by feldspars, crystal, and black tourmaline – the three minerals that compose and distinguish Patagonia Original “Extra” – announces the textural leitmotif, which characterises the chalet’s interiors, marked by the balanced dialogue between wood and the Verona-based company’s natural stone.

One of the first environments – which in addition to leading to the actual dwelling on the two floors above, leads to the spa area – features the warm tones of wood and gold sublimated by the anthracite tones of Black Ice, a marvellous granite enlivened by the natural presence of brighter inclusions and streaks, which is the real star of the shower and bath area, where it is installed both on the floor and on the wall.

On the upper floors, where lighter tones enhanced by abundant natural light prevail, the dialogue between wood and natural stone continues, tempered by the whiteness of the plastered walls. Moving to the second floor, reserved for the home’s most intimate rooms, Bianco Latte triumphs. A snow-white stone that nature has embellished with purple-hued mineral infiltrations has been chosen for the bathrooms to clad the bathtubs, shower walls and the area dedicated to the freestanding, sculptural tub. On the other hand, for the bathroom located on the top floor, Azul Cielo was chosen for both the shower and the countertops. This marble features delicate celestial hues, the colour of which helps break up the verticality of the room.

On both the second and top floors, the house opens up to the surrounding mountains and slopes thanks to the full-height windows that extend across the main facade of the chalet, flooding the dining area and living room with light, in which the star feature is the wooden structure above. There is a seamless transition to the kitchen, at the centre of which is a monolithic island that, following the aesthetics of the house, combines wood with Cristallo Bianco “Wow”, a highly durable Natural Quartz that almost entirely envelops the volume, creating the sensation that it is suspended above the floor. An island that shines with its own light – thanks to the backlighting, glows through the translucent crystal. An induction cooktop, as well as a wine cellar on the side, are set into the surface as if into a block of stone. Cristallo Bianco “Wow” is also featured in the tops of the wooden cabinets that run along the entire back wall.

For more information on Antolini products, visit antolini.com/en/

Photos: ©Max Zambelli

Levitas Glass is part of a collection that reflects the company’s commitment to responsible and avant-garde design, representing not only functionality and contemporary design but also a deep connection with ancient cultural heritage.

The term levitas evokes the idea of lightness and movement, inspired by the fluidity of air: the Levitas kitchen embodies this concept through an airy and elegant design characterised by clean lines and transparent materials that impart a sense of spaciousness to the environment.

Levitas Glass prominently features transparent extra-clear glass in the doors of wall units, bases, and tall units, both at the front and sides. The structure is composed of an aluminium frame lacquered in aged brass. The door opening systems are threefold, varying according to use. The backs of bases and wall units are in Naturale sanded-effect oak while the tall units have glass backs.

The paneling that surrounds the entire kitchen structure is in Wood caneté plus Natural. The central island’s worktop and corresponding sides are in Taj Mahal quartzite natural stone, a natural material highlighted by the light colour that shifts from cream to grey, known for its resistance and durability. The Fast sliding snack top, 6 cm thick, is in natural sanded-effect oak.

Glass and aluminum, with their transparency and lightness, also highlight the area of sustainability which is so important in Europe. These are fully recyclable materials that never lose their original qualities. Their processing ensures that the glass is not glued to the aluminium, so the pane can easily be removed to separate the pieces for recycling at the end of their life. In making this choice, Euromobil showcases its commitment to environmental sustainability, presenting eco-friendly and responsible solutions.

For more information visit https://www.euromobil.com/en

Cabinetry forms the foundation of the home, especially in the kitchen, playing a crucial role in the functionality of the entire space. In 2024, evolving trends in kitchen design and cabinet display ideas emphasise a growing focus on functionality, aesthetics, and personalisation, particularly in Australian kitchens.

The recent international design trade fairs, EuroCucina and Salone del Mobile, held in April in Milan, Italy, served as vibrant showcases of creativity and diversity in living spaces. The world leading kitchen and furniture manufacturers presented a dazzling array of innovative solutions with trends emerging from these events offer a glimpse into the present and future of consumer kitchens, a fusion of global influences and forward-thinking design concepts.

Hettich Australia’s products are at the forefront of this movement, offering innovative solutions and kitchen cabinet drawer ideas that cater to these emerging preferences, helping homeowners create spaces that are not only highly functional but also beautifully customised to their unique tastes and needs.

Functionality with Shelving and Storage

The increasing need for intelligent storage solutions continues to drive demand for versatile shelves, serving essential roles in storage, functionality, and aesthetic display within the kitchen. Whether showcasing cherished items or organising everyday essentials, shelves play a pivotal role in optimising kitchen space.

Hettich’s Cadro Shelving System seamlessly incorporates customisable features, offering homeowners the flexibility to adapt shelves to their unique preferences, with additional integration of SlideLine M enabling sliding door capabilities. In upscale kitchens, the integration of LED lighting also elevates the ambiance, adding a touch of sophistication to the environment.

Materials

The favoured materials selections for kitchen cabinetry in 2024 include: 

• Natural ( The quality of ForestOne’s Egger is showcased at Hettich’s Melbourne Showroom).
• Textured – Woodgrains and laminates in particular continue to be prominent choices for kitchen cabinets in 2024, aligning with the enduring trend of natural aesthetics.
• Two-tone combinations with contrasting colours or materials that play a vital role in residential spaces to ensure they remain dynamic and avoid appearing mundane.

A touch of tech 

As our homes transition into digital and smart spaces, the integration of artificial intelligence (AI) into electrical appliances becomes increasingly prevalent. Hettich’s smart home functionality and innovative lighting solutions embrace these modern advancements. 

Sustainable Style

The growing emphasis on eco-friendly materials and sustainable practices in kitchen design reflects a shifting consciousness towards environmental responsibility. This trend underscores the importance of integrating renewable resources and minimising carbon footprints in the pursuit of greener living spaces.

Hettich prioritises high-quality, durable products, contributing significantly to sustainability effort with a focus on optimised material management to minimise waste, while ongoing initiatives include sourcing CO2-reduced steel and designing products for easy recycling. 

Personalisation 

Each home has unique needs, styles and aesthetics with bespoke tailored cabinetry solutions on the rise. Hettich caters to this demand for customisation through a variety of products, with a commitment to meeting individual needs positioning Hettich as a leader in cabinetry solutions.

For more emerging trend ideas and inspiration, visit here. 

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This important and long-established design event, which takes place from 11 April to 26 May, is held in the splendid new setting of the Palacio de La Trinidad, a private three-storey building with an outdoor area where visitors have the opportunity to explore all 53 spaces.

Here is a closer look at the SapienStone surfaces featured in these spaces.

Luna Limestone for Espacio Euromobil, ‘In/Out Kitchen’ (Dosde)

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Luna Limestone was chosen for both the kitchen worktop and the cupboard doors. The kitchen is the focal point of this area, with a central island that seamlessly integrates with the natural surroundings. The Luna Limestone worktop, which is 12mm thick, extends from the kitchen all the way outside, forming an open-air bar that is perfect for preparing meals outside. The doors, which are 6mm thick, are made from the same material as the surface, which makes them weatherproof and suitable for outdoor kitchens.

Piasentina for Spazio Xaza (Raquel Chamorro)

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Piasentina – in the 6mm and 12mm structured version – was chosen for cladding the outdoor kitchen of NOVARA in the Spazio Xaza outdoor area. The area also includes a swimming pool with sun loungers, a vertical garden for growing herbs used in cooking, and a chill-out area for relaxing while enjoying a cocktail or socialising.

Balance, Platinum White and Uni Ice for Spazio Delamora, ‘Alice’ (Vonna)

For this setting, Vonna drew inspiration from Alice in Wonderland: a world of atypical, timeless spaces where visitors can immerse themselves in a fantasy world that delights the senses. The flooring is a combination of textured surfaces with a natural look in 6mm thick Balance Ivory, Balance Light Grey and Platinum White. The Uni Ice kitchen worktop is 12mm thick and polished, combining the sophistication of the material with SapienStone technology: the induction hob is concealed within the material, and there are no appliances on the worktop, creating a continuous look.

Kuroca 4D and Calacatta 4D Cashmere for Spazio Tarimatec, ‘Lanai Restaurant & Lifestyle’ (Adriana Nicolau)

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This space was designed by Spazio Tarimatec as a veranda (lanai in Hawaiian), perfect for admiring the beauty of the gardens outside while enjoying the charm of the interior spaces, enriched by friezes and coffered ceilings. There is also a pleasant bar area in the veranda, with a large counter made of two distinct materials: Kuroca 4D and Calacatta 4D in a cashmere finish. The same material was chosen for the tops of the tables where visitors can sit and enjoy an aperitif, with drinks and snacks, or a meal in a relaxed atmosphere.

For more information visit https://casadecor.es/

Lincoln Sentry will be at Stand #744 with a stunning space designed by Studio Minosa which is set to inspire and captivate visitors with new concepts and ideas.

Visitors can expect to be impressed with the functionality and style of the latest hardware solutions with specialty products for the kitchen, wardrobe and laundry that will take your projects to the next level.

Of note are the new Blum REVEGO pocket door and LEGRABOX Special drawers, Gollinucci waste and laundry hampers, Hera lighting, DecoSplash panels, Franke appliances, OE Elsafe charging and power solutions, Oliveri sinks and Express Benches benchtops.

The Kitchen + Bath Show is being held in conjunction with the Design Show and ArchiBuild Expo to offer the industry the best in interior design and building solutions. With a focus on kitchen and bathroom design, innovation and inspiration, the Kitchen + Bath Show is a must-see for anyone in this industry.

Register today to attend and pre-book your guided tour of the Lincoln Sentry stand.

For more information visit lincolnsentry.com.au/page/kitchen-bathroom-show-2024

Everest Sunrise is a gentle, neutral quartzite-like finish with accents of gold that speaks of the spectacular beauty of Mount Everest at sunrise. Cappadocia Sunset features a medley of rich, tonal greys evoking the rugged splendour of Cappadocia’s volcanic peaks.

Crafted from raw, natural materials, these surfaces do not add quartz to their formulation and are fully recyclable, making them a smart choice for those wanting to design an environmentally friendly home. They also provide the superior durability and practicality Neolith is known for, being highly resistant to water, heat, scratches, stains, and UV rays and requiring minimal maintenance and zero resurfacing to perform beautifully for decades.

Sydney-based interior designer, Renee Richmond, principal at Sage Interior Design Studio, shares how these new Neolith colours complement the latest design trends we’re seeing across Australia, and how she has used them in her own projects.

In this Sydney family kitchen, Richmond has used Neolith Everest Sunrise, with its creamy, natural tones and flecks of gold, on the benchtops and splashbacks, paired with muted sage paintwork and subtle metallic accents. “This kitchen serves as a family hub, blending functionality with social appeal – a supremely welcoming space with a soft, inviting aesthetic,” she says.

Richmond dialled up the drama in this Sydney kitchen owned by a design-savvy, professional couple by running Neolith Cappadocia Sunset across the central island and splashback wall, coupled with rich timber cabinetry, dark bronze detailing, Venetian plaster, and fine metallic mesh panelling, finished with a statement pendant. “To elevate the Neolith stone to the centrepiece of the design, complementary materials were carefully selected to enhance its beauty and uniqueness,” says Richmond. “The finished design creates a rich and dramatic ambience and reflects the owners bold yet sophisticated design style.”

“Here, we’ve run Neolith Everest Sunrise across the vanity and the wall behind the mirror to create seamless luxury, while eliminating any superfluous detailing to minimise the visual distractions, which we’ve then gently contrasted with Neolith Cappadocia Sunset on the floor. The effect is instantly soothing. Textured Venetian plaster walls on either side in a similar shade as the vanity and rear wall add to the cossetting vibe.

“This look works best when you choose colours without any stark contrasts, like we’ve done here, supplemented with warm, mood lighting to enhance the serene atmosphere,” says Renee.

Neolith is also set to release a ground-breaking new silica-free surface later this year, fortifying its stance as a long-standing sustainability pioneer, caring not only for the environment, but also for the people who is Involved in the process of handling and manufacturing the surfaces. This innovative new product line is devoid of crystalline silica, with the first colours in the new formulation set to be Artic White and Abu Dhabi White in a 20mm thickness – the ideal choice for eco-aware renovators.

For more information visit neolith.com/au/