Designed by Giulia Delpiano and Corrado Conti of the architectural studio ovre.design® and produced by FMG Shapes, Infinito pays homage to sustainable luxury.

Made exclusively using high-quality agglomerated marble scraps, Portland cement, Infinito is a tangible manifestation of reuse and waste reduction. The production process does not involve synthetic resins or thermal energy, ensuring a minimal ecological impact.

Infinito expresses the very concept of infinity through its groundbreaking design and revolutionises the world of bathroom furnishings. With its fluid and sinuous lines, this sink evokes a sense of eternity and continuity, transcending into a true masterpiece. It mirrors an unnoticed and subtle flowing, where water appears to vanish magically into nothingness, creating a timeless allure that captivates and sparks imagination.

Infinito symbolises the uniqueness of the product, whose beauty and sophistication are rooted in marble. Infinito is the present, an eternal moment of absent matter that defines both before and after forming a whole. It encapsulates the inexplicable paradox of being and non-being, a continuous flow that is the search for balance; that often uncertain movement that adapts to reality, materialising only when it becomes past and imagining future depends on us. Infinito is the conjunction of people and emotions that flow, create, and exist.

By combining futuristic design and environmental consciousness, this sink transcends beyond mere furnishing accessory to become a statement of style and awareness. Discover the power of infinity with Infinito by ovre.design®.

For more information visit ovredesign.com

The eri collar, the sode sleeve, the doura lining of the top part of the kimono all contribute to create geometric designs with different fabrics and patterns, which Biasi draws on in creating surfaces and ways of laying them. The collection also reprises some elements form the firm’s historical archive of patterns and colours.

“Decoratori Bassanesi‘s historical archive was a great source of inspiration, a point of departure for an exploration of color, ceramic yield and glazing, while the geometric motifs and bold colour combinations of the Far East opened the way to new high-contrast laying patterns. The Kimono collection is a reflection on the infinite possibilities of color and material, blending distant traditions and cultures” – Federica Biasi

Kimono reprises one of the firm’s historic products, Millerighe, with references to the ceramics of the late 1980s. The project also revives a few finishes and processes typical of Decoratori Bassanesi’s early days, double-firing and enamel glazes, with their distinctive shiny texture and vibrant shimmer. With its sinuously smooth feel, Kimono offers that same sort of aesthetic effect, updated with new materials and contemporary workmanship.

The result is a textured collection in bold, vibrant tones which is available in eight colours and two finishes (smooth or ribbed), as well as two different sizes – 5cm x 15cm and 15cm x 15cm – designed to encourage designers to play with combining them in creative ways.

Decoratori Bassanesi was founded in 1988 and represents the values of artistic decoration in the field of handmade ceramic coating. Its factory and head office is located in the province of Treviso, Italy. Research and attention to detail, which are the fundamental values of the company, permeate every branch of production, from the choice of materials to experimentation with the most progressive techniques.

For more information visit decoratoribassanesi.it/en/

Given the number of people requiring care is only set to increase worldwide, it makes sense to focus on how to ease the pressure on the residential care system and assist anyone who would like to stay in their home to do so with ease and comfort. But it’s not just about the aged or those living with disabilities. Many of the fixtures and fittings that create an accessible bathroom are also beneficial for young families.

Height-adjustable elements or touch-free taps are particularly suitable for children, for example. However, owners and builders do not have to install handrails and seats in the shower from the outset if they are unlikely to be needed for several decades. All they need to do is make provision for future requirements today by, for example, reinforcing the wall where a grab rail is to be installed at a later date. Sufficient space around the shower, washbasin and toilet should also be factored in at the planning stage so these facilities are subsequently accessible for people using a wheelchair or walking frame.

Digitalisation and technical aids also make an important contribution to accessibility. For people requiring care and those with physical disabilities, new technologies in the bathroom are not just a gimmick, but a key element in ensuring greater safety and self determination. Sensor-controlled lighting activates the light as soon as someone enters the bathroom, thus minimising the risk of tripping. If a fall does occur, sensors in the floor recognise who has fallen and alert relatives or the emergency services. Voice assistants can also provide support in an emergency. Furthermore, it is possible to integrate measuring devices that transmit health data to carers or relatives. Intelligent mirrors can even remind users to wash, comb their hair, brush their teeth or take their medication.

A bathroom that is both accessible and digital is particularly advantageous as we get older. However, this is also part of the problem. When they are 30, people don’t want to think about their likely physical decline 40 to 50 years later. Hence, many of them fail to create the prerequisites for accessible conversions later, for example, LAN/WLAN coverage, basic electrical connections or empty ducts for data cables. Smart bathrooms require both qualified sanitary and HVAC installers and electrical engineering expertise.

ISH in Frankfurt am Main from 17 to 21 March 2025 represents a great opportunity to learn all about the latest developments. In the ‘Solutions for Bathrooms’ section, exhibitors will be showcasing innovations for private bathrooms, spas, pools and wellness facilities as well as (semi-) public and industrial bathrooms, care-sector bathrooms and bathroom installations.

Next year’s ISH will be accompanied by a multifaceted, complementary programme of events. One of the highlights will be the first ‘Value of Water Conference’ at the Congress Centre of Messe Frankfurt on 17 and 18 March 2025. At the conference organised by Messe Frankfurt and the Handelsblatt Media Group, experts and decision-makers from the sanitation, real estate and housing sectors, as well as representatives of local authorities and NGOs, will discuss global innovations and best practices in the field of water management and hygiene.

Interior design, current trends and future perspectives in the sanitary industry are the focus of the Design Plaza in Hall 3.1. In the immediate vicinity, the ‘Pop up my Bathroom’ trend area will present visionary bathroom concepts as holistic room solutions. Additionally, the special ‘SPAs, Pools & Wellness’ area in Hall 3.1 will offer insights into modern wellness solutions while, one level lower, in Hall 3.0, the ‘Public, Care Sector Bathrooms & Clean Water’ area will spotlight innovative approaches for public bathrooms, care-sector bathrooms and hygienic drinking water supplies.

The latest developments and pioneering ideas combined with ground-breaking design are front and centre of the Design Plus Award by ISH. This prestigious award is given by ISH in cooperation with Stylepark, the magazine for architecture and design, and honours outstanding innovations and sustainable designs in the bathroom, heating and air conditioning sectors. The award ceremony will take place on the first day of the fair and the award-winning products will be on display in a special exhibition throughout the fair.

For more information visit ish.messefrankfurt.com

Images: ISH 2023 (Source: Messe Frankfurt GmbH)

As a modular piece of furniture, this small but cleverly-designed unit can be placed in the bathroom, bedroom, entrance or even a walk-in wardrobe. It fits harmoniously into a range of home environment thanks to the wide variety of shapes and colour combinations.

A light contours the perimeter of the unit and provides an indispensable task lighting when using the mirror for make up or other beauty applications. When the vanity is closed, the light draws attention to the unit.

Inside, a magnifying mirror is included with the “regular” mirror and the bottom of the vanity contains divider pieces that allow the user to organise personal products or jewellery and keeps items upright. The Mobilcrab Vanity can be installed at a sit or stand height and is able to be accessorised with other Mobilcrab products such as poufs, washbasins, accessories and mirrors.

Highly customisable, the Mobilcrab Vanity is available in a range of colours, sizes and finishes as exhibited below.

Vanity structure in leather with lid in Vintage Gold and internal dividers in Vintage Gold. Also pictured: freestanding round washbasin in White Deimos and rectangular mirror with gold frame and perimeter backlighting. White pouf with removable terry material.

Vanity frame and lid in Powder Pink with Vintage Gold internal dividers and white pouf in removable terry material.

Vanity structure in HPL Islanda with lid in Indigo Blue and internal dividers in Indigo Blue. Also pictured: above-counter basin in Copper and oval mirror with Satin Black frame and perimeter lighting. Pouf in Indigo Blue eco-leather and double-sided rug with rhombus pattern in beige.

Vanity structure in Cactus Green with Cactus Green cover and Vintage Gold internal dividers. Also pictured: Round mirror, tray in Vintage Gold, and white pouf with removable terry material.

Vanity installed at stand-up height in HPL Industrial and lid in Anthracite with Anthracite internal dividers. Also pictured: round mirror with soft-touch lighting and white back light.

For more information visit https://www.mobilcrab.it/en

The installation followed the presentation at Fuorisalone in April of the site-specific Glint installation designed also by Quayola for the Refin Studio spaces in Milan. Glint Variation is a collection of sculptural pieces in porcelain stoneware, an evolution and reinterpretation of the work presented in Milan, and a pure expression of the technical and material dialogue between the artist and the Refin laboratory.

The research path for the development of the Glint ceramic variation was complex and extremely stimulating. The real challenge for Refin was to be able to reproduce on the surface of the porcelain stoneware a structure that recreated the geometry developed by Quayola to represent the ripples of water. To do so, the company undertook a long process with the artist made up of tests, trials and continuous comparisons to explore new production techniques and a special ceramic mould was designed that allowed for the pressing of a bas-relief structure.

The result is a collection of sculptural pieces in 30cm x 30cm or 30cm x 60cm porcelain stoneware, 20mm thickness, with black glazed surfaces and edges. Glint Variation 30cm x 30cm is made up of four different subjects and can be inserted into interior design projects as a composition of pieces of art or to create scenographic full-wall coverings. Glint Variation 30cm x 60cm format is proposed as a single piece of art produced in a limited edition of 99 pieces and delivered with a numbered certificate of authenticity.

“Glint is first and foremost a research, a process. Both the sculpture Glint and the Variations document my study of the relationship between light and complex geometries. My idea was to crystallize the light effects on the surface of the water in a physical and tangible object. Glint Variations are like several works in one, there is no precise dimension. Being modular, the different pieces can be assembled together arriving at a scale, if you like, immersive” – Quayola

Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper.

For more information visit https://www.refin-ceramic-tiles.com/

The Flow washbasin—selected in the ‘Design for Living’ category—is made of white Carrara marble and expresses an innovative design language aimed at sustainability. Continuing the successful collaboration with designer Paolo Ulian, the Tuscan company pursues its search for a balance between ancient materials and new processing techniques. Flow is an example of this philosophy, an “experimental object” that, as described by CEO Andrea Lupi, is born from the generative power of water. This washbasin, with its unique appearance, emphasises a detail that would generally be considered a flaw: the numerically controlled waterjet cut, with its fringed and pleated effect, becomes a distinctive feature in Flow.

Flow is not just a washbasin but a unique sculpture, capable of transforming a “defect” into an essential decoration that tells the story of marble craftsmanship. Applied to a classic material, this aesthetic innovation makes Flow “not an ordinary washbasin,” Andrea Lupi says.

In addition to ensuring a unique aesthetic quality, the waterjet cut also allows for greater material optimisation compared to traditional processing techniques. It makes it possible to obtain several washbasins of different diameters from a single marble block by nesting them within one another, thus improving the sustainability of the production process.

This recognition confirms antoniolupi’s commitment to creating cutting-edge design solutions with environmental consciousness while the Flow washbasin represents a perfect blend of contemporary aesthetics and functional innovation.

Being included in the ADI INDEX encourages the brand to continue its mission to innovate the interior design sector, carrying forward the tradition of Made in Italy with creativity and passion.

For more information, visit antoniolupi.it

The name itself, SENSO, evokes a deep sense of respect for nature, a sense of responsibility towards saving resources and attention to safeguarding our planet – elements that define the essence of the entire collection.

The recycled glass is expertly worked and ground by hand by master glassmakers, transforming into elegant design objects for the bathroom.

The surfaces, smooth or finely worked, maintain the characteristic natural colour, giving life to glasses, dispensers, room diffusers and candle holders that enrich and complete every bathroom environment with style.

Functional and refined, the accessories of the SENSO collection adapt to any type of furniture, offering a unique and trendy aesthetic. The use of recycled glass not only reduces the environmental impact but also enhances the intrinsic charm of each piece.

Glass Design, always synonymous with elegance and innovation, stands out in the production of washbasins, mirrors and accessories, experimenting with unusual materials and paying great attention to detail. The SENSO collection represents a further step towards a more sustainable and accessible luxury, where ecology and designer design meet harmoniously.

For more information, visit glassdesign.it

Smooth is a steel radiator and towel warmer whose creative concept revolves entirely around the size of the round-section tubes with which it is made. Smooth is designed in two versions: Bubble – consisting of more generously sized inner elements and the frame, and Slim – which is distinguished by its slimmer and more discreet shapes.

Smooth is available only in a hydraulic version with three different sizes and the Slim model also a horizontal installation version. Smooth is available in the 79 colours of the Scirocco H range, including the new matte shades: Cloud Gray, Cookie, India Blue, Frog Blue, Glaucous Green and Pink.

About Scirocco H

Scirocco H designs and manufactures designer radiators and towel warmers, interpreting a highly technical and rigorous sector with a new artisan sensibility, which allows it to respond more effectively to the new culture of living. It all started in the Province of Modena, Italy, in 1989, when the founder Maria Pia Bertona decided to venture into the then unknown world of heated towel rails. Thus Scirocco was born, one of the first companies to produce towel warmers, bringing together, over the years, technique, aesthetics, engineering, and design. In 1999, the company moved to the Province of Novara, more precisely to the most important Italian area for the production of bathroom fittings and valves, related sectors and a pole of stimulating industrialisation. But 2013 was a real turning point, when Engineer Filippo Arbellia, son of the founder, with his partner Sabrina Mora at his side, fully assumed the management of the company, breathing new life into the stylistic and design path of Scirocco H.

For more information, visit www.sciroccoh.it

Bringing together Marcel Wander’s flair and creativity with LAUFENS’s mastery of raw materials, excellence and experience, The New Classic, as a complete bathroom solution, encompasses washstands, washbasin bowls, toilets, a bidet and bathtub, faucets, mirrors and accessories, as well as furniture, providing infinite possibilities for interior designers seeking to create unique and sophisticated environments.

Marcel Wanders’ take on Neoclassicism, expressed here in The New Classic, maintains a consistent focus on indulgence, intimacy, humanity and everyday utility, while calling to mind the poetry and romance of bygone times.

The award-winning collection has seen new additions over the years: in 2023 the Dutch designer continued his exploration on the Saphirkeramik which resulted in three different decorations for the surface of the washbasins. This year, LAUFEN presents a new progress of the collection, dictated by the addition of new finishes for the faucets, new colours for the ceramic pieces and new accessories in Saphirkeramik.

The new ceramic colour palette, developed by Studio Roberto Sironi and presented at Milan Design Week 2024, reflects an in-depth historical study of colour in ceramics over the centuries. These shades, reimagined for a contemporary context, expand customisation options, allowing designers to create spaces that evoke elegance and timelessness.

The palette is the result of research on the history of colour through ancient ceramic cultures over a period of time ranging from 3000 BC. to 1500 AD. An interdisciplinary work between art, design and archaeology that lasted three years, where the most refined colours of the ancient world were reworked to create contemporary and timeless nuances.

Since its debut, the collection has also included a range of accessories made in Saphirkeramik, all characterised by curved and delicate lines. The collection includes a wall-mounted shelf, soap dish, toothbrush holder, toilet brush holder and an elegant oval mirror with the novel distinction of being framed in Saphirkeramik.

Today, new accessories have been added to the collection: a ceramic soap dispenser and a ceramic roll holder, which also acts as a storage unit.

For more information, visit laufen.com.au

As a subtle and discrete electrical solution for interior design and architectural projects, ZETR 48 is able to be designed and configured to provide unique tessellations for each unit. The minimalistic, flush series was created following extensive industry feedback to meet the requirements for customisation and personalisation within power specification.

ZETR recognises that the landscape of power, data, charging and connectivity is evolving, with an increased need for innovative solutions that have minimal impact.

The flush design is achieved with proprietary mounting assemblies; fixed and adjustable, allowing for on-site cutting and trim-less installation using readily available tools – reflecting user demands. A single, circular product offers flexibility and configurability of an electrical system to the designer, facilitated by a series of mounting solutions that simplifies a complex process for the installer. Configure your way with 48; double pole flat pin, round pin and switch grids in matte or metal.

ZETR 48 provides a completely configurable single power and switch series, with no excess plastic, or excess product. User or specifier can design the layout that they want, in the most compact and minimal way possible. The 48 system considers proportion, scale and provide a subtle impact on the surrounding surfaces. With consideration of onsite installation, ZETR has designed the intricate product to be easily and neatly installed on-site with readily available tools. In addition, circular cut-outs can be achieved on site.

Thanks to its 48mm footprint, ZETR 48 brings power to the most compact of spaces and is compatible with a wide variety of options for switching and dimming, as well as data and control systems.

Grid, or tessellated layouts are possible with 48 Round, along with symmetrical patterns that can be aligned 45 degrees, extending the options for configuration out to hundreds more options.

Made from high quality matte finish polycarbonate, designed to blend with surrounding surfaces, ZETR 48 is available in a complementary series of flush fit metal faceplates in seven finishes; natural brass, aged brass, bronze, steel, mirror, brass and black steel. There is no need for an on/off switch, or internal double pole auto switch, leaving the faceplate as minimal as possible.

Designed for tight spaces; the 48 Mounting Assembly has a flexible, ‘breakaway’ frame suited to a range of size applications. Installation and removal can be achieved with standard and commonplace tools while the bayonetted locking system allows for quick installation of the outlet or switch which is fastened with a proprietary circlip for safety.

For more information visit https://www.zetr.com.au/round-single-outlet-flat-black

Cristalplant is a contemporary material that redefines the concept of design and functionality for the bathroom. Orion is a round tub with a welcoming basin in which to totally immerse in a purifying ritual. The volume originating from a narrower base that opens towards the rim, comfortably and ergonomically accommodates the body.

The new Cristalplant version not only enhances the sinuous lines of Orion, but also adds a luminosity that dialogues with the other bathroom elements. This innovative material allows to refine the shapes of the bathtub, giving it a contemporary look, while maintaining the solidity and robustness that characterised the original marble version.

Orion catches the eye and hierarchically defines the place of relaxation. Its scenic presence is emphasised by the contrast between the uniqueness of natural stone, when used, and the elegant geometries that perfectly combine with the other elements in the room. In this new Cristalplant version, Orion continues to represent the perfect balance between tradition and innovation, creating a unique atmosphere of luxury and well-being. From the faucets to the accessories, everything revolves around this “star” that “illuminates” the space, generating a constellation of beauty and design around it.

Orion, in addition to Cristalplant, is available in all the marble and stone essences of the antoniolupi range, allowing maximum customisation to perfectly fit into any bathroom setting. The Orion bathtub measures 50cm H x Ø 135cm.

For more information visit antoniolupi.it/en/

Step-by-Step

Design: Alberto Meda, 2018

“I like essential objects with a hidden complexity. Step-by-Step looks like a single surface, but it actually consists of modules with elliptical ribs that guarantee energy efficiency with minimal overall dimensions.” Alberto Meda

The concept of Step-by-Step starts from a solid element in aluminium with a surface made of pleated elliptical modules, tilting towards the left or the right. Depending on their layout and on the observer’s perspective, charming games of light can be created, as well as visual effects that cause completely different emotions: from a slight sense of motion to a monumental architectural feature.

Modularity makes Step-by-Step suitable for the most diverse design requirements. The basic module can be installed individually or placed beside another module, thereby creating four configurations: one or two modules tilting towards the right, one or two modules tilting towards the left. If multiplied by the different heights available, these make possible twenty different combinations. Step-by-Step is therefore ideal for both large spaces, in which users want to introduce a significant decorative presence, and for smaller settings, where the compact overall dimensions (the radiator protrudes just 7.8 cm from the wall) saves space indoors.

Step-by-Step is available in hydraulic, electric and mixed versions. The radiator heats up in two different ways: via radiation and through natural convection, thanks to the hot air that goes from the bottom upwards. Step-by-Step can be accessorised with a towel rail or a hook, making it suitable for use in the bathroom.

Step-by-Step received the Designplus powered by ISH 2019, the German Design Award 2020 as Winner of the Category Excellent Product Design – Bath and Wellness, both organised by the German Design Council, the iF Design Award 2020 in the category Building Technology and the Red Dot Design Award 2021 Best of the Best.

Trame

Design: Stefano Giovannoni, 2012

“The heating element reinterprets the classic model, providing an object that is half-way between a contemporary artwork and a piece of fine craftsmanship. The end result is a game of blocks and voids, which clads the heating element and enhances the reflective properties of metal.” Stefano Giovannoni

A three-dimensional design that clads the walls with curved, warm and welcoming Surfaces, in Trame the classic tubular steel elements become soft, coloured threads which pursue one another amid warp and weft, weaving a proper fabric of heat. Trame is the result of experimentation and research, marked by technological and shape-related innovation. Behind an apparently simple and immediate result, which stands out for its linearity and pure styling, lies a great complexity of design.

Trame is made with low carbon content steel, a material that is ideal for creating the curved shapes that distinguish it. Giovannoni skilfully combines the solidity of steel with the lightness of the shapes in a heating element with a strong architectural value. In fact, depending on the version in which it is used, with horizontal or vertical patterns, its tubes either slim or thicker (available in the three versions Trame 14, Trame 20 and Trame 28), Trame creates different effects on the wall it adorns, almost as if it were a tapestry or a carpet, a work of art that recalls craftsmanship, in addition to heating the surrounding setting.

In accordance with the standard EN 442, Trame has been trialled at the Polytechnic of Milan laboratories which have verified the heat output and its compliance in terms of quality with the highest European standards.

Available in Australia through Oblica, visit oblica.com.au/

For more information, visit tubesradiatori.com 

The creations inspired by the artistic vision of Kengo Kuma for Gessi explore materials based on their emotional potential, linked to their intrinsic qualities, and the wisdom of Japanese tradition. The collection is inspired by the concept of “Chōzu”, a ritual involving rinsing hands with water before entering Japanese shrines, temples and gardens, as an act of purification and respect towards the sacred place one is about to visit. 

The new GESSI collection therefore represents a true source of regeneration and well-being, reflecting the most natural way of dispensing water. The object becomes a pure, minimalist element, but at the same time structured and architectural, thanks to an innovative system of volume reduction of the functional parts, which naturally integrates with the surrounding architecture, like in a harmonious play of interlocking and lines. When looked at from the front, the different structural elements that compose it disappear, leaving only the pure and light sign of the line.  

The INCASTRI collection, available in countertop, wall, floor and ceiling versions in the various Gessi finishes, uses innovative elements that ensure low water flows, thus promoting a sustainable approach. 

Kengo Kuma, a well-known Japanese architect and University Professor and Professor Emeritus at the University of Tokyo after teaching at Keio University and the University of Tokyo, founded Kengo Kuma & Associates in 1990, after graduating from the University of Tokyo in 1979 and furthering his studies at Columbia University as a Visiting Scholar. His architectural practice, which has completed a number of highly acclaimed and award-winning projects, both in Japan and abroad, is currently working in Europe, the  United States and Asia, in particular in Japan, where he was involved in the design of the national stadium. 

For more information, visit gessi.com  

The Thirties 

Inspired by the finest design of the early 20th century, the unmistakable lines of The Thirties harmoniously combine magnificence, sophistication and comfort. 

The new large freestanding bathtub by Devon&Devon is 90 cm wide and 187.5 cm long, with a moulded outer surface, a wide rim that seamlessly wraps around all four sides, and a figurative plinth that adds a feeling of lightness and facilitates cleaning. The extremely appealing inner contour of the bathtub incorporates two armrests that ensure an exceptionally comfortable bathing experience, whether private or shared.

The sculptural body of The Thirties is made entirely of White Tec Plus, a material produced in line with the highest standards of quality and sustainability and certified Greenguard Gold, using Biobased® plant-based resins. Extraordinarily resistant to knocks, marks and everyday wear and tear, it is very easy to clean and repair and does not yellow with age.

Titanium dioxide is added to the compound of this innovative mix, its well-known photocatalytic property enabling an antibacterial and antiviral action that results in healthier environments. Moreover, thanks to their very high thermal capacity, bathtubs made of White Tec Plus keep the water temperature constant for a long time, thereby also contributing to water and energy savings. The bathtub can be coordinated with all the Devon&Devon tap collections. 

My Love Water Vanity 

The My Love Water Vanity collection consists of three vanity units, which can be wall-mounted or freestanding, made of 100% marble-effect porcelain stoneware.

The three models share a unique and immediately recognisable style, tailored to the different space requirements of contemporary lifestyles: the Small version with a single washbasin, perfect for smaller bathrooms, the Medium version with two aligned washbasins and the Suite version, with two staggered, mirrored washbasins, designed as an island of well-being, ideal for use in master bathrooms.

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The My Love Water Vanity units can be coordinated with all the Devon&Devon tap collections and are available in three colour options (Port Laurent, River Jade and Taj Mahal) created with the new ALL-OVER technology. This is an innovative production technology, licensed exclusively to the Italcer Group (of which Devon&Devon is a member), which allows the texture of the ceramic slab to be reproduced on the edge too while maintaining visual continuity from the top through the entire thickness.

The result is an extraordinarily realistic textured effect, ideal for design projects where the utmost attention to detail is a must. To create scenic and immersive environments, the same slabs can also be used for bathroom floors and/or coverings.

For more information, visit devon-devon.com

Each piece in the collection features a rigorous design with minimal decorations, carefully conceived to serve specific functions. The modular concept allows each element to be adapted to the specific needs of any environment, ensuring a unique and distinctive result.

ESSENTIA is composed of three independent patterns, seemingly disconnected from one another but strongly linked through their creative genesis. Each design stems from a contemporary approach, aimed at interpreting how we live and interact with the spaces around us. The versatile graphics and extensive colour palettes offer users the opportunity to create multiple aesthetic solutions, allowing for an imaginary and dynamic division of spaces, whether public or private.

The skilled hands of Giovanni De Maio, heir to a centuries-old tradition of working and enhancing ceramic surfaces, have successfully combined the precision of computerized designs born from Marco Piva’s creativity with artisanal techniques passed down through generations.

DOXA 

DOXA consists of four rectangular modules (two measuring 30×10 cm and two measuring 60×30 cm) which, through their different combinations, allow for virtually infinite compositional possibilities, exploring the contrast between the world of superficial perceptions and the hidden, deeper essence of forms. The minimalist, rationalist design reflects a pure aesthetic, where the simple decoration represents the sensible world, while the essential, functional, and perfect form highlights the search for a deeper truth beyond appearances.

EIDOS

EIDOS, composed of three rectangular 30×10 cm modules, plays with the perception of three-dimensionality achieved by juxtaposing static elements, which together create visual harmony. This embodies an ideal concept of symmetry and order, reflecting an ideal idea or form that transcends materiality. The aesthetic captures the essence of Plato’s Eidos, evoking the purity and perfection of the original idea through the medium of ceramics.

AUREA

AUREA consists of 10 square modules, five in the 30×30 cm format and the other five in 15×15 cm, representing the path of elevation from sensory perception (Doxa) to the understanding of pure ideas (Eidos). The undulating, curvilinear patterns, with fluid lines that harmoniously unfold across the tiles, create a sense of movement and continuity, allowing for infinite combinations. This design embodies the harmony of divine proportion and the progression towards knowledge.

For more information, visit studiomarcopiva.com/ or giovannidemaio.com

The two new collections are inspired by elements and shapes from the Orient: Kimono, in bold, vibrant colours, takes cues from the knots and folds of the traditional Japanese robe, and Wă suggests the architecture of rural villages in China with their uneven terracotta tiles.

The new products for 2024 were displayed in a contemporary, original staging featuring warm, earthy, contrasting tones that offers a tactile and visual experience of the new collections. Ceramics cover the walls and surfaces of the space, alternating with evocative photographic images illustrating the research and conception process behind their development.

“Decoratori Bassanesi is constantly committed to exploring the full potential of ceramics through innovative, audacious collections that meet the highest quality standards, – says Paolo Serraiotto, Founder and President. Those who choose our brand embrace a design-oriented approach – in fact, since 2008 the company has collaborated with international designers in the pursuit of new inspirations, welcoming new challenges and exploring the full potential of the material.”

The new products and the mise-en-scene for the latest edition of Cersaie demonstrate the brand’s aim to offer an ambitious concept of sophisticated, elegant ceramic coverings, continuing the evolution of aesthetics and form that Decoratori Bassanesi has been building together with art director Federica Biasi. 

Kimono – design by Federica Biasi

The Kimono collection designed by Federica Biasi is inspired by the composition of traditional Japanese kimonos, which involves a complex series of knots and folds almost like a sort of origami: the eri collar, the sode sleeve, the doura lining of the top part of the kimono all contribute to create geometric designs with different fabrics and patterns, which Biasi draws on in creating surfaces and ways of laying them. The collection also reprises some elements form the firm’s historical archive of patterns and colours.

“Decoratori Bassanesi‘s historical archive was a great source of inspiration, a point of departure for an exploration of colour, ceramic yield and glazing, while the geometric motifs and bold colour combinations of the Far East opened the way to new high-contrast laying patterns, – says Federica Biasi – The Kimono collection is a reflection on the infinite possibilities of colour and material, blending distant traditions and cultures.”

Kimono reprises one of the firm’s historic products, Millerighe, with references to the ceramics of the late 1980s. The project also revives a few finishes and processes typical of Decoratori Bassanesi’s early days, double-firing and enamel glazes, with their distinctive shiny texture and vibrant shimmer. With its sinuously smooth feel, Kimono offers that same sort of aesthetic effect, updated with new materials and contemporary workmanship. 

The result is a textured collection in bold, vibrant tones: 8 colours, two finishes – smooth and ribbed – and 2 different sizes – 5×15 and 15×15 –encourage designers to play with combining them in creative ways.

Wă, design by Federica Biasi

The design for the Wă collection by Federica Biasi carries us away to the Orient, taking cues from the designer’s travels in China, where she was inspired by the roof tiles of pagodas and typical dwellings in rural villages. 

In these buildings, irregular handcrafted terracotta tiles are layered and stacked atop one another in an interlocking system inherited from ancient, traditional Chinese techniques. The designer has translated her impressions of the patterns of these tiles into a design structure, giving rise to the Wă collection.

“Usually, it’s the simplest elements that catch my eye, straightforward images that call up a specific vision. – says Federica Biasi – For the Wă collection, the sharp, strong lines of the buildings, with their ties to history, ancient forms of craftsmanship and the use of natural materials, were a flash of inspiration that, over time, generated the creative process the design grew out of.”

The Wă collection has a harmonious, warm, vivid aesthetic that blends décor with functionality and comes in four natural tones ranging from hazelnut to caramel. As in a mosaic, each individual element is repeated in a 9.5 x 18.5-cm portion that makes up the new covering, in full-body porcelain tile.

For more information, visit decoratoribassanesi.it

Each Archeda mirror is designed to enrich the bathroom, adding personality and sophistication, becoming a key piece in an often undervalued space.

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Pioneeringly, Archeda sometimes breaks the symmetry and custom of the mirror above the washbasin, proposing it in an offset position to create dynamism in the composition. To balance the whole, made asymmetrical by the off-axis mirror, an object bar is introduced to restore aesthetic and functional harmony.  

Innovative lines and carefully chosen handcrafted quality materials guarantee not only impeccable aesthetics, but also durability, making each mirror a timeless design element. From minimalist and modern lines to more classic and decorative designs, each mirror adds a touch of elegance and personality, making the bathroom a special and sophisticated place.

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About Archeda 

Founded in 1996 in Porcia, Italy, Archeda is a manufacturing reality specialized in the production of bathroom furniture, accessories, and complements made in Italy. Archeda’s guiding force is the desire to create emotions and offer customers a durable and design-oriented product, working on shapes, volumes, and quality of materials, respecting aesthetic and functional requirements. 

For more information, visit archeda.eu 

The project stems from the large oval washbasin – a stylistic feature and recurring element in the work of the designer duo – which has made it a component that is both aesthetically impactful and highly functional due to the generous dimensions of the washbasin. This can be used individually, becoming a simple countertop or a suspended washbasin, or in the more structured version placed on a simple or twin freestanding column.

A distinctive element of Otis is the round or semi-circular shelves, superimposed on one side of the washbasin, available in ceramic or Iroko wood, that combined with the curved towel rail enriches the unit giving the proposal a full aesthetic and functional autonomy.

Otis is also available in the brand-new glossy shades of Talpa and Fumo, two greys with neutral yet warm tones that enrich Cielo’s already wide range of colours, offering the possibility of playing with new combinations of matt and glossy finishes.

The collection is completed with a sanitaryware set, available in both the suspended and floor-standing versions. These sets share the same structural strength and soft lines as the washbasin. Both versions are available in the range of nuances of the Terre and Acque di Cielo sanitaryware palettes and in the Talpa and Fumo finishes.

With this collection Ceramica Cielo once again demonstrates its mastery in working with ceramics, creating products consistent with its aesthetics that meet the highest standards in terms of design and fulfilling the needs of an increasingly demanding clientele.

For more information, visit ceramicacielo.it 

Studio TZEN was founded in Milan, Italy and specialises in a human-centric approach to design, while infusing love for pets into its products. This collection was born from a dedication to animal welfare and design inclusivity, particularly for pets with health concerns or disabilities.

The team at studio TZEN works with the finest sustainable materials and biodegradable packaging to minimise its footprint. It also recognises the value of community and teamwork, despite its members spread across Europe, the United States of America, and Asia.

The Cono bathroom collection featured at SaloneSatellite was intended to elevate the living experience with a furry family. Pet care and pet bathing is elevated with designs tailored to the animal’s unique needs, while prioritising comfort for both owners and pets. The collection includes a shower set, mirror and bathtub.

The Cono shower set is a modular, magnetic solution that creates a pleasant and hands-free pet bathing experience with its multi-directional shower head and adjustable water flow. The shower head can be secured magnetically at any position along the pole to serve a variety of purposes.

The Cono mirror is fitted with a dehumidifier and defogger as well as a system to capture fur, dust and allergens to keep the air in the bathroom as pure as possible. A retractable tube hidden behind the mirror plate allows for easy draining of any liquid captured from steam or splashes.

The Cono bathtub delivers a seamless bathing experience with an innovative mechanism allowing the shower head to be attached, facing any direction, for a hands-free bathing experience. A clever anti-clog feature efficiently gathers fur and large residue to ensure effortless cleaning and maintenance.

For more information visit cono.pet/ or studiotzen.com/

TKBB spoke to Ryan Fritsch, CEO of Noveco Surfaces, about what this award means for this relatively young business.

“Winning an award of this size/prestige is incredibly exciting for us and helps bolster our credibility in the market of balancing sustainable, responsible manufacturing while also being design-forward,” he says. “As the design community is a significant stakeholder of ours, having this in our list of achievements, particularly in such a strong category in the awards, shows we are and will continue to become a more prominent organisation within the surfaces industry”.

Noveco Surfaces is an Australian-owned and -operated sustainable surfaces manufacturer, based in NSW. All its surfaces are entirely crystalline silica free and are made from up to 80% recycled materials. At the end of their lifetime, all products are 100% recyclable.

Ryan explains that the original concept came from a research project that was looking into waste glass as a problem waste material in Australia and investigating viable pathways for its use. Several years into this research, the team realised this waste product created the foundation for a high-quality surface product, first in the tile industry but, now with the ban on engineered stone, also as a replacement benchtop surface. “We are in the process of setting up a new factory to service this new segment, which we expect to be in production by December 2025 and fulfilling orders by January 2025,” adds Ryan. The new factory will provide Noveco Surfaces with 250,000sqm of production capacity per year.

The research and development into the base product was carried out over a number of years with specific trials and testing to ensure compliance with all construction and architectural Standards. It was important to the team that the newly-developed product met a number of criteria; to create a sustainable product that utilised the abundance of waste glass created, to address the health risks of products containing silica, and to create a reliable stream of product for the housing and construction industry.

For this purpose, a “micro” factory was established to test a commercially viable product before its launch to the marketplace. The success of the application for tile production provided the opportunity to expand production into benchtops, furniture, architectural elements and base construction pieces. “Our products aren’t just surfaces,” explains Ryan. “They’re crystalline silica-free statements of ingenuity”.

As with the development of any new product, the initial manufacturing stages have thrown up a few challenges along the way. “The fundamental step-change for the business was the transition, over several years of lab-format production, to bespoke designs for specific clients and into production at scale,” says Ryan. Ryan adds that, however frustrating, each set of challenges were essential in allowing the team to develop a high-performing circular product.

Glass for Noveco’s products is sourced as post-consumer glass but Ryan and the team are looking into expanding this to include other feed sources in 2025. “Post-consumer glass will always be the core of our supply, given the sheer volume in the Australian market that is not suitable for recycling,” explains Ryan. “When this glass is broken beyond a reasonable size it’s no longer feasible for it to be used through traditional recycling methods, in most instances. But we can”.

As production ramps up into 2025 it will be very interesting to watch the trajectory of Noveco Surfaces and see how its products are received and utilised by the design and building industry, so watch this space!

For more information visit novecosurfaces.com/

Laceno

The latest Victoria + Albert Laceno collection offers undermount basins designed for use with custom vanity units and countertops. Crafted from Victoria + Albert’s renowned Volcanic Limestone™ composite material, known for its durability, these sinks are deep and spacious, they come in a choice of gloss or matt white finishes. 

The Laceno 57 features a generous rectangular shape, considerable depth, an internal overflow, and an off-centre waste The smaller version is the Laceno 52. 

The Laceno 56 has an oval shape, considerable depth, an internal overflow, and an off-centre waste, its smaller variety is the the Laceno 49.

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Barcelona

The Victoria + Albert Barcelona 56 undermount basin is a generous deep, oval bathroom sink with an internal overflow. The versatile shape lends itself to a wide range of bathroom designs and is specifically designed to complement the Barcelona bath collection. The Barcelona 56 is available in gloss white and matte white as standard. It is also available in a smaller size, the Barcelona 53 Undermount.

The Barcelona collection also comes in bench top basin variations, Barcelona 48, Barcelona 55 and Barcelona 64 and there is a number of matching baths available. 

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Available in Australia through Luxe by Design. For more information, visit luxebydesign.com.au/

The MR Walls Flame pattern design is meticulously carved across multiple panels, forming an organic, non-repeating texture that flows seamlessly along the walls. Thanks to MR Walls’ puzzle piece-like interlocking design with undulating edges, the panels slip together with inconspicuous joins, resulting in one continuous, stunning visual display that transforms the small space into a work of art.

Sensor lighting instantly illuminates the walls upon entering, casting a soft, ambient glow that enhances the textured design. The three-dimensional carvings of MR Walls are beautifully echoed in the reflection of the adjacent tiles, highlighting intricate details and creating a cohesive, dynamic effect throughout the room.

There are over 40 patterns available from MR Walls, with the option for custom designs to meet unique project needs, so it’s never been easier to create a visually impactful light feature. Each panel is carved to precise, project-specific requirements, ensuring a perfect fit and exceptional design outcome. Installation is simple, and when paired with a lightbox, the panels provide a striking backlit ambience that transforms any space.

Mario Romano Walls is an excellent lighting solution for various rooms within the home project, offering flexibility for creating dynamic lighting solutions. Multi-colour LED systems can be incorporated to further enhance the light effect and allow the room’s mood to shift effortlessly while adding depth and versatility to the lighting design.

Available from Austaron Surfaces, explore the range of MR Walls here.

Savoir Faire

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The Savoir Faire collection combines tradition and craftsmanship to recreate the unique aesthetic of handmade tiles. These products, inspired by the fascinating imperfections of handmade ceramics, express an authenticity that only the human touch can impart. Each tile becomes a canvas that tells a story, enhancing the narrative power of surfaces and materials. The variegated colour shades offer intense and changing tones, ideal for creating intimate, cosy and authentic environments.

Pulse

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With the Pulse collection, Sartoria renews its passion for small sizes with a new 4cm x 31.5cm white-body brick characterised by a perfect fusion of craftsmanship and innovation. Composed of seven Flat and seven Prism strips with a pyramid shape, the series exploits the three-dimensionality combined with the richness of the glazes to achieve a unique and distinctive visual effect. The brilliant surfaces and vibrant colours enhance the craftsmanship of each strip, adding depth, movement, dimension and tactility to the spaces. The surface becomes tailor-made with only unique, unrepeatable pieces that create sophisticated and refined settings where the planking becomes a work of art enhanced by the variety of colours available.

Crudatech

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Made of porcelain stoneware, Crudatech is a collection that draws inspiration from the textures of raw earth, skilfully incorporating 3D technology to imprint intricate bas-reliefs on a cement-like surface. This new offering is available in six distinct colour variants in sizes 120cm x 120cm and 60cm x 120cm. Each tile offers a matte finish that emphasises the handcrafted quality and tactile appeal of the designs by perfectly combining the traditional aesthetics of raw earth with advanced modern technology, creating a unique and sophisticated surface solution ideal for a variety of interior design applications.

Oakbricks

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Oakbricks is a collection of porcelain stoneware in the unusual size of 4.8cm x 45cm listels in six elegant colour variants that pay homage to the Italian craft tradition, enhancing the authentic beauty of wood in a more modern interpretation. Designed to add warmth and elegance to any environment, each piece is carefully crafted to faithfully reproduce the grain and nuances of wood, offering an aesthetic and tactile experience of the highest quality.

For more information visit terratintagroup.com/

The Elisyan collection combines design, technical innovation and functionality, and is in keeping with the company’s reputation for excellence in mosaics and surfaces. The result of months of intensive research and development, with a crucial role played by advanced engineering techniques, the Elisyan collection was an ambitious challenge.

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Creating furniture with integrated backlighting, while maintaining ease of installation, was no easy task but, thanks to cutting-edge technical solutions, the R&D team succeeded.

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Each element has been designed to enhance the beauty of Vetrite, SICIS’ iconic laminated glass, whose opalescent finish and soft lighting effects transform each piece into a unique design object. Elisyan stands out for its originality and eclecticism with elegant baths and washbasins surrounded by backlit Ventrite ‘shells’, and mirrors and shower cubicles showcasing refined aesthetics for a refined ambiance.

At the show, alongside Elisyan, SICIS also presented the Faux Mosaique collection, an innovative reinterpretation of modern interiors. Inspired by the intricate designs and styles of SICIS mosaics, this collection extends the art of mosaic to alternative media and materials such as wallpaper, textiles and carpets. Faux Mosaique redefines the concept of mosaic, fusing artisan aesthetics with modern materials to create surfaces and accessories with a strong visual impact, where art meets functionality.

This project demonstrates how the essence of mosaic can evolve and influence new areas of decoration, inspiring designers and consumers to explore this tradition in unexpected and contemporary ways.

The fair was a success for SICIC and further strengthens the company’s commitment to creating collections that combine art and innovation. Elisyan is not just a bathroom collection, but a sensory experience that redefines the concept of functional luxury, ideal for both residential and hospitality environments.

For more information visit https://www.sicis.com/GLOBAL/en/

Contemporary design meets tradition with Katana, the new aluminium electric towel warmer by antoniolupi, inspired by the legendary Japanese samurai sword. Just like the Katana, a symbol of strength, precision, and beauty, this towel warmer stands out for its bold lines and striking visual impact.

Its form, both essential and dynamic, echoes the sharp profile of a blade that cuts through space with elegance and modernity.

Unique and customisable design

Katana is not just a functional element, but a featured element in bathroom accessories. The divergent lines that define its structure and the diagonal cut at one end create a sense of movement and rhythm, transforming the wall into a lively and vibrant feature. With its innovative design, Katana breaks away from the traditional horizontal module, offering an aesthetic solution that adds personality and character to the space.

Versatile installation and endless colour possibilities

Katana can be installed either vertically or horizontally, with a reversible mounting system, offering maximum design flexibility. Available in all the shades of the extensive antoniolupi colour palette, this towel warmer seamlessly integrates into any setting: whether it harmonises with the room’s tones or stands out as a bold splash of colour, Katana has the power to transform the space with a touch of style.

Technology and design

Beyond its striking visual impact, Katana embodies technological excellence: the electric heating system ensures energy efficiency and comfort, with even heat distribution that makes the bathroom environment warm and inviting.

Katana by antoniolupi is not just a towel warmer, it is an element that redefines the bathroom space, blending aesthetics and functionality.

Katana measures 6cm x 6cm x 90cm.

For more information visit antoniolupi.it/en/

A former convent of the Canossian Sisters, the development overlooks the Giudecca canal and comprises a collection of buildings dating from various historical periods, spanning the fifteenth to the nineteenth centuries. As it undergoes a significant restoration and repurposing, the private spa for the future residential complex which features eight prestigious housing units, Studio Apostoli has reimagined the space as an exclusive wellness service.

The inclusion of a private spa makes Palazzo Ponte Piccolo unique as the only luxury real estate complex in Venice to offer such facilities.

The element of water serves as the foundational design concept for the spa/wellness area. This space extends the surrounding landscape context and invites the natural and urban characteristics of the lagoon city and its canals indoors. Executed entirely in soft tones and featuring extensive use of wooden elements, the spa/wellness area opens with large arched windows that admit light and provide panoramic views of the dedicated green terrace. Here, an outdoor pool is nestled on a stepped stone platform, flanked on two sides with transparent glass, creating a sense of intimate interaction with the water and vegetation.

Inside, mosaics covering large portions of the walls – a nod to Venetian artistic tradition – envelop the pool, from which various volumes emerge that compose the spa/wellness area, appearing to float suspended above and accentuated by submerged light passages.

The sauna is made entirely of glass and interacts with other elements, such as the ice fountain – ideal for lowering body temperature after a hot treatment – adorned with wooden slat cladding reminiscent of Venice’s typical Briccole. The wellness area also features a sensory shower, a whirlpool bath, a counter-current swimming pool, and a fitness area enhanced by elegant herringbone wood flooring, offering dual views of the outdoor terrace and the indoor pool.

“Palazzo Ponte Piccolo combines elements rooted in Venice’s cultural and artistic traditions with more contemporary interior choices, offering future owners exclusive and private amenities such as Istrian Stone gardens, water features, boat docking, and dedicated concierge services. I wanted the wellness area to not only express the refinement and exclusivity of the real estate development but also to particularly highlight the beauty of the lagoon city, which is unique in the world” – Alberto Apostoli, founder of the Studio.

For more information visit studioapostoli.com

AISI 316L steel is the main material used in this collection that looks to take a unique and different treatment of the steel. Sculpted with remarkable delicacy, each element is infused with fluidity and grace with a pleasing softness to the touch.

The contours evoke the silhouette of an hourglass, from which the collection draws its name — a timeless symbol, representing the effects of passing time.

Monica Armani embraced the challenge of designing its first-ever faucet with enthusiasm — a technical product requiring meticulous attention to detail despite its compact dimensions. Sablier channels the organic essence and comforting vibes of mountain landscapes. Modern and refined, this collection is meticulously crafted to capture the transformative forces of elements like time, wind, and water on the natural surroundings.

“For us, it was imperative not only to craft precise and functional objects but also infuse them with a distinct character. The journey of creating Sablier was a fusion of magic and logic: drawing inspiration from our origins, recalling tactile and visual sensations from our memories, all while employing technical expertise and a fervent passion for the machinery that shapes materials,” remark Monica Armani and Luca Dallabetta, co-founders of the studio. “The outcome is a harmonious synthesis of nature and human innovation, evident across the collection, encapsulating our commitment to innovating with finesse while upholding a robust technological foundation.”

In addition to the conventional brushed steel processing, Sablier ventures into a new surface finish, achieved using sandblasting as a technique. Pieces treated with this method feature a matte surface, subtly altering light reflection and enhancing the product’s aesthetics, rendering it even softer and more lavish.

Sablier distinguishes itself through its graceful fusion of organic forms and premium materials, catering not only to practical requirements but also resonating with a distinctive aesthetic. This aesthetic ethos reflects an innovative spirit and a deep-rooted connection with the natural world. The culmination is a collection epitomizing the convergence of contemporary design, comfort, and environmental consciousness. With meticulous attention to detail and a delightful tactile experience, every interaction with Sablier becomes a memorable affair, elevating everyday moments with a touch of warmth.

Finishes available: brushed stainless steel, brushed chocolate PVD, brushed British gold PVD, brushed gold, brushed total black, brushed copper PVD, matte stainless steel, matte chocolate PVD, matte British gold PVD, matte gold, matte total black, matte copper PVD. Matte finishes are achieved through sandblasting.

For more information visit zucchettidesign.it/en or monica-armani.com/

Zucchetti products are available in Australia through streamlineproducts.com.au/

These five new mirrors have been introduced to provide a stylistically coherent finish in the bathroom and work with the other products across the Ceramica Cielo range. Although they vary in shape, colour, material and size they all feature the same attention to detail and timeless elegance expected from a Made In Italy company.

Catino mirror with belt

This is a mirror with a circular shape designed to be suspended from the ceiling, distinguished by its leather belt, an element of high craftsmanship value. Also available in a double-sided version, this mirror is perfect for positioning in the centre of the room, becoming an element with a strong furnishing value.

Luc mirror

The Luc model, available in both square and rectangular versions, stands out for its clean, modern lines and minimalist design that blends perfectly into any bathroom setting. The thin frame and practical integrated LED light confer elegance and sophistication, making Luc an ideal complement to contemporary, designer environments.

Alex mirror

This cabinet mirror is characterised by an interplay of horizontal and vertical lines corresponding to the openings of the various compartments that animate the reflective surface, perfectly combining aesthetics and functionality.

Marcel mirror

Marcel is the result of refined combinations of materials: one of the two front doors of the mirror is in the Vienna straw while the structure is in ash. The result is a model that captures the essence of design history and at the same time is an expression of new living trends.

Oval Box

Among Ceramica Cielo’s numerous cabinet mirror proposals, the Oval Box stands out as one of the company’s most versatile and popular solutions. It is in fact highly customisable thanks to the possibility of decorating the body in the different shades of the Terre di Cielo and Acque di Cielo colour palettes, playing with contrasts and combinations with the other elements of the bathroom.

For more information visit ceramicacielo.it/en

Established in 1954 originally as a civil engineering business by Norm Overmeyer and Ken Cowley. The company name “Nover” is an amalgamation of Norm’s first and last names. Nover was heavily involved in construction through the 1960s with the partners renovating and refurbishing a number of blocks of flats throughout Sydney as well as one-off construction projects such as the Visitors Stand at Drummoyne pool. This soon led to Nover establishing a joinery business which was used to supply cabinetry to the construction arm of the company.

Norm sold his share of the business in the late 1960s and Ken took over as the sole owner.

Ken’s background was in the wool industry, having spent many years working for a firm of wool brokers. As is the case today, products are not sold directly but through an established trading house. When his contacts in these trading houses learnt of his association with the building industry, Ken was offered the opportunity to take supply of and resell a number of building products. Initially this was a hodgepodge of items (even including items such as tyres and air hoses) but gradually this broadened to include a general range of building products.

“The joinery industry was very different in those days,” explains Steve Cowley, son of Ken, and now Managing Director of Nover. “There was no real cabinet hardware to speak of, for example, and all the cabinets were timber framed”.

Soon Nover began to import High Pressure Laminate and this range of products soon expanded to become the backbone of the business for the next 40 years. “As the industry changed over time, Nover grew its product lines and became more of a wholesaler specialising in joinery products,” adds Steve.

By the early 1980s the wholesaling side of the business had taken priority so the family made a decision to exit the joinery business which was sold to a third party. This happened soon after Steve joined the business in 1976 and he and Ken set about specialising in the cabinet making and joinery industries.

“I had a background in accounting so, when I first started, I was working in what you’d call the accounts department,” says Steve. “But I quickly realised that wasn’t for me so I made a sidestep into product management and sales which was a much better fit”.

Of course, the cabinet making and joinery industry was very different at the time Steve joined the company. “It was a far simpler industry in those days,” he recalls. “This was even before metal runners were the norm – it was all plastic components. And manufacturing was a very different ball game”.

Being such a specialist in this area, Nover was often leading the way and an early adopter of new products and new technologies. Its business has always been based on sitting across a variety of product families and very much driven by what joiners wanted and needed in their factories. “We sit across most sectors of the industry and our product range is the broadest of any supplier in the industry,” says Steve. “We have a plan but we’ve also allowed for organic growth that is driven by the industry and the feedback we receive from customers”.

As a market leader, Nover saw an opportunity for the supply of hardware and panels as well as consumables and ancillary products such as handles. But the product range has always included a variety of wood-based panel products including decorative surfaces and low-pressure melamine, plus a decent selection of hardware which has expanded as new technology and expectations from the design community required.

“Our customer base is extremely broad,” Steve explains. “It’s made up of kitchen manufacturers, cabinet makers, furniture manufacturers, shop fitters, joiners and fit out companies so our goal is to stock and sell all the major components needed across this diverse customer base”.

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As a business, Nover invests heavily in sourcing its products preferring to establish exclusive relationships where possible. Steve says Nover seeks to source products that match the philosophy of the business, and have the quality required for our Australian market, which they are able to sell at a price that matches the expectations of its customers. “We make sure we have a presence at international design shows and hardware shows, and we travel to visit factories as these all form an essential part of our research and staying in touch with new developments,” says Steve.

Having been in the industry for so many years, Steve has seen first-hand how much it has changed with the advent of technology and new manufacturing methods. “The biggest change I’ve noticed is that joinery businesses used to make everything – doors, benchtops, carcasses, the lot. As we moved away from laminate benchtops we’ve needed to work with specialist stonemasons and then specialist door painters, and glass splashbacks. So, now joinery businesses have to interact with so many more third parties to complete projects,” he explains.

When asked to predict the future of the cabinet making industry, Steve points to more specialisation requiring a narrower skill set as we compartmentalise the industry further and further. But, overall he sees the size of the industry growing, as will the size of projects being undertaken.

In terms of Nover’s plans for the future, Steve says the company intends to remain at the forefront of sourcing new products and supporting those products already in the family. “Whenever we have the opportunity of course we will try to be first,” Steve laughs. “But those opportunities don’t come along too often. Any vacuum left when a new product comes onto the market is very quickly filled and so our product range will evolve as it has to”.

Steve points to the introduction of two new product families which he feels rounds out Nover’s offering to the industry. The company has recently secured an arrangement with Salice for its hardware and ColourPyne for its range of board products. The company is well established with branches across the three eastern states of Australia and intends to remain 100% family owned.

When asked what he thinks makes Nover unique in this crowded part of the market Steve is quick to point to its employees. “Our philosophy is that our people are so important,” he says. “We employ well over 100 people in ten different locations and the average length of service is eight years – with some at up to ten or even 20 years”.

We’re excited to see what the future will bring for the Nover company, the Cowley family and the company’s employees so watch this space!

For more information visit https://www.nover.com.au/

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This new, united voice will provide significant benefits and more robust representation for those in the kitchen, bathroom, furniture and cabinetmaking sectors. The combined organisations will be able to better advocate for the industry at all levels of government, promote the interests of members and elevate the standards of design and manufacture in the industry.

The merger is still subject to a vote by KBDi members, but careful consideration has been given as to how to create the union and plot the pathway forward. Over the next six to twelve months, both organisations will work closely together, shaping future collaborations and determining how best to service this united industry.

Greg Grant, Business Manager for KBDi, said, “I have been working in this industry for over 40 years, and the opportunity to unite the design, manufacture and installation of kitchens, bathrooms and furniture making into one representative association is amazing and one not to be missed. I am extremely excited by what this union will deliver”.

Dean Brakell, CEO of ACFA, said, “This is a truly remarkable opportunity, and one ACFA is fully committed to. From design to installation, we will cover it all and provide members a truly integrated experience”.

ACFA and KBDi members were advised of the proposed merger at the end of August. KBDi members will have the chance to vote at an Extraordinary General Meeting on 25 September 2024. If accepted, members will experience the benefits of this new, stronger representation, including:

• Enhanced advocacy and representation – a unified voice provides a more significant impact both within government and the industry.
• Expanded networking and collaboration – members will network and collaborate with a broader community of professionals to foster creativity and create new business opportunities.
• New markets and resources – bridge the gap between design and manufacturing to help explore new avenues for partnership, growth and success.
• Comprehensive industry support – combined expertise and a wider array of resources will provide unparalleled support to both memberships.
• Elevated industry standards – the merger will ensure best practices are shared and implemented widely to improve the quality of work and enhance the industry’s reputation.
• More professional development – comprehensive training and development programs will help all members stay ahead of industry trends and technologies.

The representatives of both organisations are available for further consultation and discussion, so please reach out if you would like more information.

For more information, visit acfa.net.au/ or kbdi.org.au/home

These three innovative products were recently displayed at the Salone Internazionale del Bagno in Milan last April.

An international jury of experts selected and awarded projects that stood out for their exceptional design quality, innovation and sustainability. The awards ceremony will take place on 8 October 2024 at the BMW Welt during the Expo Real in Munich.

This recognition once again underlines the dynamic and pioneering nature of Scarabeo in the bathroom sector, highlighting the quality of its offering and its commitment to sustainable production.

The three products stand out on the national and international scene for the originality of their design, ease of use, manufacturing precision and ecologically advanced production standards.

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SKINNY collection of ceramic washbasins, designed by Studio Adolini, stands out for its rigorous and geometric external symmetry which gives elegance to the bathroom. The interior of the sink features sinuous and organic shapes inspired by nature, creating a balance between minimalism and refinement. They are available as countertop washbasins in round, oval and rectangular shapes, with different coloured, glossy and matt finishes.

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GUSTAV is a new solution for small bathrooms or open spaces, characterised by an elegant, fresh and joyful design. Versatile and functional, it is made of metal with a lightweight structure and two circular shelves for sink and daily items. Available in various colours, both glossy and matt, Gustav allows personalised combinations between structure, countertops and washbasins, adapting to individual tastes and the surrounding environment.

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SESTO is a bathroom console with an essential and functional design, which offers many customisation options. The semi-circular structure in satin black metal includes an integrated towel holder and two shelves, one for the sink and one for objects. The tops can be used bare or with circular ceramic bases available in various colours, glossy and matte, which can be combined with Scarabeo washbasins and sanitary ware. Sesto adds elegance and charm to any contemporary bathroom.

For more information visit scarabeosrl.com/

Carmel is a qualified Interior Designer and has been working with GIA Renovations in Melbourne for the last 12 years. Her latest accolade – Australian Bathroom Designer of the Year – is a dream come true which still feels quite surreal. “I have so much respect for the other finalists in this category,” Carmel says. “To be on the stage with them and then take out the award was an incredible experience. I still can’t quite believe it happened”.

The project which won her the award (pictured above) was the result of a serendipitous confluence of the right client, the right space and the right time. “I met the client three years ago,” explains Carmel. “I quoted a laundry that didn’t go ahead but we developed such a rapport that, when it came time to renovate the ensuite, the client came straight to me”.

“In some respects, that’s what made it extra special,” says Carmel. “Rather than tinker with the quote to get the price down, the client was willing to wait, save and do it right. But it’s worth it when the client and the designer have the relationship to make it happen”.

Carmel says that she’s never wanted to be anything other than an interior designer and remembers informing her parents when she was still in high school of her chosen career path. They were dubious but couldn’t deny her years of painting (and repainting), accessorising and decorating her bedroom as well as many of her friend’s bedrooms. When she finished school, Carmel attended the Whitehouse Institute in Sydney which she describes as “the most intense course I could have chosen”.

The course ran for two years and Carmel attended school five days per week for long hours – sometimes 12-hour days – but she says this prepared her for the reality of working in a fast-paced industry. It was also a course requirement to work in the industry on weekends so she picked up work with an interior designer/decorator doing drafting and working in the showroom, and then at a tile showroom within a bathroom renovation centre which worked with high-end builders.

“It was an intense two years,” says Carmel. “But it was so amazing to go to school every day and be surrounded by such inspiration”.

A move to Melbourne saw Carmel take a role with a bathroom renovation company before she headed overseas for a time. Back in Melbourne, she started in an interior design role with a company that undertook large extensions and renovations but found the larger, more complex projects were less conducive to life with small children. This led to a suggestion by her cabinet maker to approach GIA Renovations as they saw an alignment of values within design and client management.

“The owner, Illan Elberg, has created an inspiring and fun work space,” says Carmel. “At GIA it’s like a big family where all the highs and lows of renovating are shared and worked through together with designers and trades to get the best outcome for the end result”.

Carmel’s personal design philosophy has evolved over the years but she says the key to a project’s success will always come down to the relationship between the homeowner and the designer. “The more I do this, the more I realise that you have to find clients who you can work with,” she says. “By that I mean finding clients who understand your role in the project and who appreciate what you can bring to the table. The best projects are those where the client trusts the designer to do what they know needs to be done”.

Carmel takes her role as a confidant and adviser very seriously and this comes across in her approach to building a rapport with the client. “My goal is to only quote a project once,” she explains. “It’s important as designers that we are responsible with our client’s budgets and that we don’t undermine the quality of the work by trying to cut corners to win work – especially in the bathroom”.

Carmel doesn’t believe she has a particular design style as she sees her role more as a collaborator and facilitator. “Homes are meant to be lived in and enjoyed, to be used and be messy at times,” she says. “I love the challenge of having to adapt my style to suit the client and the home, and to add value to that space”.

“But I do love colour,” she confesses. “Colour makes your soul happy and there has to be joy in our interior spaces!”.

When asked about how the industry has changed during her 22 years, Carmel says she has mostly noticed the change in the understanding of the role of an interior designer. She started in the industry around the same time that The Block hit our television screens and she feels this has had both positive and negative outcomes.

“I’m not a fan of them but reality renovation shows do showcase the benefit of design and the skills an interior designer will bring to a project,” she adds. “And it pushes the product suppliers to stretch the limits of the product applications as well as provides impetus for bringing in a broader range of products. This, in turn, educates the homeowner to be more adventurous and embrace new ideas”.

When it comes to the hot topic of registration of designers, Carmel agrees there should be the facility to make a distinction between stylists, decorators and qualified designers. In her opinion, any profession with the word “design” at the end should mean that person is skilled enough to be responsible for detailed plans, as well as specification of finishes – both hard and soft. “The process is about so much more than just shopping,” she expands. “You have to have the ability to draw your design concept but also to be able to communicate that clearly to the client and to those who will be bringing the project to life. It’s a very specific skill set”.

Carmel feels passionately about her industry and offers this advice to any newcomers: “Remember that you can do it! Trust who you are and find your own way,” she says. “Don’t try to imitate other designers. Take inspiration if you like but seek out what can be truly yours. Work hard and don’t be afraid of competition, as competition can push you further than you would normally go on your own”.

Carmel says she and workmate Olivia Cirocco continually challenge each other in a positive way and this helps both stay at the top of their game. She loves this part of their work relationship as they both win by continually improving and pushing the boundaries of what they can do. Together they are both keen to look at what the industry can do to support more women in this space. Particularly in the area of communication throughout the project, from the initial design process to handing over the job to the onsite team who are more often male, Carmel feels strongly about building relationships that provide the best outcomes for her clients.

In terms of future plans, Carmel has a number of larger projects that are coming to fruition in the second half of this year as well as balancing work and a busy home life with her three children. So, watch this space!

For more information visit https://www.giarenovations.com.au/ and stay in touch with Carmel via https://www.instagram.com/carmelwylie_interiordesign/

Kitchen Design

Winner: Earthborne By Design

Partnered by Hettich

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With a beautiful contrast of natural textures and contemporary finishes, this kitchen presents a visually appealing space. Modern living is enhanced with integrated appliances and a white stone benchtop balanced with the herringbone oak flooring for a classically elegant finish. Brushed nickel handles and a feature rangehood panel finish the look.

Bathroom Design

Winner: PNP Constructions

Partnered by HIA Insurance Services

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With a focus on comfort and independence, this bathroom was purpose-designed for an NDIS participant. Featuring a modern elegance and an emphasis on functional accessibility, the space is indulgent yet accommodating. A fabulous example of inclusive design, the ensuite has been transformed into a rejuvenating retreat.

Kitchen of the Year

Winner: Aria Property Group

Partnered by Hettich

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A stunning kitchen in a penthouse apartment features natural stone benchtops as well as a feature marble portal, enhanced by LED mood lighting. Meticulous design sees the inclusion of premium appliances and state-of-the-art fixtures. The focus was on creating a true entertainer’s kitchen with luxury finishes that seamlessly integrates with the adjacent living and dining areas.

Bathroom of the Year

Winner: Cobb and Co Projects

Partnered by HIA Insurance Services

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This luxurious master retreat was designed to reflect the resort-style location of the home and features a spacious layout together with seated makeup nook. A multifunctional double shower includes an aromatherapy steam room for the ultimate in luxury living. Warmth and sophistication abound, enhanced by the cohesive material selections and smart lighting choices.

Affordable Kitchen

Winner: Kitchen Gallery

Partnered by Hettich

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A lovely blend of rich black cabinetry and stone benchtops creates a sophisticated space. The owners can enjoy the naturally beautiful surroundings thanks to a stunning splashback window that frames the native gumtrees outside. A textured battening was chosen for the island to introduce a touch of modern luxury and helps create a classic kitchen with a timeless feel.

For more information visit https://hia.com.au/awards-and-events/awards/brisbane-kitchen-bathroom/award-winners-2024

Owner Mark Mastroianni is a cabinet maker based in Sydney and has been producing custom joinery for more than 22 years. It’s this experience and understanding of the quality required that gives him a unique insight into the needs of the industry.

“For many years I had been searching for quality cabinetry panelling, but nothing quite met our standards”, Mark explains. “Through years of researching a number of companies and brands, I landed upon Latho Components. It was at that moment I knew we’d found our brand showcasing quality product.” Mark wasn’t specifically looking for an Italian supplier however the connection between an amazing design aesthetic and high-quality materiality associated with an Italian-made product meant he was sure he’d found the right product for the Australian market that met international standards.

Mark did his due diligence and had a number of conversations with the owners of Latho Components before he and wife Kelly went to visit the facilities based in Treviso, Italy. “I was like a kid in a candy store,” Mark laughs. “And I was so impressed with the finesse and the finish. We were able to see the intricate detailing behind how the product was made and constructed”.

Mark and Kelly initially ordered some panels to be shipped to Australia and it was seeing the quality of the products first hand that made him even more sure that this was the right product for Australia. “The owners had never shipped products to Australia before,” explains Mark. “We had to do a lot of work to build their trust but as soon as we met face-to-face we knew it was a great fit”.

The Cabinetti Panels business model is very similar to the Latho Components business model – only on a slightly smaller scale. “Latho Components is based very much on knowledge and advice, and a high level of service to match the high quality of the products,” Mark says. “We set up Cabinetti Panels in the same way and we provide exactly the same service that I would expect if I was a purchaser”.

Integral to the success of Cabinetti Panels is Mark’s lived experience within the cabinet making industry which also meant he could easily spot the superior characteristics of the Latho Components panels. “I was so impressed with the detailing of the manufacturing process,” he says. “The way the panels matched up to create a seamless join is exactly what we need in the Australian market”.

With a product that is priced at the premium end of the market, Mark understands that it’s service that will set Cabinetti Panels apart. Rather than dealing with a salesperson, you’ll be dealing with a person with years of experience in the industry who is willing to collaborate to make your project a success.

Having – literally – walked in his customer’s shoes, Mark understands what designers and cabinet makers need to create unique, memorable projects. With his trade background he has a detailed understanding of both form and function and Mark prides himself on being able to provide next-level advice.

“My goal is to work in partnership with our customers to help with advice on product application and the intricacies of various environments, and to help with product selection,” he says. “Our aim is to provide quality service with a quality product where you can ask us anything and we’ll gladly share all our knowledge and expertise”.

Cabinetti Panels provides sample packs on request, understanding that the products speak for themselves with a range of natural solid timbers, profiles and veneers – even some that look like a fabric – so reach out and request your sample pack today.

Cabinetti Panels will be busy in the second half of this year fitting out a purpose-designed showroom to showcase the first two premium collections being offered in Australia; Milled and Move. Milled features solid timber skins and Move is a collection of patterned veneers, both natural and engineered. Most stock is held locally in Australia, reducing the long shipping times normally associated with a European product. Special order products can be air-freighted as needed.

The new showroom will be the perfect location for designers, renovators, builders and cabinet makers to view the products and bring clients for selection meetings. Set up with desks and accessories, you’ll be able to create flat lays and mix-and-match products to find the ideal solution – complete with true Italian coffee.

Italian hospitality is second to none, as is the idea of creating a “family”. Latho Components is a multi-generational family business, as is Cabinetti Panels, and both are excited to welcome their Australian customers into the family.

For more information, or to request a sample pack, visit https://www.cabinettipanels.com.au/

Cabinetti Panels
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Moonshine utilises and highlights the beauty of aluminium in this collection of basins. Aluminium is extremely light, corrosion-resistant and 100% recyclable, making it perfect for interior environments.

With their hemispherical shape, the Moonshine countertop washbasins embody a sleek, modern aesthetic which makes them perfect for a range of bathroom styles and designs. With a thickness of just 2mm, the washbasins are thin and light both in physical properties as well as aesthetic quality.

In their Blue, Grey, Rosa Sahara and Copper colour variants, the washbasins become the focal point of a contemporary and highly distinctive bathroom, where the Tonino Lamborghini soul is evident from the innovation and aesthetics applied to this new collection. 

Moonshine measures 435mm in diameter and 220mm in height.

Glass Design is a company of renowned Italian excellence in the production and design of bathroom washbasins and interior decoration furnishings.

Located in Vinci, in the heart of Tuscany and native town of “Leonardo da Vinci”, Glass Design was founded in 1984 by the Borsellini family, further to a long tradition in manufacturing artistic glass.

Both by using technologically advanced materials such as stainless steel or silicone, and by working in an artistic way with traditional materials, Glass Design contributes to the creation of a new style of bathroom washbasins that become “fashion” items within the home. Glass Design products are exported to more than 60 countries worldwide.

More than 200 Tuscan artisans and 15 glassmakers from Murano work within the company’s production chain, enabling the customisation of each product to suit individual needs and specific requirements, in order to create unique and exclusive products.

For more information, visit glassdesign.it 

Picture was created as a complete and harmonious furniture experience, designed by Studio Adolini.

A series of aesthetic metal frames accommodates storage elements and accessories that can be combined in multiple compositions, offering a design experience tailored to each single space.

“Just like a photographer’s composition, the PICTURE collection offers the opportunity to create a personal visual magic. The furniture is conceived as a canvas where aesthetics meets practicality to offer a complete and harmonious experience” – Studio Adolini.

Picture is available with two different frames: a floor-standing frame with a height of 60cm, which accommodates the mirror and the shelf; and a suspended frame with a height of 90cm, like the storage unit, provided with another frame detached from the underlying structure, which accommodates the mirror and the shelf. Both frames are available in sizes of 60cm, 90cm and 120cm.

The storage cabinets are available in the three frame sizes with a depth of 50cm and a height of 45cm and can be customised in terms of composition, with or without open compartments, and available finishes.

The Standard finishes include White, Black, Dark Oak and Lindberg Oak, in combination with white and black bodies.

In addition, the Premium finishes offer the fluted or smooth version for Canaletto Walnut and Light Oak, as well as the matte lacquered versions available in 10 different shades.

Picture is an elegant, versatile and functional collection, in which beauty harmoniously coexists with practicality, creating a well-organised and pleasant space. The backlit mirrors (round Ø 70cm and rectangular 70cm x 35cm) not only add a touch of style, but also create a cosy and relaxing bathroom atmosphere.

For more information visit scarabeoceramiche.it/

This idea translates into designing total-look environments using natural stone, skillfully blending tradition and contemporary elements: from sophisticated three-dimensional surfaces for walls and floors to refined bathroom complements, elegant home furnishings, and decorative accessories.

Oscar – designed by Archea Associati

Oscar reflects the company’s philosophy of producing solutions that convey well-being, uniqueness and beauty through a careful selection of materials. These bathroom products are designed to enrich any wall.

The combination of marble elements in different shades with continuous metal lines showcases the extreme precision in the use and processing of the material, enhancing the refinement of items. The strong link between marble and the languages of contemporary design and architecture emphasises the aesthetic dimension.

The development of elementary geometries results in continuous tubular elements which extend over different vertical surfaces and always rotate with the same radius of curvature. The tubular brass structure – with a regular diameter of 16mm – is de-formed to suit its intended function through an expert construction technique.

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Three metal finishes (black nickel, burnished brass and copper) can be matched with as many types of marble, responding with elegance and versatility to any type of surface and requirement, becoming a coat stand, a towel rail, a mirror, a lighting element or a simple piece of décor.

Bold – designed by iB Rubinetterie

Inspired by the traditional forms of industrial faucets, the Bold Collection is marked by solid outlines and essential, functional shapes.

Bold’s design is tweaked and adapted with the addition of marble inserts into the handles. The inserts come either in honed marble or in one of Luce di Carrara unique textures. This ‘Total Look’ solution allows designers to perfectly match the faucets with that of the marble wall coverings. This almost seamless transition between functionality and decoration gives new meaning to the use of marble in bathrooms and kitchens.

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The Bold Collection is a perfect fusion of elemental basics, reimagined with a contemporary twist to suit a wide range of styles and an intuitive understanding of water control.

Passage – designed by Attila Veress

Passage is one of the most versatile systems offered by Luce di Carrara. It uses a series of assembled slabs to create monolithic cabinets and storage solutions, enriched with sinks and bathtubs to enhance functionality.

The simple geometries of the storage units are complemented by the soft curves of the functional elements, creating the perfect balance of marble geometries. Passage includes a range of organisational solutions, from freestanding vanities to wall-mounted units. The flexibility of the collection enables it to be remixed to fit different situations thanks to its slabs. The interiors of the cabinets are enriched with fine wood compartments for storage of all essentials.

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The intersection of the slabs creates a unique hollow top surface that serves as easily accessible storage, reducing visual clutter in the bathroom. This collection acts as a passage that layers different types of storage, providing a practical and distinctive solution.

Tube – designed by Attila Veress

Tube was born from the desire to create a simple yet elegant bathroom system that reduces the structure to its bare essence. The collection features a lightweight, blank structure that works as a canvas for assembling bathing needs, resembling a shelving system.

Unlike most of Luce di Carrara’s products, the protagonists of this collection are two wooden tubes held up by metal tubes. These parallel wooden lines allow for the addition of one of Luce di Carrara’s beautiful sinks, thus finally turning them into a bathroom system. The sinks are designed to be compact and space saving, giving everyone the opportunity to add a dash of marble to the home.

The collection is then completed with portable storage trays with handles, allowing for easy rearrangement according to daily routines and serving as vessels that gently slide side-to-side.

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The Tube shelving system also extends beyond the wall and into the compact ofuro inspired bathtubs which are enhanced by an adjustable backrest that easily adapts to anyone’s posture.

For more information visit www.lucedicarrara.it

Decorative acrylic panels with a difference, Acrylic Couture offers a striking visual throughout the high-quality Acrylic, which is crystal-clear and vastly superior to other “similar” panels. The intricate detail of fabrics and particulates appear to be floating in space due to the highest quality resin it is encased within.

As seen in this Mount Nebo Kitchen and Outdoor Living project, designed by Kim Duffin of Sublime Group, Acrylic Couture was beautifully paired with Staron Solid Surface. The eye catching Acrylic Couture is clad to the island front and connects the metal elements within the overall design showcasing interlaced and woven metallic fabric which is embedded in acrylic.  

To further enhance the Acrylic Couture, LED strip lights were used on the edge of the island for mood lighting and illuminate the Acrylic Couture panelling, creating the illusion that the material inside is dancing.

Both artificial light and sunlight make Acrylic Couture come to life, yet left as it is, it is still truly alluring and stands out in the crowd with its unique lustre. With the exception of Malachite, which is specifically designed for the adaption of backlighting, Acrylic Couture can incorporate lighting detail from both face and side lighting, saving time and money on backlighting installation costs. 

For peace of mind, Acrylic Couture has a 10-year guarantee on UV resistance & weathering and a 30-year guarantee against polymer degradation for indoor applications.

For more information, visit austaronsurfaces.com/acrylic-couture/

Austaron Surfaces
austaronsurfaces.com
Facebook: facebook.com/austaronsurfaces
Instagram: instagram.com/austaronsurfaces/ 

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As seen at the recent Salone Bagno, held as part of Salone del Mobile.Milano, both these units bring together iconic appeal and functionality within a minimalist, elegant silhouette.

DOTS.

Using the simple yet striking circular shape of the dot, Ludovica Serafini+Roberto Palomba have created an elegant heating accessory with a strong decorative ability that is also surprising in its functional solutions and explorations of comfort it can afford.

Made with the utmost precision using CNC machining, from a block of partially recycled and entirely recyclable aluminium, DOTS. is a heating object that adds sophistication and luxury to its intended surroundings, while remaining a practical and useful item in all seasons.

DOTS. provides wide compositional freedom for interior designers. It can be inserted as a single point on the wall or in multiple configurations, allowing for endless possibilities of expression. This versatility can be found both in the aesthetic appearance, thanks to the choice of 140 RAL colours in the Tubes colour chart, as well as the freedom with which the elements can be arranged, allowing designers to accommodate their creative whims without restrictions.

Special attention has also been paid to technical aspects of the design: the recessed part ensures maximum stability on the wall, an integrated device keeps the temperature constant to the touch and a switch accessory allows on-site operation.

JJ

JJ is aptly named as it represents the shape of the product, as the structure is seen from the side bringing together two horizontally-stacked “J” elements.

Ludovica Serafini+Roberto Palomba drew their inspiration from the vision of the American artist Donald Judd. Minimalist, elegant and with well-defined, clean-cut silhouettes, JJ is a heating accessory designed to elevate the bathroom routine to a spa-like experience.

When JJ is turned off, it becomes a shelf on which to store and organise towels or small bathroom essentials. A slit, which is either open or closed depending on the model, works as a towel rail.

The shelf is available in three sizes and power ratings and in various configurations to accommodate a variety of needs and cultural uses. The simple version is supplemented with models with an open or closed slot, on the left or right side. JJ is also available in a wide variety of colours including all the 140 shades in the Tubes colour chart, with the exception of glossy and wrinkled finishes.

JJ’s styling has also been painstakingly designed down to the smallest detail. The fluted surface and the final undulation of the horizontal part, devised by Ludovica Serafini+Roberto Palomba, make this heating object delightful to touch and soft and light on the eye, too.

Both DOTS. and JJ can be connected to the electrical system using any control device, including home automation. Alternatively, they can be connected to a Tubes wireless thermostat or via a new Tubes Wi-Fi thermostat for on/off operation and programming, even remotely.

For more information visit tubesradiatori.com/en/

Tubes Radiatori products are distributed in Australia through Oblica; visit oblica.com.au/

This updated space serves as a stunning showcase for Bentley’s Wardrobes and Kitchens’ latest offerings and it prominently features Krome Lighting. Visitors can now explore an extensive array of wardrobes, kitchens, and other bespoke cabinetry solutions in an environment that highlights the elegance and functionality of Krome Lighting fixtures.

Some of the Krome lighting products Bentley’s Wardrobes and Kitchens chose for its kitchen displays include the Krome Flexible Strip Light Kit in Cool White, Krome LED Recessed Aluminium Designer Channel 3M Clear and the Krome COB LED Strip Lighting while in a wardrobe display, the Krome Neon Flex Kit in Neutral White illuminates the space beautifully. 

Nover’s selection of Krome Lighting products are designed to seamlessly blend functionality with contemporary style, ensuring they enhance the aesthetic appeal of any environment they illuminate. Whether it is for a kitchen or living space project, Nover’s diverse selection of downlights and strip lights provides an ideal solution to infuse your client’s space with additional brightness and a welcoming ambience.

Discover how Nover’s modern and sleek designs can elevate your space with cool, neutral and warm lighting, making every corner shine with renewed vitality and style here. 

Nover Australia
nover.com.au
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Given this illustrious past, it may surprise you to learn that Rex was originally a clinical biochemist and worked at the Alfred Hospital in Melbourne for a number of years before deciding to take a risk and branch out into a completely different profession. By chance, a friend of Rex’s had a small cabinet making business and Rex found helping his mate with designs was far more satisfying than being in the hospital and decided to change his career.

Rex’s first job in the industry was with Customtone Kitchens, the company that gave birth to the kitchen industry as we know it today. They were the dominant player in the kitchen renovation industry for many years. “I always had good spatial skills,” Rex recalls. “So, I think that gave me a really good eye for design and layout, and I quickly found my place within kitchen design”. Rex started as a commission salesman/designer, but quickly found his passion for training and he became Customtone’s National Training Manager.

After 18 months, Rex jumped at an opportunity to purchase a small cabinet making business based in his hometown of Albury/Wodonga and this allowed him to implement new systems and procedures that were more reflective of his personal approach. “One of the biggest benefits of purchasing that business was that over the next few years, I was essentially an apprentice in my own factory,” Rex explains. “It was a steep learning curve but a very important one as it gave me a deep insight into the cabinet manufacturing process. This, in turn, helped me to be a better and more informed designer”.

He relocated the business to Wodonga in Victoria and quickly grew in size to eventually be the largest cabinetmaker between Melbourne & Sydney markets, delivering 20-30 kitchens each week.

“At that time in the industry, the goal was to keep the range of choice offered to the customer to an absolute minimum,” recalls Rex with a laugh. “You’d only offer three door colour options and maybe four benchtop colour options. It wasn’t about the customer experience or education – in fact, the customer wasn’t an important part of the process at all. The aim was to simply sell as many kitchens as you could, so the needs of the customer weren’t even a consideration. It was a fairly brutal business those days”.

Rex remembers that, in the early days, the average kitchen cost around $500 and was made from chipboard, with raw edges exposed, chipboard shelving, no drawer runners, standard 45cm deep benchtops and a 45cm deep forward bowl sink. But he says his time at Customtone showed him there was a different approach to the design and manufacture of a kitchen. It was this revolutionary approach that provided the spark for Rex to re-think his own tactics and start to develop the methodology that has gone on to serve him so well in his business.

As so often happens with small businesses and changing economies, the Albury/Wodonga business did not survive, so Rex made the decision to move to Melbourne, having sold his house to meet his debts. However painful this experience, Rex says it made him realise how passionate he was about the industry, and about finding new and better ways to build productive and harmonious relationships with his clients.

“I realised it was important to take a responsible and ethical approach to selling kitchens,” Rex says. “And I decided that being able to train my own people, using my methodologies, was the only way I would be comfortable staying in the industry”.

Soon after moving back to Melbourne, Rex took over management of a small showroom in Nunawading, and he was supplied by Sunshine Group Industries – at that time the largest cabinet maker in Australia. Very quickly, the store became a success and Rex purchased a second showroom.

“I was lucky that it was a success, but I worked my backside off,” Rex explains. “Eventually, I ended up with seven showrooms in Melbourne and we were selling 30-35 kitchens each week.”

But the industry was still very much focussed on heavy-handed sales tactics, no emphasis on long-term client relationships, and a price war that saw many in a race to the bottom.

The turning point for Rex was a trip to America in 1982 where he attended KBIS for the first time and was introduced to an industry association – the National Kitchens & Bathrooms Association (NKBA). “NKBA taught me so much about how to be more professional,” Rex recalls. “Being a part of a professional association exposed me to more ideas around ethical business relationships with a focus on how to look after customers”.

This triggered a shift in how Rex approached his own business and, shortly after, he sold all his kitchen showrooms except one – even today, he still owns just the one showroom, in Canterbury, Victoria. The success of Let’s Talk Kitchens & Interiors has partially happened organically but has been very much driven by Rex’s personality, commitment, drive and passion to raise standards within the industry.

“For the last six or so years, I’ve only employed CKD, CBD and/or qualified interior designers and all my staff are on salary – no commission-based sales people,” says Rex. “This approach has improved our business tremendously and allows us to take a very professional approach to the service we provide. All of my people are committed to their design profession, not just their bank accounts”.

Rex’s philosophy is centred around the customer, with a focus on education, assistance and ethical actions. “My view of business is not to worry about the money so much,” he says. “If you do a good job and invest in creating relationships, the money will come. As a company we don’t ‘sell’ anything – we develop a relationship with the client that allows the client to make a decision in their own time”.

Rex also maintains his connection to training and still oversees all training of staff members to ensure a cohesive approach to customer service. “My mantra is: it’s never about the price, it’s always about the outcome,” Rex says. “This reaffirms that if you focus on your client’s needs and satisfy those needs, your client will reach a point where they stop focusing primarily on the cost and instead focus on wanting “you” to do their project, because of their trust and faith in you and your care for them”.

Rex laughs when asked about the lessons he has learnt during his time in the industry and says that he was lucky to have learnt what not to do when he was younger. Today, he feels privileged to have had the longevity to create a profitable business with a full-service interior design firm, where the client’s needs are put first.

On his return from his first USA trip, Rex was keen on the idea of setting up an Australian Chapter of NKBA in Australia. The moniker NKBA was unable to be used then, so the initial iteration of the organisation was known as the Australian Kitchen & Bathroom Institute, (AKBI). Rex was in charge of memberships, as well as being the association’s President. It was a tough slog, because most firms were suspicious of Rex’s motives and he became used to hearing “what’s in it for you?”, when approaching new members. Eventually, a relationship with HIA was established and the organisation was renamed NKBA and it grew from there.

For many years, NKBA existed as a subsidiary of HIA until circumstances changed.  Rex explains: “HIA decided to shut down the NKBA as they realised they were a building industry lobby group, not a professional association, per se”.

“I had been trying to get it restarted when Ron Redman (then with Blum Australia) introduced me to Alex Milne, who was also trying to restart the NKBA. Alex had previously been QLD President of the HIA and knew everyone there. Alex and I had a number of meetings with HIA and they assisted us to create a new and independent organisation, that would become the Kitchen & Bathroom Designers Institute of Australia (KBDi), as we now know it,” he adds.

Today, Rex is as busy as he has ever been. “Even now, I still do all the staff training,” says Rex. “And that’s specifically because most people think it’s about how to sell kitchens, but it’s not”. Rex describes the ‘Let’s Talk’ approach as exemplified in the name of the business. “We have a chat, we have a conversation. There are no heavy sales tactics. Our focus is on help, advice and education,” he adds.

Rex feels it’s vital to allow the customer to walk their own path through the decision-making process, and to be able to do this in their own time. This also explains his insistence on the process not being driven by a commission – he doesn’t want to turn his designers into sales people. “It’s a methodology that’s grown organically over time. I do share my experience with design,” Rex explains “But my training is more about the interaction with the clients, how to talk them through the process of design and renovation, and how to create lasting relationships. Once that’s done, the sale takes care of itself”.

When asked about the future of the industry, Rex says he feels positive about the changes he has seen and the new approach to design which is evident throughout new graduates. “The industry now has a value and a standing in the minds of the consumer and I’d love that to become further entrenched,” he says. “I see a wider range of education options and registration of design professionals will mean a more specialised approach to the design process and a more ethical industry overall”.

For more information visit https://www.ltki.com.au/

The studio was created by architect Elisa Ciucciovè and designer Giorgio Di Cesare, and the couple were winners of the last edition of the Design Warm Contest.

Tree is sculptural with a strong stage presence but at the same time has a light and minimalist appearance. Its versatility allows for placement in any room, and it features a convenient pedal button ignition with fabric cable and eight different colour patterns, allowing it to become an elegant bathrobe holder for the bathroom or a stylish clothes hanger in the living room.

“The project of Tree has thrilled us since the first sketch that was presented by Elisa and Giorgio. And when we finally realised, it was love at first sight. It is a product that for size and thermal performance was missing to our design collection and of which we really felt the need. We are convinced that Tree has all the credentials to become another of our most representative products” – Sabrina Mora and Eng. Filippo Arbellia (Scirocco H).

“Tree was born from some gestures that are part of our daily life, not only in the bathroom context but also in the other rooms of the house such as the living room or bedrooms,” say Elisa Ciucciovè and Giorgio Di Cesare of Duesette. “We liked the idea of combining what is the archetypal freestanding coat rack with the magic of warmth and at the same time working on the nomadism of this object, both in the domestic context but also in a public environment such as a waiting room, a restaurant or an office. The name comes from the tree’s ability to adapt to all seasons by changing its dress, Tree, past the cold winter days, does not hibernate but continues to inhabit the space in its guise as a coat rack.”

With dimensions of 1600mm x 600mm (300mm at the top), Tree is available in 79 colours from the Scirocco H range, including the new matte shades: Cloud Gray, Cookie, India Blue, Frog Blue, Glaucous Green and Pink.

For more information, visit sciroccoh.it

Konqrit produces handcrafted, freestanding bathtubs and basins which are one-of-a-kind, artistic, custom-made pieces created from GFRC (Glass Fibre Reinforced Concrete). Founded in 2020 and officially launched in 2023 by García Galofre, Konqrit represented Argentina at the prestigious furniture fair.

Konqrit’s pieces stand out for their singular and distinctive artistic focus. The brand fuses the artisanal, the functional, the artistic, and the spiritual in each of its designs. It mainly uses non-renewable natural raw materials such as cement and quartz, with renewable ones such as wood.

Each of its pieces is collection-worthy; each has an engraved copper plate with a seal identifying the brand by its logo and serial number and, in the case of the custom bathtubs, the name of the piece with the signature of the artist who produced it.

“I created this brand out of my conviction that the bathtubs are essential pieces that need more praise. My quest for the sublime led me to conceive this brand with the idea of fostering the bath ritual as a unique experience of profound well-being. The tub is a functional piece that embraces us and provides the space of greatest intimacy, while allowing us to connect our present time with our intrauterine past” Cecilia García Galofre.

At the fair, Konqrit presented two tubs (pictured below) that exemplified its motto “Plunging into Art”. Both were made from GFRC concrete, a compound of white cement, ferrite, fiberglass, additives and ground white quartz.

Konqrit N.IX (right – using the Bahía Grande bath) measures 180cm x 80cm x 53cm and creates a suggestive effect through its combination of blended black and white tones. This chromatic effect, which includes marbling, fading and batik, gives the bath its exclusive character.

Summie (left – using the Bahía Chica bath) features the work of Argentine artist Catalina Ruiz and was inspired by a Japanese technique borrowed from China, known as Sumie. The gentle brushstrokes and monochromatic tones evoke a naturalistic painting. Summie measures 141cm x 70cm x 53cm and provides a unique sensory experience by creating an intimate and inviting refuge.

Cecilia García Galofre works and lives in Buenos Aires, Argentina. She is a textile designer who graduated at the Universidad de Buenos Aires (Argentina) and who later earned an MBA at IAE Business School (Argentina). Before starting her brand Konqrit, she worked for ten years as a textile fashion consultant, connected with textile production in Asia, and travelled for trend and product trips to Europe and New York.

For more information visit https://konqrit.com/

The shape and form of Stecco makes an immediate connection to naturea nd to the animal world. It was named for its looks – as an insect is known for its ability to disguise itself and its remarkable ability to camouflage among branches and leaves, so Stecco’s vaguely anthropomorphic shapes fits harmoniously into open-air spaces.

The main body is a metal tube that rises from the ground and ends with the housing of the pullout hand shower. It stands on two thin legs that evoke the shape of a slender animal with a long and elegant silhouette, just like Stecco.

The main feature of the shower is the freedom of movement and positioning. This is a feature common throughout the entire collection and serves to showcase the formal purity of the lines of each element. Water is turned on and off using a practical foot switch, while the removable hand shower – the “head” of the stick insect – is designed to create an easy grip and can be pulled until it reaches the desired height.

As with all products in the Ingiro collection, Stecco is available in steel finish, grey, blue and green, and now offered in burgundy red and sand grey, two new colours that match additional outdoor environments. Burgundy red is a rich pigment that tends towards red ochre with a hint of burnt brown, while sand grey with more neutral shades is warm and intense with a hint of beige that recalls natural fabrics such as hemp and jute.

Bringing a lovely playfulness to outdoor spaces, Stecco represents the design philosophy of Fima Carlo Frattini perfectly. The company continually seeks to express unique and innovative solutions in search of design, quality and functionality with particular attention on the environment and eco-sustainability.

For more information visit fimacf.com/en/

“Our Leichhardt terrace project stands as a testament to the fusion of heritage charm and modern sophistication, breathing new life into a stately Victorian terrace house,” said Ben Tass, co-founder of Tass Construction Group. “Guided by the client’s vision to maximise space and light within the confines of a narrow site, our design journey was marked by ingenuity and a deep respect for architectural heritage to deliver a bright and delightfully textured home.”

Central to their client’s vision was the creation of a luminous sanctuary featuring an open plan kitchen, living, and dining space which seamlessly connects with the outdoors, infusing the interiors with an abundance of natural light. Renovation of existing ground and first floor spaces was complemented by ground floor and first floor extensions and re-purposing the attic to complete the project to the client’s brief.

Full-height sliding doors maximise light and connect the courtyard and garden with the living room. This natural light-filled space at the rear of the home is enhanced by a custom glass roof over the dining table, while five skylights installed further throughout the property help illuminate hallways, bathrooms and living spaces.

“Natural light is a precious commodity in traditional terraced houses and these strategically placed skylights brighten every corner of the residence,” said Ben.

The home effortlessly showcases the terrace’s historic features while presenting a modern design. Render from the existing partition wall was stripped, revealing majestic original brickwork which was tidied, sealed and then highlighted with recessed LED strip lighting in the shadow line of the cornice detailing.

“It really tells a story of the home and ties the new into the old perfectly,” said Ben, noting the splayed external façade details at the rear of the property adds a modern touch to a traditionally rectangular space.

Textured curves catch the eye in different parts of the home, adding a further modern touch. A curved kitchen island feature is complemented by the curved staircase, which cleverly hides the laundry, curved legs of the dining table, and a captivating curved wall in the renovated ground floor bathroom.

Ascending the stairs, an inviting second living space on the first floor has been carved from the original floor space, with a new bathroom and master bedroom created at the rear of the floor. From the first floor, a new staircase leads to the attic which Tass Construction Group repurposed into a loft, perfect for a fourth bedroom or study. 

Light and space is amplified by the loft’s half height wall which maximises light from the large ceiling skylight. A renovation and extension of a narrow historical terrace had its design and construction challenges, yet the final result is testament to the transformative power of design. From the light-filled spaces to original wall textures and curved components, every element speaks to the allure of creating spaces which conjure connections between past and present. 

For more information, visit tasscg.com

The Palazzo Reale was the perfect location for this installation; the building is a historic royal residence in the heart of the design capital of the world, Milan, that features stunning neoclassical architecture.

The carefully-curated “Aquatecture” spaces showcased the four tiers of Grohe Spa highlighting modular shower solutions, a new smooth Satin finish, the bespoke Allure Gravity collection plus 3D metal-printed products.

Based on the concept of “Aquatecture” – the fusion of water and architecture – the installation unveiled a series of spaces that sought to elevate the significance and importance of water in architecture, and the health and well-being benefits this infusion brings. Conceived by the in-house Lixil Global Design and Brand Identity team, the “Aquatecture” installation payed tribute to the history of the building, interwoven with the contemporary Grohe Spa “Salus per aquam” concept (Latin for “Health through Water”).

Inspired by the former courtyard garden and in synergy with Milan Design Week’s theme “Materia Natura”, it thoughtfully blended nature and architecture to create immersive spaces echo the former garden, creating sensual areas to reflect, revitalise, and energise.

Each “Aquatecture” space represented a different tier. Visitors embarked on their immersive journey at the fourth tier that shows industry-leading products to create the ultimate home spa hideaway. Shower solutions such as Grohe Rainshower Aqua and the F-Digital Deluxe modules combined timeless elegance with modern technology, using light, steam, sound and smell to delight the senses. In addition, the Grohe Atrio Outdoor Shower provided a refreshing and rejuvenating experience, enabling a stronger connection to nature and the tranquility this brings.

Transitioning to the third tier, the spotlight was on the Grohe Colours Collection with the new Satin finish. Offering a luxurious touch and expanded design choices for a personalised look, the new finish is available for Grohe Allure and Grohe Atrio, as well as matching showers and accessories in Satin Steel and Satin Graphite.

The highlight of the second tier was the new Grohe Allure Gravity. Blending a slim square silhouette with boundless avenues for customisation, the faucet line comes with exchangeable cover plates expertly crafted from glass, mirror or Caesarstone mineral surfaces.

Culminating the exhibition, the first tier was comprised of the conceptual Grohe Icon 3D collection: the 3D metal-printed products redefined what is possible, while taking sustainable product design with ultimate customisation options to a new level.

For more information visit grohespa.com/

Perfect for today’s busy homeowners, Staron Solid Surfaces are virtually maintenance-free. Its high durability ensures it withstands daily wear and tear while its non-porous nature makes it resistant to stains, mould, and mildew by preventing liquid absorption—an essential quality for wet environments like bathrooms. Additionally, the hygienic and smooth surface makes cleaning the vanity a breeze.

Another stand-out feature of Staron Solid Surfaces is its ability to be thermoformed into almost any shape with no joins allowing for unique custom vanity designs and taking visions to the next level. To create a sleek and continuous look, Staron Solid Surfaces can encompass integrated sinks as well as the backsplash, further aiding the mould resistance and ease of cleaning.

Another benefit of solid surfaces is its longevity and the ability to refresh the surface to its original state, even after years of use, is easy to do. The material is uniform from top to bottom which ensures that scratches and minor damage can be sanded or buffed out without affecting the material’s appearance or structural integrity.

Now that engineered stone is banned for use in Australia, this zero-silica solid surface offers a safe alternative for your client’s home. Developed in 1992, Staron is manufactured from refined bauxite, a safe silica-free mineral, and blended with pure acrylic resin. This combination results in a high-performing and safe solid surface.

For more information on Staron Solid Surfaces, visit austaronsurfaces.com

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The Laminex story began in 1934 in suburban Melbourne where Robert Sykes started Laminex in a small tin shed. Over the years, this business grew to be one of Australia’s leading manufacturers.

While the iconic Australian brand has grown a lot over nine decades, its ethos has always remained the same – the belief that every Australian deserves great quality products with great quality design.

The evolution of Laminex began after World War II, when Sykes was captivated by a new trend appearing overseas for decorative laminates. He travelled to the US to research the fabrication of decorative laminates and began producing Australia’s first interior décor product range in the early 1950s. With Australia’s cities booming, new house builds thriving and a demand for affordable furniture escalating, Sykes’ foresight to innovate was astute.

The Cheltenham plant in Victoria was established in 1952, which featured a cutting-edge hydraulic press to enable rapid production processes and an expansion of the product range to meet market demand and improve revenues. It was here that Laminex became the only producer of thin high-pressure and more recently compact laminates in Australia and New Zealand – which still stands today.

For the past 90 years, Laminex has consistently set the benchmark for material innovation, leading to an extensive product range that has expanded to include modern laminates, acrylic surfaces, wall panelling products and more. For many Australians, Laminex products have been a fundamental part of their households – bringing durability, functionality, and personality to the heart of the home.

This year commemorates the remarkable 90-year journey of Laminex. This significant milestone is a celebration of the evolution of being the very fabric of Australian design. Over the past nine decades, Laminex has created a range of innovative and diverse brands that are serious multi-taskers, leading the way in expert quality, design-led materials for contemporary living. With an extensive portfolio across Laminex, Formica, Surround by Laminex and HI-MACS, there is a carefully curated product for everyone and every space.

The success of Laminex products can be attributed to an ongoing focus on product and manufacturing innovation, and a pursuit of continuous improvement, elevating performance across its entire spectrum of operations. Throughout the company’s 90 years in business, Laminex has continually adapted, reinvesting in the skills, safety, performance, and capacity of its plants through new equipment, training, and development.

90 years on, Laminex takes pride in knowing its customers can take comfort in the fact that the Laminex products used in their homes are not only design-led and durable, but also support the Australian economy and are backed by incredible sustainable credentials. The design world may be forever evolving, but one thing that remains the same is Australia’s love for Laminex – it isn’t just owned and manufactured in Australia; it’s loved in kitchens, bathrooms and beyond, nationwide. 

For more information on Laminex products, visit laminex.com.au 

Linear® pocket frames for sliding doors are designed to eliminate the need for jambs and covering profiles. They are known for their durability and easy assembly, combining essential technological and aesthetic qualities for interior design.

To address challenges in installing sliding doors near electrical sockets and pipes, Linear® is now part of Magic Box®, a collection of pocket frames with spaces for electrical and water utilities, designed and patented by Protek®.

The design includes spaces for electrical and water systems on both sides of the pocket frames, using a special expanded polystyrene mould. The Linear pocket frames are available in three options: Magic Box Linear Elektro for electrical systems, Magic Box Linear Hydra for water systems, and Magic Box Linear Domotika for both.

Magic Box® Elektro is ideal for situations where electrical wiring would typically require a swinging door. It accommodates switches, sockets, video intercoms, thermostats, and other electrical devices along the entire height of the pocket frame on both sides, offering maximum flexibility without a floor footprint.

Magic Box® Hydra is designed for areas needing a sliding door that also needs to allow for pipework, with insulated housings for plumbing and heating systems pre-fitted on the structure.

Magic Box® Domotika combines features of both Elektro and Hydra, providing a versatile solution for homes, offices, hotels, and other spaces requiring extensive home automation.

For more information, visit protek-controtelai.com

The collection’s colour and design redefine the idea of wooden surfaces, replicating the charm of rare, sought-after wood in a palette of beautiful colours. The sophisticated texture and tactile sensations emphasise the delicate veining and grain of these porcelain stoneware planks, creating warm and cosy settings in any style. 

Project Wood is the result of research to obtain a durable, environmentally sustainable product. It comes in five colours (Mesola, Migliarino, Paneveggio, Pollino, and Quarto) and two formats. The  20cm x 120cm format has a 9mm thickness and a natural or grip finish, while the 40cm x 120cm format has a 20mm thickness and an anti-slip finish for outdoor use. This latter version can be laid on screed with adhesive, perfect for balconies, patios, terraces, verandas, and poolsides.

When applied directly to turf, gravel or sand, it creates instant walkways. In addition, in line with the  latest trends, these tiles allow the merger of indoor and outdoor spaces, creating a stunning visual continuity and improving their functionality and comfort all year round. 

The Project Wood collection stands out for its modern aesthetic and extraordinary resistance to  impact, abrasion, flexure, and stains. That’s why it’s ideal for the indoor and outdoor floors and walls of residential and public spaces and projects in the contract furnishing, hospitality, and  wellness sectors. 

Like all Casalgrande Padana porcelain stoneware collections, Project Wood tiles are non-absorbent, eco-compatible, fire-resistant, and easy to lay and clean. In addition, they have antibacterial properties, thanks to the Bios Antibacterial® treatment (available upon request). These tiles are not affected by temperature fluctuations, whatever the latitude, and never warp, maintaining their beauty over time.

Casalgrande Padana porcelain stoneware tiles’ innovative production processes ensure excellent aesthetic and technical qualities and help protect the environment. This way, the spaces they create are not only beautiful and functional but also safe and healthy, free of harmful substances, easy to clean, and environmentally friendly. 

For more information, visit casalgrandepadana.com