We’re taking a break and wish you all a very safe and happy Festive Season and a very merry New Year.

Designed by Giulia Delpiano and Corrado Conti of the architectural studio ovre.design® and produced by FMG Shapes, Infinito pays homage to sustainable luxury.

Made exclusively using high-quality agglomerated marble scraps, Portland cement, Infinito is a tangible manifestation of reuse and waste reduction. The production process does not involve synthetic resins or thermal energy, ensuring a minimal ecological impact.

Infinito expresses the very concept of infinity through its groundbreaking design and revolutionises the world of bathroom furnishings. With its fluid and sinuous lines, this sink evokes a sense of eternity and continuity, transcending into a true masterpiece. It mirrors an unnoticed and subtle flowing, where water appears to vanish magically into nothingness, creating a timeless allure that captivates and sparks imagination.

Infinito symbolises the uniqueness of the product, whose beauty and sophistication are rooted in marble. Infinito is the present, an eternal moment of absent matter that defines both before and after forming a whole. It encapsulates the inexplicable paradox of being and non-being, a continuous flow that is the search for balance; that often uncertain movement that adapts to reality, materialising only when it becomes past and imagining future depends on us. Infinito is the conjunction of people and emotions that flow, create, and exist.

By combining futuristic design and environmental consciousness, this sink transcends beyond mere furnishing accessory to become a statement of style and awareness. Discover the power of infinity with Infinito by ovre.design®.

For more information visit ovredesign.com

Designed by Roberto Gobbo for Euromobil, the island is made entirely of brushed stainless steel, a material that combines solidity and refined aesthetics.

The use of brushed AISI 304 stainless steel, known for its resistance, hygiene and eco-sustainability, guarantees a recyclable solution that withstands the wear and tear of time and the challenges of everyday life. The FIT drawers help organise space and ensure easy storage of utensils, thanks to integrated dividers made of grey oak, mocha oak and aluminium.

The frontal base units, grooves, plinths, top and welded sink integrate harmoniously, creating a linear and continuous design, ideal for both contemporary and classic spaces. Free Steel is the symbol of an eternal kitchen, a design that encapsulates the essence of Made in Italy: innovation, fine materials and attention to detail. A choice that never goes out of fashion, capable of remaining as relevant today as tomorrow.

Euromobil, founded in 1972 in Falzé di Piave, Veneto, and part of Gruppo Euromobil, was among the first companies to produce modular kitchens. It doesn’t just create simple kitchens or storage units but real architectural structures that redesign spaces, creating, altering, and shaping them according to the desired environment. This all occurs in a context where the materials used and craftsmanship are paramount, where design meets architecture, and space becomes multifaceted.

For more information visit euromobil.com

VELIT stands out for its mechanical versatility and advanced lighting technology. At the heart of VELIT is a swivelling profile, capable of moving along the horizontal axis at an angle of up to 35°. This flexibility is made possible by the anchorage points located in the side heads and fixing brackets, which allow the user to tilt the light from a projection perpendicular to the work surface to an angle that allows the work surface to be adequately illuminated in the preferred area.

Unlike traditional solutions, where the entire luminaire rotates, with VELIT, only the light chamber pivots while the anchoring structure remains fixed. In fact, the profile is anchored to the side heads attached to the wall unit, as are the brackets that slide along the entire length of the luminaire and can therefore be positioned and attached as desired, guaranteeing a precise orientation of the luminous flux towards the worktop. This innovative solution enables the creation of customised lighting that is perfectly adaptable to the functional requirements of the kitchen, both during installation and afterwards.

Modularity is another strong point of VELIT: the fixing system with adjustable brackets allows the installer to freely choose the length of the profile, up to a maximum of 3000 mm, and to position the brackets at will along the structure. This solution offers exceptional design freedom and facilitates installation in different settings.

VELIT also introduces a novelty in terms of aesthetics and lighting management. Thanks to its integrated eyelid, the focal point of the light source is shielded, creating a homogeneous, glare-free light effect. The profile can be fitted with 6 mm light sources in a single-colour version (available in three colour temperatures) or in a dual-colour version with D-Motion technology, allowing the light temperature to be selected to suit the needs of the environment. To add an emotional touch to the everyday lighting experience, WAVE technology is integrated with D-MOTION to create D-Motion WAVE, introducing the dynamic and progressive switching of the light sources. Inspired by the lighting units of the automotive industry, WAVE creates an elegant and sophisticated visual effect. This not only enhances the visual experience, but also adds a dynamic design touch to the kitchen spaces, transforming lighting into a striking centrepiece.

Available in elegant aluminium and matt black finishes, VELIT can be supplied with or without an integrated switch. The switch is not only for use in turning the luminaire on and off, but also for adjusting the brightness and selecting the light temperature, with the possibility of activating the dimming function via D-Motion Wave technology.

With VELIT, Domus Line continues to propose lighting solutions that combine technology, design and customisation, ideal for meeting the needs of those seeking versatile, high-performance lighting for their furnishing projects.

For more information, visit domusline.com

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A balanced synthesis of innovation and design, when it was presented in 1999, it marked a true revolution, breaking into a market which was dominated by laminate in all its forms and finishes with its industrial aluminium aesthetic.

Designed by Vico Magistretti, an unforgettable Master of Italian design, the Cinqueterre continues to be absolutely contemporary, to the point that nothing has been changed in its aluminium extrusions that made it unique. Even for the handle, the original section was maintained, with only the length recalibrated to extend it along the entire length without any apparent interruption.

In addition to modularity recalibrated for contemporary demands and adaptability to current technologies, the kitchen presented at the Milan Design Week “Tribute to Cinqueterre by Vico Magistretti” introduces a different material dimension: alongside the iconic anodized aluminum finish, is now introduced a natural stone, particularly Portoro, a precious variety of black limestone from the western area of the Gulf of La Spezia, in tribute to the brand’s origins.

Schiffini’s story began almost a century ago with a small factory producing naval furnishings, later expanding during the 1950s by riding the early developments of industrial design and venturing into the world of kitchen furnishings. Last year, it was acquired by SCIC, which relaunched its image with a youthful and modern look, at the same time, however, the Ligurian company remains faithful to the traditional principles from which it was born: design, refinement of materials, and attention to detail blend into timeless compositions aimed at meeting the specific needs of the kitchen environment.

Schiffini has always elevated Italian craftsmanship and design to new standards thanks to innovative and forward-thinking creative directions, capable of shaking the market with kitchen models that combine pleasing aesthetics and practicality.

Designed by Ballabeni&Catellani Studio

Furniture Engineering: R&D SCHIFFINI

Rendering: Andrea Cardelli Studio

For more information visit schiffini.it/en/

Available through Nover, Salice’s Silentia+ hinges are ideal for creating an ergonomic kitchen environment by ensuring doors close smoothly and consistently under any conditions. The advanced soft-close technology reduces noise and prevents slamming, enhancing both safety and convenience. This makes daily kitchen use more comfortable by minimising the effort required to open and close cabinets.

The EvoLift system offers ergonomic benefits through its adjustable design, which allows smooth and controlled movement for all flap door applications. Its compact dimensions maximise storage space while ensuring easy access to items, reducing the need for awkward reaching or bending. With options like soft close and push-to-open mechanisms, EvoLift provides a seamless, user-friendly experience.

The Exedra pocket door system further supports ergonomic kitchen design by optimising space and improving accessibility. With its cam-assisted sliding action and linear damping system, Exedra enables smooth, controlled door movement, making it easier to hide or access appliances and storage areas. This system is versatile enough to be used across various kitchen applications, reducing installation time while ensuring a sleek, organised, and user-friendly environment.

Another range in Nover’s extensive offering is Peka – a company that combines smart, innovative storage solutions with Swiss quality. Peka offers innovative storage solutions designed for maximum accessibility and convenience in the kitchen. Its corner and larder unit pull-outs make optimal use of kitchen space, keeping utensils and ingredients within easy reach. Peka’s range includes the Pegasus Shelf Lift, which allows users to easily access the top, bottom, or back of units, and the Extendo pull-out shelf, providing a clear view and easy access to stored items. The Pleno Plus larder pull-out further enhances functionality by allowing access from three sides, making Peka the ideal choice for ergonomic kitchen storage solutions.

For more ergonomic kitchen solutions, read Nover’s white paper in full here.

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Melbourne KBDi Trade Expo | 27 March 2025

Sydney KBDi Trade Expo | 8 May 2025

Melbourne Kitchen & Bath Show | 12 – 14 June 2025

Adelaide KBDi Conference | 15 + 16 August 2025

Attending trade expos offers kitchen and bathroom designers unparalleled opportunities to stay at the forefront of industry trends and innovations. These events showcase the latest products, technologies, and design solutions, enabling designers to explore new materials, appliances, and fixtures that can elevate your projects. With live demonstrations and hands-on exhibits, you’ll gain a deeper understanding of product functionality and quality, helping you make informed decisions when recommending options to clients.

Trade expos also serve as excellent networking platforms. They provide a space to connect with the industry’s best reps and fellow designers, fostering valuable professional relationships. These interactions can lead to collaborations, exclusive access to new product lines, or insights into emerging market demands. Engaging with peers and experts in the field can spark inspiration and enhance your creative process, ultimately benefiting your clients with fresh, innovative ideas.

The KBDi Conference offers all of the above – and more. KBDi make great effort to fill its program with relevant and practical sessions and inspiring keynote speakers. The Adelaide Chapter Committee is helping plan an incredible event – make sure you lock these dates into your diary and keep an eye on the KBDi website for more information early next year.

Are you an industry supplier who’d like to participate in KBDi’s tailored expos? Email tradeexpos@kbdi.org.au today for more information – spaces are limited!

For more information about KBDi Membership, visit kbdi.org.au

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With a focus on equipping your business for the future, covering everything from cutting-edge AI solutions and efficient business structures to essential legal insights and the evolving workforce, each session is designed to provide practical, actionable strategies that will drive growth, improve efficiency, and help you stay ahead in a rapidly changing industry.

Whether you’re looking to harness technology, build a more resilient business, navigate legal complexities, or attract the next generation of talent, this conference has insights tailored to your needs. Join ACFA for a day packed with expertise, networking, and strategies that will keep your business thriving.

Venue: Waterview in Bicentennial Park, Bicentennial Drive, Sydney Olympic Park

When: 7th March 2025

Time: 9am to 4.30pm (including networking drinks)

Pricing: 

Early Bird pricing: save $100

Early Bird Member Rate: $199 (inc GST)

Early Bird Non-Members Rate: $299 (inc GST)

Standard Member Rate: $299 (inc GST)

Standard Non-Member Rate: $399 (inc GST)

All Tickets include morning tea, lunch and networking drinks

For more information, or to register online, visit acfa.net.au/conference   

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By retaining these properties, the surfaces create emotion and memories – the wallpapers which can be used as veneers and applied to acoustic panels contribute to an atmosphere of well-being and a healthy indoor climate, help reduce stress, lighten the mood, and increase concentration.

Zirbenwald Light

This surface with real Austrian stone pine, fern, moss & needles transports you to the heart of the Austrian stone pine forests. These ancient trees only grow in certain Alpine regions and altitudes in the purest, clearest mountain air. Its fragrance has an extraordinary effect on our body and mind: it brings inner peace, balance and a good night’s sleep.

Austrian stone pine shavings & spruce needles, in combination with ferns & moss, create an extraordinary atmosphere & a sense of well-being in the interior.

Moos Grau Premium

A Nordic-inspired forest experience made possible by this sleek light grey surface with mystical moss from upcycling. The visual effect transports you directly to northern latitudes – and the moisture-regulating properties of the moss create a feeling of freshness in your interior design. This has a positive effect on the indoor climate and increases one’s sense of well-being.

Carpe Diem

Summer, sun, and pure relaxation! Enjoy the scent of the Mediterranean thanks to this delightfully sunny blend of olive leaves, Greek mountain tea, stunning cosmea blossoms, delphinium, lavender, marigolds & cornflowers. The harmonious mixture of herbs and blossoms, combined with breathable flax fleece, brings the sensory pleasures of the Mediterranean right into the interior.

WILDSPITZE Gold

Opposites are known to attract – such as with WILDSPITZE Gold. The rustic charm of genuine, hand-cut hay from the Tyrolean Alps meets glamorous gold paper, creating luxurious moments of well-being with its delicate fragrance & elegant sheen.

The contrast of golden shimmer and hay is reminiscent of delightful, warm summer evenings in the Alps.

Organoid natural surfaces represent 100% sustainability, authenticity, and a close relationship with nature and untreated natural materials. Organoid’s hay surfaces are allergy-friendly, and the self-adhesive foil is free from PVC. Even the wool remains completely undyed and unbleached, maintaining its 100% natural state.

For more information, visit austaronsurfaces.com/organoid-design-collections

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The eri collar, the sode sleeve, the doura lining of the top part of the kimono all contribute to create geometric designs with different fabrics and patterns, which Biasi draws on in creating surfaces and ways of laying them. The collection also reprises some elements form the firm’s historical archive of patterns and colours.

“Decoratori Bassanesi‘s historical archive was a great source of inspiration, a point of departure for an exploration of color, ceramic yield and glazing, while the geometric motifs and bold colour combinations of the Far East opened the way to new high-contrast laying patterns. The Kimono collection is a reflection on the infinite possibilities of color and material, blending distant traditions and cultures” – Federica Biasi

Kimono reprises one of the firm’s historic products, Millerighe, with references to the ceramics of the late 1980s. The project also revives a few finishes and processes typical of Decoratori Bassanesi’s early days, double-firing and enamel glazes, with their distinctive shiny texture and vibrant shimmer. With its sinuously smooth feel, Kimono offers that same sort of aesthetic effect, updated with new materials and contemporary workmanship.

The result is a textured collection in bold, vibrant tones which is available in eight colours and two finishes (smooth or ribbed), as well as two different sizes – 5cm x 15cm and 15cm x 15cm – designed to encourage designers to play with combining them in creative ways.

Decoratori Bassanesi was founded in 1988 and represents the values of artistic decoration in the field of handmade ceramic coating. Its factory and head office is located in the province of Treviso, Italy. Research and attention to detail, which are the fundamental values of the company, permeate every branch of production, from the choice of materials to experimentation with the most progressive techniques.

For more information visit decoratoribassanesi.it/en/

This project highlights the power of focused design. By strategically selecting areas for premium finishes (such as the Illumination Design Profile on key cabinetry), AUSMAR, in collaboration with the skilled joiners at Format Kitchens, achieved a sophisticated aesthetic without over-capitalizing. This thoughtful approach is something that they apply to any of their many projects, maximising the importance of both impact and value.

Meaningful appearance of sophistication

This AUSMAR custom home brings a modern twist to the classic Queenslander style, embodying a vision of warmth and sophistication. A thoughtfully curated colour palette and meticulously designed elements create an inviting and refined atmosphere.

The kitchen, bathroom, and wardrobe spaces are thoughtfully designed with abundant storage solutions. Rich dark wooden cabinetry provides a striking contrast to the neutral white marble textures, achieving a seamless balance of elegance and practicality in every room.

“What is really great about the Hettich Eshop website is that you can download and import the 3d files of the hardware into Sketchup which can give the clients a good idea of what they are going to get come production time.” – AUSMAR on the benefits of what the Hettich eShop provides.

Illumination Everywhere

Design and technology are key features integrated into the cabinetry of this home. The AvanTech YOU Illumination drawers add a stunning glow when opened, enhancing both the kitchen and bathroom spaces.

Initially, Format Kitchens had not considered using the AvanTech drawers. However, with encouragement from Hettich and collaboration with their joiners, AUSMAR incorporated them into this project with outstanding results. The team was particularly impressed by the hardware’s quality and the sleek, slimline design, making it a feature they plan to specify in future project.

Thoughtful Thinking

Complementing the Anthracite drawers, the Obsidian Black hinges paired beautifully with the black cabinetry carcass, creating a cohesive and sophisticated look throughout the home.

Waste bins are also another practical and welcome addition, discreetly hidden beneath the sink to provide a seamless waste solution.

PRODUCTS FEATURED:

• Hettich AvanTech You Drawers
• InnoTech Atira
• Quadro
• Waste bin
• Sensys
• Push To Open Mechanisms

For more information on Hettich products, visit designwithhettich.au 

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Designer: AUSMAR | Joiner: Format Kitchens | Builder: AUSMAR | Photographer: Dallas Grenenger

Given the number of people requiring care is only set to increase worldwide, it makes sense to focus on how to ease the pressure on the residential care system and assist anyone who would like to stay in their home to do so with ease and comfort. But it’s not just about the aged or those living with disabilities. Many of the fixtures and fittings that create an accessible bathroom are also beneficial for young families.

Height-adjustable elements or touch-free taps are particularly suitable for children, for example. However, owners and builders do not have to install handrails and seats in the shower from the outset if they are unlikely to be needed for several decades. All they need to do is make provision for future requirements today by, for example, reinforcing the wall where a grab rail is to be installed at a later date. Sufficient space around the shower, washbasin and toilet should also be factored in at the planning stage so these facilities are subsequently accessible for people using a wheelchair or walking frame.

Digitalisation and technical aids also make an important contribution to accessibility. For people requiring care and those with physical disabilities, new technologies in the bathroom are not just a gimmick, but a key element in ensuring greater safety and self determination. Sensor-controlled lighting activates the light as soon as someone enters the bathroom, thus minimising the risk of tripping. If a fall does occur, sensors in the floor recognise who has fallen and alert relatives or the emergency services. Voice assistants can also provide support in an emergency. Furthermore, it is possible to integrate measuring devices that transmit health data to carers or relatives. Intelligent mirrors can even remind users to wash, comb their hair, brush their teeth or take their medication.

A bathroom that is both accessible and digital is particularly advantageous as we get older. However, this is also part of the problem. When they are 30, people don’t want to think about their likely physical decline 40 to 50 years later. Hence, many of them fail to create the prerequisites for accessible conversions later, for example, LAN/WLAN coverage, basic electrical connections or empty ducts for data cables. Smart bathrooms require both qualified sanitary and HVAC installers and electrical engineering expertise.

ISH in Frankfurt am Main from 17 to 21 March 2025 represents a great opportunity to learn all about the latest developments. In the ‘Solutions for Bathrooms’ section, exhibitors will be showcasing innovations for private bathrooms, spas, pools and wellness facilities as well as (semi-) public and industrial bathrooms, care-sector bathrooms and bathroom installations.

Next year’s ISH will be accompanied by a multifaceted, complementary programme of events. One of the highlights will be the first ‘Value of Water Conference’ at the Congress Centre of Messe Frankfurt on 17 and 18 March 2025. At the conference organised by Messe Frankfurt and the Handelsblatt Media Group, experts and decision-makers from the sanitation, real estate and housing sectors, as well as representatives of local authorities and NGOs, will discuss global innovations and best practices in the field of water management and hygiene.

Interior design, current trends and future perspectives in the sanitary industry are the focus of the Design Plaza in Hall 3.1. In the immediate vicinity, the ‘Pop up my Bathroom’ trend area will present visionary bathroom concepts as holistic room solutions. Additionally, the special ‘SPAs, Pools & Wellness’ area in Hall 3.1 will offer insights into modern wellness solutions while, one level lower, in Hall 3.0, the ‘Public, Care Sector Bathrooms & Clean Water’ area will spotlight innovative approaches for public bathrooms, care-sector bathrooms and hygienic drinking water supplies.

The latest developments and pioneering ideas combined with ground-breaking design are front and centre of the Design Plus Award by ISH. This prestigious award is given by ISH in cooperation with Stylepark, the magazine for architecture and design, and honours outstanding innovations and sustainable designs in the bathroom, heating and air conditioning sectors. The award ceremony will take place on the first day of the fair and the award-winning products will be on display in a special exhibition throughout the fair.

For more information visit ish.messefrankfurt.com

Images: ISH 2023 (Source: Messe Frankfurt GmbH)

As a modular piece of furniture, this small but cleverly-designed unit can be placed in the bathroom, bedroom, entrance or even a walk-in wardrobe. It fits harmoniously into a range of home environment thanks to the wide variety of shapes and colour combinations.

A light contours the perimeter of the unit and provides an indispensable task lighting when using the mirror for make up or other beauty applications. When the vanity is closed, the light draws attention to the unit.

Inside, a magnifying mirror is included with the “regular” mirror and the bottom of the vanity contains divider pieces that allow the user to organise personal products or jewellery and keeps items upright. The Mobilcrab Vanity can be installed at a sit or stand height and is able to be accessorised with other Mobilcrab products such as poufs, washbasins, accessories and mirrors.

Highly customisable, the Mobilcrab Vanity is available in a range of colours, sizes and finishes as exhibited below.

Vanity structure in leather with lid in Vintage Gold and internal dividers in Vintage Gold. Also pictured: freestanding round washbasin in White Deimos and rectangular mirror with gold frame and perimeter backlighting. White pouf with removable terry material.

Vanity frame and lid in Powder Pink with Vintage Gold internal dividers and white pouf in removable terry material.

Vanity structure in HPL Islanda with lid in Indigo Blue and internal dividers in Indigo Blue. Also pictured: above-counter basin in Copper and oval mirror with Satin Black frame and perimeter lighting. Pouf in Indigo Blue eco-leather and double-sided rug with rhombus pattern in beige.

Vanity structure in Cactus Green with Cactus Green cover and Vintage Gold internal dividers. Also pictured: Round mirror, tray in Vintage Gold, and white pouf with removable terry material.

Vanity installed at stand-up height in HPL Industrial and lid in Anthracite with Anthracite internal dividers. Also pictured: round mirror with soft-touch lighting and white back light.

For more information visit https://www.mobilcrab.it/en

The installation followed the presentation at Fuorisalone in April of the site-specific Glint installation designed also by Quayola for the Refin Studio spaces in Milan. Glint Variation is a collection of sculptural pieces in porcelain stoneware, an evolution and reinterpretation of the work presented in Milan, and a pure expression of the technical and material dialogue between the artist and the Refin laboratory.

The research path for the development of the Glint ceramic variation was complex and extremely stimulating. The real challenge for Refin was to be able to reproduce on the surface of the porcelain stoneware a structure that recreated the geometry developed by Quayola to represent the ripples of water. To do so, the company undertook a long process with the artist made up of tests, trials and continuous comparisons to explore new production techniques and a special ceramic mould was designed that allowed for the pressing of a bas-relief structure.

The result is a collection of sculptural pieces in 30cm x 30cm or 30cm x 60cm porcelain stoneware, 20mm thickness, with black glazed surfaces and edges. Glint Variation 30cm x 30cm is made up of four different subjects and can be inserted into interior design projects as a composition of pieces of art or to create scenographic full-wall coverings. Glint Variation 30cm x 60cm format is proposed as a single piece of art produced in a limited edition of 99 pieces and delivered with a numbered certificate of authenticity.

“Glint is first and foremost a research, a process. Both the sculpture Glint and the Variations document my study of the relationship between light and complex geometries. My idea was to crystallize the light effects on the surface of the water in a physical and tangible object. Glint Variations are like several works in one, there is no precise dimension. Being modular, the different pieces can be assembled together arriving at a scale, if you like, immersive” – Quayola

Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper.

For more information visit https://www.refin-ceramic-tiles.com/

The Forum, to be held 10-11 April 2025, will include two days packed with events, including conferences, round tables and workshops, numerous international guests and a space created ad hoc in the Euroluce exhibition area.

One of the aims of the Forum concept is to offer the design community an increasingly wide-ranging and expanded event rounding off and fully complementing the commercial offering. Light will be the focus of an emotional and cognitive journey, offering visitors an immersive and distinctive experience. Light is addressed not just in terms of its technological potential, but also through a deep and philosophical reflection on its role as an expressive and innovative language.

The Forum will bring together an international panel of creatives, architects, designers, scientists and lighting industry professionals, to discuss highly relevant topics. The first names to be confirmed include DRIFT, specialising in sculptures, installations and experiential performances that underline the parallels between artificial and natural structures, A.J. Weissbard, a lighting designer and multifaceted artist of international renown; and Marjan van Aubel, a leader in the field of solar design for a sustainable, innovative and mindful future.

“Following the first transformation of Euroluce that we set in motion at the previous edition, rethinking the exhibition layout, we are proud to present another important innovation, this time concerning the content of the exhibition. Light is, incontrovertibly, an increasingly integral part of our lives. As a place where ideas and visions that lead to dialogue intersect, laying fertile ground for innovation, the Forum reflects the DNA of the Salone del Mobile.Milano, which has always been a generator and bearer of new ideas and formats for tackling contemporary challenges” – Maria Porro, President of the Salone del Mobile

A structured programme will provide an opportunity to dig deep into key issues such as the interaction between light and architecture and light and wellbeing, through an integrated and multidisciplinary design approach. The central role of light in integrated and sustainable design for public and private spaces, with quality of life and the future of our planet at its heart will be explored.

“Light not only makes things appear, it also creates atmospheres, depths and perceptions capable of interpreting architectures and open spaces, as in a pentagram. The role of the designer is increasingly similar to that of the conductor of an orchestra, who does not just execute a score, but gives a personal interpretation of it. It is with this sort of strategic role within the industry in mind that FederlegnoArredo’s Assoluce felt it was time to set up a dedicated international forum. I would therefore like to thank the Salone del Mobile.Milano for deciding to give shape to this idea with The Euroluce International Lighting Forum, confirming, once again, that our trade fair is not just the world’s leading design and furniture sector event but, uniquely in the world, is the home of entrepreneurs committed to designing the future of the sector they represent” – Carlo Urbinati, President of FederlegnoArredo’s Assoluce

For more information visit https://www.salonemilano.it/en/euroluce-international-lighting-forum

The entire real estate complex covers a total area of 46,700 square meters and includes 462 units, with five-star hotel rooms and apartments. The project encompassed the entire interior design of the structure, where MMA Projects’ focus was on the common areas: the extensive lobby, the service areas, the elevator lobbies of the common areas, the many restaurants, the tea room, the pool, the gym, and the spa. Meanwhile, De.Tales focused on the hotel rooms and residences, the presidential suite and executive lounge, the corridors, and the elevator lobbies on the guest room floors.

The leitmotif uniting the two studios is the slow flow, whose design concept draws inspiration from the ocean and the galaxy. The natural line floating through space and leaving a delicate mark on the interiors represents an architectural journey that guides guests through different scenarios, with a perfect blend of Italian and Chinese culture.

The interiors reflect the architectural lines of the buildings, ensuring uniformity and cohesion throughout the project. Principles like spatial continuity, hierarchical organisation, and focus on symmetry forge a strong connection between the exterior and interior spaces.

MMA Projects focused on, specifically, the grand 19-meter-high main lobby, all service areas and elevator lobbies, many restaurants, the tea room, the pool, the gym, and the spa. The design of the expansive main lobby aimed to scale down the immense dimensions to a human scale and enrich the space. Using curved bronze “screens” as decorative panels, both solid and perforated, was a notable aesthetic choice because they create diverse visual effects from different viewpoints. Given the impressive entrance size, the space was envisioned as a dynamic element: a walkway vertically divides the water feature, forming a central focal point with a fountain and a large stone reception desk. This walkway allows guests to cross the area and reach the piano bar area, where seating is positioned below the walkway level, creating the sensation of immersion in a pool.

The Chinese Restaurant offers public and private areas. In the private section, the curvature of the ceiling is accentuated by a series of undulating elements reminiscent of river pebbles. In contrast, in the public section, these gentle elements integrate into illuminated ceilings positioned above each table. Precious marbles adorn both the extensive round tables, accommodating up to 20 people, and the floor, where the curved motifs echo those on the ceiling.

In the Radisson Collection Lingang Shanghai project, light plays a fundamental role, with lighting elements conceived as floating luminous clouds that impart elegance, dynamism, and luxury to the space. The expansive triple-height hall features sweeping wings and pillars clad entirely in alabaster travertine, complemented by a floor adorned with an interweaving of curved lines crafted from various exquisite marbles. Predominantly, precious stones, bronze, and wood are used as primary materials.

De.Tales’ interior design approach is focused on creating fluid spaces with a contemporary, refined, essential, and functional style; catering to work, meetings, and relaxation; offering a comprehensive and tailored travel experience. Each area is designed for versatile use, with open flows that adapt to guests’ needs—a layered, multidimensional environment capable of transforming throughout the day.

For the hotel rooms and residences, De.Tales designed environments characterised by soft structures welcoming interior solutions defined by finishes reflecting Italian style and quality. The corridors, elevators, and elevator lobbies of both the hotel and residences feature linear, elegant pathways leading to the rooms.

The hotel’s Presidential Suite embodies institutional elegance suitable for an international clientele, embracing design that offers full spatial openness, contemporary flair, intricate details, and stunning views of Dishui Lake. The Executive Lounge, with its sinuous lines and functional spaces tailored for business clients, is designed to enhance interactions and visual appeal across different environments.

De.Tales is the Milan-based international architecture and design studio founded by Igor Rebosio and Giuseppe Varsavia. The studio interprets each project by crafting a bespoke design tale for the client, starting from the premise that behind every concept lies a story to be told and that details always matter.

MMA Projects was founded in 1999 by Marco Mangili, based in Barlassina (province of Monza and Brianza, Italy), and over the years has evolved into a “melting pot” of creative minds sharing the same vision. MMA Projects represents the synthesis of contemporary styles and expressions, where the interplay between design and scenography, architecture and technology, is tailored to the context and needs of the client, resulting in functional and poetic spaces.

GALA China, founded in 2014 and headquartered in Shanghai, is a wholly-owned subsidiary of the Italian group GALA. GALA China operates in the fields of architecture and design, specialising in urban planning, landscape design, architecture, and interior design.

For more information visit https://www.mmaprojects.com/ or https://detales.it/

The Flow washbasin—selected in the ‘Design for Living’ category—is made of white Carrara marble and expresses an innovative design language aimed at sustainability. Continuing the successful collaboration with designer Paolo Ulian, the Tuscan company pursues its search for a balance between ancient materials and new processing techniques. Flow is an example of this philosophy, an “experimental object” that, as described by CEO Andrea Lupi, is born from the generative power of water. This washbasin, with its unique appearance, emphasises a detail that would generally be considered a flaw: the numerically controlled waterjet cut, with its fringed and pleated effect, becomes a distinctive feature in Flow.

Flow is not just a washbasin but a unique sculpture, capable of transforming a “defect” into an essential decoration that tells the story of marble craftsmanship. Applied to a classic material, this aesthetic innovation makes Flow “not an ordinary washbasin,” Andrea Lupi says.

In addition to ensuring a unique aesthetic quality, the waterjet cut also allows for greater material optimisation compared to traditional processing techniques. It makes it possible to obtain several washbasins of different diameters from a single marble block by nesting them within one another, thus improving the sustainability of the production process.

This recognition confirms antoniolupi’s commitment to creating cutting-edge design solutions with environmental consciousness while the Flow washbasin represents a perfect blend of contemporary aesthetics and functional innovation.

Being included in the ADI INDEX encourages the brand to continue its mission to innovate the interior design sector, carrying forward the tradition of Made in Italy with creativity and passion.

For more information, visit antoniolupi.it

Casablanca – Regional Winner | Residential House Over £1M – Australasia

Design Practice: Sherwood Design

Project Location: Perth, Australia

Design Practice Location: Perth, Australia

Project Casablanca, inspired by Spanish Colonial heritage, seamlessly blends architectural grandeur with contemporary elements. Situated by Western Australia’s Swan River, it encapsulates timeless elegance through innovative interior design. The project surpasses the client’s brief, combining heritage with modern sensibilities, resulting in a warm, sophisticated space. Communal areas and intimate retreats balance luxury and comfort. Meticulous attention to detail in furnishings, local craftsmanship, and curated art pieces create a unique, dynamic home. Casablanca redefines transitional design, showcasing how diverse styles and textures can produce visually stunning, conceptually rich interiors.

Residential House Over £1M - Australasia | Casablanca

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McBreen Residence – Regional Winner | Residential House Under £1M – Australasia

Design Practice: Trenzseater International

Project Location: Christchurch, New Zealand

Design Practice Location: Christchurch, New Zealand

The McBreen Residence is an architecturally designed home set in a rural setting on the outskirts of Christchurch which we renovated. The architecture was designed to a high specification and it was our brief to ensure we complimented the architecture without compromise. Our brief for this prestigious project was to present something that was new, different and exciting, the design also had to be practical so the home could be used and lived in by the clients without being precious.

Residential House Under £1M - Australasia | McBreen Residence

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Hidden Gem – Global Winner | Kitchen Design – Australasia

Design Practice: Celia Visser Design

Project Location: Auckland, New Zealand

Design Practice Location: Auckland, New Zealand

Celia Visser was commissioned to design a new open-plan kitchen incorporating a dining, living space extension to their character home. The kitchen’s moulded doors blend with the character house hides each workstation from view and appear as a large piece of furniture to conceal storage and appliances. The island slab anchors the space in a contemporary block format. Revego Duo Door system allowed me to achieve this. When closed, the exterior appearance has a very clean look, but once open, an entirely different look transpires. A hidden gem, two kitchens in one.

Kitchen Design - Australasia | Hidden Gem

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Snakes and Ladders – Regional Winner | Kitchen Design – Australasia

Design Practice: Du Bois Design

Project Location: Auckland, New Zealand

Design Practice Location: Auckland, New Zealand

New Zealand company Du Bois Design, led by Natalie Du Bois, was engaged by her client to redesign and renovate the kitchen in her inner city suburb home located in Saint Marys Bay. Natalie was involved in the full design service of this project including, specification, procurement of products, quotations and manufacture and installation liaison with the builders and trades involved.

Kitchen Design - Australasia | Snakes and Ladders

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For more information on the SBID International Design Awards, visit sbidawards.com

The name itself, SENSO, evokes a deep sense of respect for nature, a sense of responsibility towards saving resources and attention to safeguarding our planet – elements that define the essence of the entire collection.

The recycled glass is expertly worked and ground by hand by master glassmakers, transforming into elegant design objects for the bathroom.

The surfaces, smooth or finely worked, maintain the characteristic natural colour, giving life to glasses, dispensers, room diffusers and candle holders that enrich and complete every bathroom environment with style.

Functional and refined, the accessories of the SENSO collection adapt to any type of furniture, offering a unique and trendy aesthetic. The use of recycled glass not only reduces the environmental impact but also enhances the intrinsic charm of each piece.

Glass Design, always synonymous with elegance and innovation, stands out in the production of washbasins, mirrors and accessories, experimenting with unusual materials and paying great attention to detail. The SENSO collection represents a further step towards a more sustainable and accessible luxury, where ecology and designer design meet harmoniously.

For more information, visit glassdesign.it

From waste management and the organisation of pull-outs and drawers to storage space solutions – plastic was the material of choice at Sicam in Pordenone, Italy, in terms of both shape and colour. The complete base unit “Qanto“ which Ninka had placed in the centre of a huge kitchen island proved to be an attractive eye-catcher in Hall 2.

As if from nowhere, a food processor appeared in the centre of a flush marble worktop measuring around three square metres. However, the user did not have to stretch out to use it; the tray and its load could be pulled into easy reach. After use, the appliance disappeared back into the attractive structure at the touch of a button.

As a second possible application, Ninka showed the spice unit “Qanto“ equipped with three shelves within easy reach directly next to a hob in a kitchen unit. The lower shelf had space for tall bottles of oil and vinegar as well as spice mills, while the middle shelf, which was only half the size, held numerous small jars of spices. After cooking, everything is perfectly tidied away in the base unit. In this “Qanto“, the upper shelf fits into the worktop when retracted, providing a firm base for smaller kitchen utensils for preparatory cooking steps.

The “one2eight” waste collection system, which was positioned next to a water treatment system in the base cabinet, also proved to be an eye-catcher for visitors. The system can also be used as a solitary solution installed in the centre.

Inspired by the British market, Ninka presented 25.5-litre waste bins which can offer a total volume of 51 litres in combination with the “one2five” and “one2six” suspended frame systems in 40 cm base units. In 60 cm base units, a large bin of this type supplements the three-bin configuration with a 42- and an 8-litre bin and enables triple separation to a total of 75.5 litres. Ninka also offers a suspended waste bin solution for shallow installation depths of just 486 mm. To prepare the systems directly for installation, the manufacturer has developed a complete set with a push-to-open mechanism.

In addition, Ninka showed some clever combinations at Sicam. As all container systems are equipped with a static shelf-cover, above which there is usually storage space, the manufacturer suggested the use of suitable organiser trays, which are normally used in drawers.

Ninka was also creative when it came to the “one2top” range of bin lids and inserts: from organic waste lids with coconut mat odour filters and visually appealing metal inserts, which are particularly popular in Italy, to tidy organisation solutions with dustpans, hand brushes and cloth hangers – variety was the order of the day at the supplier trade fair for the furniture and interior design industry, which was once again very popular.

Ninka products are available in Australia through Hafele.

For more information on Ninka products, visit ninka.com

Smooth is a steel radiator and towel warmer whose creative concept revolves entirely around the size of the round-section tubes with which it is made. Smooth is designed in two versions: Bubble – consisting of more generously sized inner elements and the frame, and Slim – which is distinguished by its slimmer and more discreet shapes.

Smooth is available only in a hydraulic version with three different sizes and the Slim model also a horizontal installation version. Smooth is available in the 79 colours of the Scirocco H range, including the new matte shades: Cloud Gray, Cookie, India Blue, Frog Blue, Glaucous Green and Pink.

About Scirocco H

Scirocco H designs and manufactures designer radiators and towel warmers, interpreting a highly technical and rigorous sector with a new artisan sensibility, which allows it to respond more effectively to the new culture of living. It all started in the Province of Modena, Italy, in 1989, when the founder Maria Pia Bertona decided to venture into the then unknown world of heated towel rails. Thus Scirocco was born, one of the first companies to produce towel warmers, bringing together, over the years, technique, aesthetics, engineering, and design. In 1999, the company moved to the Province of Novara, more precisely to the most important Italian area for the production of bathroom fittings and valves, related sectors and a pole of stimulating industrialisation. But 2013 was a real turning point, when Engineer Filippo Arbellia, son of the founder, with his partner Sabrina Mora at his side, fully assumed the management of the company, breathing new life into the stylistic and design path of Scirocco H.

For more information, visit www.sciroccoh.it

Bringing together Marcel Wander’s flair and creativity with LAUFENS’s mastery of raw materials, excellence and experience, The New Classic, as a complete bathroom solution, encompasses washstands, washbasin bowls, toilets, a bidet and bathtub, faucets, mirrors and accessories, as well as furniture, providing infinite possibilities for interior designers seeking to create unique and sophisticated environments.

Marcel Wanders’ take on Neoclassicism, expressed here in The New Classic, maintains a consistent focus on indulgence, intimacy, humanity and everyday utility, while calling to mind the poetry and romance of bygone times.

The award-winning collection has seen new additions over the years: in 2023 the Dutch designer continued his exploration on the Saphirkeramik which resulted in three different decorations for the surface of the washbasins. This year, LAUFEN presents a new progress of the collection, dictated by the addition of new finishes for the faucets, new colours for the ceramic pieces and new accessories in Saphirkeramik.

The new ceramic colour palette, developed by Studio Roberto Sironi and presented at Milan Design Week 2024, reflects an in-depth historical study of colour in ceramics over the centuries. These shades, reimagined for a contemporary context, expand customisation options, allowing designers to create spaces that evoke elegance and timelessness.

The palette is the result of research on the history of colour through ancient ceramic cultures over a period of time ranging from 3000 BC. to 1500 AD. An interdisciplinary work between art, design and archaeology that lasted three years, where the most refined colours of the ancient world were reworked to create contemporary and timeless nuances.

Since its debut, the collection has also included a range of accessories made in Saphirkeramik, all characterised by curved and delicate lines. The collection includes a wall-mounted shelf, soap dish, toothbrush holder, toilet brush holder and an elegant oval mirror with the novel distinction of being framed in Saphirkeramik.

Today, new accessories have been added to the collection: a ceramic soap dispenser and a ceramic roll holder, which also acts as a storage unit.

For more information, visit laufen.com.au

Held last month, DesignFest 2024 was a fantastic success with guests enjoying an exclusive tour of Coventry’s local showrooms, each presenting the latest in design innovations and solutions.

This year’s event started at the Laminex Showroom, before visiting REHAU, Argent, Pepper Design, PARISI Ambiente Specification Centre, Hettich, Kitchen Choice Showroom and concluding at the Miele Experience Centre.

At its showroom, Hettich debuted its new display featuring the revolutionary FurnSpin rotating system and LightTower illuminated drawer solution, along with up-close product interactions across the showroom which offered a true Hettich experience in person.

Hettich extends a huge thank you to INDETAIL for bringing its new display to life, and to CarmEli Catering and Four Pillars Gin for their amazing canapes and cocktail pairings which truly made the night even more special at the Hettich showroom.

Hettich looks forward to further collaborations with all the South Melbourne local businesses in the near future.

For more information on Hettich products, visit designwithhettich.au 

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For Salice, product performance and ease of use were fundamental to the growth of the brand which is evident in its offerings. The Salice product range has also grown over the past three decades. Primarily producing world class quality hinges, Salice has now expanded its product offer to include lift fittings, drawer systems, wardrobe accessories, and sliding / folding systems.

The Evolift family of systems ensures perfect opening and closing movement for flap door applications. The Flap door can be used in various furniture applications: office furniture, kitchens, bathrooms, living- and bedroom furniture. Highly innovative and designed with elegance and refinement, EvoLift’s modernist, linear profiles are complemented by neatly designed covers, presented in tasteful colours and finishes that blend perfectly with all furniture styles.

The Evolift Bi-Fold Lift system is an elegant solution featuring a broad range of adjustments, is compatible with both wood and aluminium-framed doors and provides two different strength options based on the dimensions and weight of the door.

Exedra is a pocket door system with cam-assisted sliding action that is enhanced by a linear damping system to gently control the final opening and closing movement. Easy to install and remove from the cabinet, Exedra enables the optimisation of space and can be used in a host of applications – from larder units for kitchens, to hide away appliances like washing machines, freezers or even sinks; in living rooms for media or library units; in bedroom wardrobes and in office storage applications. Each system is supplied partly assembled reducing manufacturing and install times.

For the first time in over 30 years, Salice products will be available through Nover’s network on the East Coast of Australia. With local stock, local expertise, and a commitment to supporting local businesses, Nover is dedicated to meeting your product needs with exceptional service and quality.

For more information, visit nover.com.au/salice-opening-systems

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Staron’s Sanded Mint brings a refreshing touch to the kitchen and is perfectly complemented by a carefully curated palette of colours. This colourful joinery is nestled within warm timber surrounds. This design captures the playful potential of colour and form, with geometric shapes that complement the home’s exterior. During the day, the lighting creates a soft inviting look while in the evening, the illumination brings a more dramatic effect. 

The brief for the home called for a focus on available materials that could help create an authentically unique space and current design and architectural trends were avoided with the home embodying the owners’ personalities and tastes.

In the bathroom, the same bold and vibrant theme can be seen with Staron’s California Poppy dynamic touch to the vanity and mirror. Moving beyond the traditional lines and tones often seen in bathrooms, the design showcases the playful creativity of the designer, capturing a fresh, nonconformist aesthetic. With this mass timber construction, the oblique angles and offset geometry provide the dwelling with a unique style that lends itself to the windswept coastal location.

For more information on Staron products, visit austaronsurfaces.com/staron-solid-surfaces/austaronsurfaces.com

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Issue 1 sets the tone for the goal of this new publication which links the cabinet making, design and building communities together. Packed with stories, great reads, industry profiles, hints and tips, technical updates and industry news – each issue of Connect magazine aims to inspire collaboration and communication.

The launch issue is also the annual Awards Issue and inside we celebrate the winners from the recent ACFA Industry Awards and KBDi Design Awards. Take a look through our full wrap up of all the category and major winners.

On the cover: an incredible project from INDETAIL in conjunction with INDETAIL PROJECTS. The Vinesmith Urban Cellar Door project is located in Melbourne’s CBD and provides a cellar door experience as well as providing a multi-faceted space for wine tasting, retail activities and elegant dining. It is a masterful commercial space that exemplifies the best of the cabinet making and design industries with its innovation and meticulous craftsmanship.

Also in this issue, bring yourself up to date with the latest on the hot topic of Livable Design and best practices within the residential interior design sector. Plus, we look into the sometimes-tricky topic of Succession Planning and discover that it’s never too early to be thinking about transition.

Take a deep dive into the world of small apartment design and learn how to maximise every available centimetre thanks to clever design application and the latest in space-saving fittings and fixtures.

The people of our industry, and their passion and commitment, are the backbone of what pushes us to excel. In the first issue we meet furniture designer Nathan Day and learn more about his background and passion for the work he does, and KBDI Australian Kitchen Design of the Year 2024, Sarah Nolen from Birdblack Design.

Add in plenty of inspiration with product updates and international show reports and you’ll discover an amazing launch issue.

For more information and to read Issue 1 online visit https://connectmagazine.com.au/

Located in a elegant, listed building in the city’s West End, the showroom has undergone a stunning makeover. One of three showrooms owned by the Italian brand (the others are located in Milan and New York), the new layout reflects Salvatori’s signature Italian flair.

An effortless combination of technological innovation with high-quality craftsmanship, the showroom showcases the innovative textures, sculptural bathroom furnishings and contemporary furniture, predominantly made from natural stone and designed by some of the world’s most renowned names in design and architecture.

This space offers clients and designers privileged access to Salvatori’s designs and personalised services, allowing visitors to experience the extraordinary tactile nature of the brand’s products at first hand. Along with Milan and New York, the London showroom represents another significant step in Salvatori’s global growth.

The longstanding relationship between Salvatori and Piero Lissoni, a leading figure in the design industry, is marked by deep creative synergy and a shared admiration for craftsmanship and the pursuit of beauty.

“The Salvatori showroom is already a classic destination in London so the redesign is about reflecting its position as a market leader,” says Piero Lissoni. “The reimage maintains its subtle and – paradoxically – Italian understatement that adapts to English style while preserving the strength, power and beauty of its creations.”

The two-storey, 200-square-metre showroom is home to a series of elegant and inspiring sets featuring the brand’s exclusive textures, furniture and accessories, with a focus on its customisable bathroom collections.

The ground floor, spanning 50 square metres, has undergone a complete architectural transformation. Visitors are welcomed by a wall clad in iconic Italian Bianco Carrara marble in the popular Tratti finish which showcases Salvatori’s expertise and heritage in developing innovative, contemporary textures.

Two new walls and a raised floor section create a setting for a revolutionary synergy. On one side is The Small Hours in elegant green Verde Antico marble. Patricia Urquiola’s first bathroom collection for Salvatori was presented during Milan Design Week 2024 and now makes its international debut in London. With thoughtful attention to functionality and colour, The Small Hours captures the atmosphere of dawn, with each piece designed to make the bathroom a place of intimate retreat and reflection in those precious moments before the world awakens.

On the other side is Hito in Bianco Carrara, a bathroom collection with minimalist lines and pure volumes designed by Piero Lissoni in 2023. Like The Small Hours, Hito is highly customisable and adaptable to each individual’s needs, capturing the essence of “person,” as reflected in its Japanese-derived name 人.

A third display showcases the Anima bathtub, designed by New York firm Yabu Pushelberg, here in Silk Georgette® limestone, along with a wall in Patchwork in the same material. Designed by Piero Lissoni, Patchwork is a perfect example of the power of ingenious design and sustainability. Based on a “zero waste” philosophy, production offcuts are repurposed as tiles that can be arranged by designers and clients to create their very own “patchwork” wall, ensuring truly unique designs that don’t come at the cost of the environment.

The basement level is a hybrid environment that blends inspiring showroom displays with a practical workspace where architects, interior designers and clients can experiment with textures and benefit from personalised consultations with the Salvatori team.

The décor features pale tones such as Bianco Carrara, Crema d’Orcia, and Placido Paradiso, providing an elegant backdrop for the enticing displays which include the Punto and Anima bathroom collections by Yabu Pushelberg and the Adda family of modular drawers. Patricia Urquiola’s fresh, original aesthetic is found here as well, with The Small Hours collection this time in Placido Paradiso marble and Coffee Oak.

For more information visit salvatoriofficial.com

As a subtle and discrete electrical solution for interior design and architectural projects, ZETR 48 is able to be designed and configured to provide unique tessellations for each unit. The minimalistic, flush series was created following extensive industry feedback to meet the requirements for customisation and personalisation within power specification.

ZETR recognises that the landscape of power, data, charging and connectivity is evolving, with an increased need for innovative solutions that have minimal impact.

The flush design is achieved with proprietary mounting assemblies; fixed and adjustable, allowing for on-site cutting and trim-less installation using readily available tools – reflecting user demands. A single, circular product offers flexibility and configurability of an electrical system to the designer, facilitated by a series of mounting solutions that simplifies a complex process for the installer. Configure your way with 48; double pole flat pin, round pin and switch grids in matte or metal.

ZETR 48 provides a completely configurable single power and switch series, with no excess plastic, or excess product. User or specifier can design the layout that they want, in the most compact and minimal way possible. The 48 system considers proportion, scale and provide a subtle impact on the surrounding surfaces. With consideration of onsite installation, ZETR has designed the intricate product to be easily and neatly installed on-site with readily available tools. In addition, circular cut-outs can be achieved on site.

Thanks to its 48mm footprint, ZETR 48 brings power to the most compact of spaces and is compatible with a wide variety of options for switching and dimming, as well as data and control systems.

Grid, or tessellated layouts are possible with 48 Round, along with symmetrical patterns that can be aligned 45 degrees, extending the options for configuration out to hundreds more options.

Made from high quality matte finish polycarbonate, designed to blend with surrounding surfaces, ZETR 48 is available in a complementary series of flush fit metal faceplates in seven finishes; natural brass, aged brass, bronze, steel, mirror, brass and black steel. There is no need for an on/off switch, or internal double pole auto switch, leaving the faceplate as minimal as possible.

Designed for tight spaces; the 48 Mounting Assembly has a flexible, ‘breakaway’ frame suited to a range of size applications. Installation and removal can be achieved with standard and commonplace tools while the bayonetted locking system allows for quick installation of the outlet or switch which is fastened with a proprietary circlip for safety.

For more information visit https://www.zetr.com.au/round-single-outlet-flat-black

Cristalplant is a contemporary material that redefines the concept of design and functionality for the bathroom. Orion is a round tub with a welcoming basin in which to totally immerse in a purifying ritual. The volume originating from a narrower base that opens towards the rim, comfortably and ergonomically accommodates the body.

The new Cristalplant version not only enhances the sinuous lines of Orion, but also adds a luminosity that dialogues with the other bathroom elements. This innovative material allows to refine the shapes of the bathtub, giving it a contemporary look, while maintaining the solidity and robustness that characterised the original marble version.

Orion catches the eye and hierarchically defines the place of relaxation. Its scenic presence is emphasised by the contrast between the uniqueness of natural stone, when used, and the elegant geometries that perfectly combine with the other elements in the room. In this new Cristalplant version, Orion continues to represent the perfect balance between tradition and innovation, creating a unique atmosphere of luxury and well-being. From the faucets to the accessories, everything revolves around this “star” that “illuminates” the space, generating a constellation of beauty and design around it.

Orion, in addition to Cristalplant, is available in all the marble and stone essences of the antoniolupi range, allowing maximum customisation to perfectly fit into any bathroom setting. The Orion bathtub measures 50cm H x Ø 135cm.

For more information visit antoniolupi.it/en/

The LIGHT HUB is a space dedicated to the discovery and experience of Linea Light Group and Stilnovo products.

Linea Light Group, the Treviso-based company founded in 1976 and a pioneer in LED technology, acquired Stilnovo – the historical Italian lighting brand founded in Milan in 1946 – in 2019. This added an important component to the strategic relaunch of the company’s decorative product offering.

The showroom is laid out to create a unique sensory experience where architecture and design merge to inspire unforgettable emotions. The result of a major renovation project curated by Studio Giuseppe Tortato Architetti, the showroom spans three levels, each one carefully designed to captivate and inspire.

Two iconic staircases lie at the heart of the project: a white steel sculpture elegantly graces the entrance, while a second staircase leads to the nerve centre of the showroom, where light can be touched, experienced first-hand and experimented with. Among the highlights is a long red metal table that welcomes visitors with an invitation to creativity, becoming a meeting point for designers and customers.

The showroom is divided into two main areas. One more “emotional” part, dedicated to Stilnovo, celebrates decorative and designer lighting with striking settings that captivate and inspire. The other more “technical” one, dedicated specifically to the i-LèD range by Linea Light Group, highlights the precision and quality of professional lighting, offering visitors the possibility to explore and touch cutting-edge solutions first-hand.

The ground floor also houses the Meeting Dark, a multi-functional room, that can be used both for displaying products and as a conference room. This space can also be transformed into an event room for thirty people.

The Systems & Outdoor Area is in the basement, a space dedicated entirely to technical experimentation and project consultancy. It is the ideal setting for providing support for designers, architects and lighting designers, to test and install the products, with a direct and innovative hands-on approach to the world of lighting.

The area has been deliberately designed to resemble a workshop, with walls fitted with aluminium peg boards that hold the accessories and modules for the indoor systems: INK, NODE and Modus. The system modules are showcased at eye-level, allowing them to be directly swapped with those in the racks, offering visitors the opportunity to easily test and customise the systems.

At the back, the outdoor solutions are located in two niches in the wall: the linear solution, Xenia Blade Inground, is displayed in the first niche, blending seamlessly into the architecture and bathing the intrados with an elegant light, while the Orma uplight, embedded in the ground, and the Portik ceiling light, installed at the top of the recess, are located in the second niche.

The vault is also on the same floor, an area with a futuristic design, which turns the LIGHT HUB into a genuine testing lab. The space is surrounded by custom-built cabinets with several safes resembling a real vault that contain pre-wired, ready-to-use equipment, ideal for testing or brought directly to the installation site as mock-ups.

The first floor of the hub houses Linea Light Milan’s operational office, a functional, modern space where part of the company’s team works. Even though it is a workspace, it has been designed to maintain a balance between design and technology, thus reflecting the company’s identity.

The LIGHT HUB experience is not limited to simply showcasing products: every area of the LIGHT HUB is fitted with advanced technologies, such as the TWIL control system to create custom lighting scenarios. This makes the showroom a go-to destination for anyone seeking innovative, designer solutions in the lighting industry.

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Linea Light Group “LIGHT HUB” showroom is located at Via Giovanni Boccaccio 15/A, Milan.

For more information visit linealight.com/en

Step-by-Step

Design: Alberto Meda, 2018

“I like essential objects with a hidden complexity. Step-by-Step looks like a single surface, but it actually consists of modules with elliptical ribs that guarantee energy efficiency with minimal overall dimensions.” Alberto Meda

The concept of Step-by-Step starts from a solid element in aluminium with a surface made of pleated elliptical modules, tilting towards the left or the right. Depending on their layout and on the observer’s perspective, charming games of light can be created, as well as visual effects that cause completely different emotions: from a slight sense of motion to a monumental architectural feature.

Modularity makes Step-by-Step suitable for the most diverse design requirements. The basic module can be installed individually or placed beside another module, thereby creating four configurations: one or two modules tilting towards the right, one or two modules tilting towards the left. If multiplied by the different heights available, these make possible twenty different combinations. Step-by-Step is therefore ideal for both large spaces, in which users want to introduce a significant decorative presence, and for smaller settings, where the compact overall dimensions (the radiator protrudes just 7.8 cm from the wall) saves space indoors.

Step-by-Step is available in hydraulic, electric and mixed versions. The radiator heats up in two different ways: via radiation and through natural convection, thanks to the hot air that goes from the bottom upwards. Step-by-Step can be accessorised with a towel rail or a hook, making it suitable for use in the bathroom.

Step-by-Step received the Designplus powered by ISH 2019, the German Design Award 2020 as Winner of the Category Excellent Product Design – Bath and Wellness, both organised by the German Design Council, the iF Design Award 2020 in the category Building Technology and the Red Dot Design Award 2021 Best of the Best.

Trame

Design: Stefano Giovannoni, 2012

“The heating element reinterprets the classic model, providing an object that is half-way between a contemporary artwork and a piece of fine craftsmanship. The end result is a game of blocks and voids, which clads the heating element and enhances the reflective properties of metal.” Stefano Giovannoni

A three-dimensional design that clads the walls with curved, warm and welcoming Surfaces, in Trame the classic tubular steel elements become soft, coloured threads which pursue one another amid warp and weft, weaving a proper fabric of heat. Trame is the result of experimentation and research, marked by technological and shape-related innovation. Behind an apparently simple and immediate result, which stands out for its linearity and pure styling, lies a great complexity of design.

Trame is made with low carbon content steel, a material that is ideal for creating the curved shapes that distinguish it. Giovannoni skilfully combines the solidity of steel with the lightness of the shapes in a heating element with a strong architectural value. In fact, depending on the version in which it is used, with horizontal or vertical patterns, its tubes either slim or thicker (available in the three versions Trame 14, Trame 20 and Trame 28), Trame creates different effects on the wall it adorns, almost as if it were a tapestry or a carpet, a work of art that recalls craftsmanship, in addition to heating the surrounding setting.

In accordance with the standard EN 442, Trame has been trialled at the Polytechnic of Milan laboratories which have verified the heat output and its compliance in terms of quality with the highest European standards.

Available in Australia through Oblica, visit oblica.com.au/

For more information, visit tubesradiatori.com 

A patrician palace featuring an eclectic and retro style, home to Studio 2046, becomes the stage where surfaces interact with unexpected furnishing objects: crystal pots, chinoiserie, exotic objects, animalier seats, and inlaid fireplaces. The result is an ironic but extremely sophisticated match, a play of suggestions that shows FENIX® materials and Arpa® high-quality surfaces under a new light.

The project aims to raise curiosity among interior designers and decorators, disclosing how such cutting-edge materials – ideal for technical uses thanks to their features and performance–can also elegantly fit into the world of decor, product and furnishing accessory design.

Daniele Daminelli’s signature artistic research, made of rich and articulated aesthetics, recurs in the soft-nuanced scenography setup as well as in the material choices, stretching a common thread on this formal investigation.

“I test the gentle relationship between new generation products and objects belonging to past eras, in search of a sophisticated balance of different aesthetic codes. – Daniele Daminelli says – I bring fragments of history into the future.”

This project is presented as a three-dimensional mood board in which the brands’ materials and surfaces, taking linear but also curved and articulated shapes, dialogue with fabrics and more classic materials such as ceramic, glass, brass, and bronze.

Geometric and decorative elements, created using FENIX® and Arpa®, interact with a selection of objects belonging to different historical periods. Ancient statuettes, precious ceramics and ancient chandeliers are combined with coloured and material volumes that take on different functions and become plinths, frames, columns, and structural elements.

FENIX® innovative materials in seven colours – Giallo Evora, Viola Orissa, Argento Ducat, Oro Cortez, Blu Fes, Verde Kitami, Rosso Namib – are alternated, thus highlighting their properties like the extremely matte appearance and soft touch. Inspired by the history of architecture and worldwide landscapes, colours blend in a keen refinement together with a universal soul.

Arpa® surfaces are presented in a vast selection, including Smili White in Rorà finish, which varies according to the light orientation, Rosso Puraj, one of the 36 colours of the Colorsintesi family using Bloom, a technology that has increased the renewable content in the “core” of materials.

Arpa® also reveals itself through the Deep Surface Tuet combined with Caravella Dark decor, featuring an exclusive haptic effect, and through Nabu in Urban finish, which reinterprets stone, a particularly fine material. Nabu is part of the Vis Collection that is designed for wear resistance thanks to mineral components, and for a better tactile experience thanks to organic elements.

After the “Returning to Villa Casa Bianca” project, presented last year within the spaces of a historic villa in Como, thanks to Daniele Daminelli’s sartorial approach, FENIX and Arpa give shape to a strong charismatic crossover.

FENIX® and Arpa® are available in Australia through nover.com.au 

For more information on FENIX®, visit fenixforinteriors.com.au

For more information on Arpa®, visit arpaindustriale.com

COF01 countertop oven

The 50’s Style range expands with the new COF01 countertop oven, whose curved shapes evoke the unmistakable timeless style of FAB refrigerators. Like the iconic freestanding refrigerator, the COF01 oven can transcend the boundaries of the kitchen and take on a prominent role in any environment or context.

Available in black, white, cream, pastel blue, pastel green and red, the COF01 oven has a 30-litre capacity and is equipped with Galileo Combi-Steam technology – an innovation developed through research conducted on Smeg built-in ovens – which allows improved heat distribution.

COF01 has ten functions included in the single oven: from air frying to heat maintenance, defrost to Chef Mode and includes 33 automatic recipes. The water tank, easily removable from the top of the oven with the press of a button, ensures 24 hours of continuous steam: it is therefore not necessary to interrupt cooking to fill the tank, even during slow cooking at low temperatures and depending on the recipe, the user can opt for 100% steam cooking or combined steam cooking, with an adjustable humidity level from 20 to 70%.

PIC01 portable induction hob

The new PIC01 portable induction hob is part of the Collezione range, characterised by an elegant and distinctive design, available in a combination of colours with chrome finishes that integrate seamlessly into both modern and traditional kitchens.

User-friendly and easily transportable, the new hob is suitable for pots and pans with a diameter between 12 and 24 centimetres. It is equipped with a touch control display which allows the user to select up to 9 power levels and a Boost mode, whilst an external probe monitors the food’s core temperature. With the probe, users can set a target temperature to automatically stop cooking once reached (Probe Target mode) or set a timer that maintains the desired temperature for a specific time (Probe Timer mode). The Preset Modes button includes Keep warm, Fry and Barbecue.

For more information, visit smeg.com

The creations inspired by the artistic vision of Kengo Kuma for Gessi explore materials based on their emotional potential, linked to their intrinsic qualities, and the wisdom of Japanese tradition. The collection is inspired by the concept of “Chōzu”, a ritual involving rinsing hands with water before entering Japanese shrines, temples and gardens, as an act of purification and respect towards the sacred place one is about to visit. 

The new GESSI collection therefore represents a true source of regeneration and well-being, reflecting the most natural way of dispensing water. The object becomes a pure, minimalist element, but at the same time structured and architectural, thanks to an innovative system of volume reduction of the functional parts, which naturally integrates with the surrounding architecture, like in a harmonious play of interlocking and lines. When looked at from the front, the different structural elements that compose it disappear, leaving only the pure and light sign of the line.  

The INCASTRI collection, available in countertop, wall, floor and ceiling versions in the various Gessi finishes, uses innovative elements that ensure low water flows, thus promoting a sustainable approach. 

Kengo Kuma, a well-known Japanese architect and University Professor and Professor Emeritus at the University of Tokyo after teaching at Keio University and the University of Tokyo, founded Kengo Kuma & Associates in 1990, after graduating from the University of Tokyo in 1979 and furthering his studies at Columbia University as a Visiting Scholar. His architectural practice, which has completed a number of highly acclaimed and award-winning projects, both in Japan and abroad, is currently working in Europe, the  United States and Asia, in particular in Japan, where he was involved in the design of the national stadium. 

For more information, visit gessi.com  

The Thirties 

Inspired by the finest design of the early 20th century, the unmistakable lines of The Thirties harmoniously combine magnificence, sophistication and comfort. 

The new large freestanding bathtub by Devon&Devon is 90 cm wide and 187.5 cm long, with a moulded outer surface, a wide rim that seamlessly wraps around all four sides, and a figurative plinth that adds a feeling of lightness and facilitates cleaning. The extremely appealing inner contour of the bathtub incorporates two armrests that ensure an exceptionally comfortable bathing experience, whether private or shared.

The sculptural body of The Thirties is made entirely of White Tec Plus, a material produced in line with the highest standards of quality and sustainability and certified Greenguard Gold, using Biobased® plant-based resins. Extraordinarily resistant to knocks, marks and everyday wear and tear, it is very easy to clean and repair and does not yellow with age.

Titanium dioxide is added to the compound of this innovative mix, its well-known photocatalytic property enabling an antibacterial and antiviral action that results in healthier environments. Moreover, thanks to their very high thermal capacity, bathtubs made of White Tec Plus keep the water temperature constant for a long time, thereby also contributing to water and energy savings. The bathtub can be coordinated with all the Devon&Devon tap collections. 

My Love Water Vanity 

The My Love Water Vanity collection consists of three vanity units, which can be wall-mounted or freestanding, made of 100% marble-effect porcelain stoneware.

The three models share a unique and immediately recognisable style, tailored to the different space requirements of contemporary lifestyles: the Small version with a single washbasin, perfect for smaller bathrooms, the Medium version with two aligned washbasins and the Suite version, with two staggered, mirrored washbasins, designed as an island of well-being, ideal for use in master bathrooms.

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The My Love Water Vanity units can be coordinated with all the Devon&Devon tap collections and are available in three colour options (Port Laurent, River Jade and Taj Mahal) created with the new ALL-OVER technology. This is an innovative production technology, licensed exclusively to the Italcer Group (of which Devon&Devon is a member), which allows the texture of the ceramic slab to be reproduced on the edge too while maintaining visual continuity from the top through the entire thickness.

The result is an extraordinarily realistic textured effect, ideal for design projects where the utmost attention to detail is a must. To create scenic and immersive environments, the same slabs can also be used for bathroom floors and/or coverings.

For more information, visit devon-devon.com

Each piece in the collection features a rigorous design with minimal decorations, carefully conceived to serve specific functions. The modular concept allows each element to be adapted to the specific needs of any environment, ensuring a unique and distinctive result.

ESSENTIA is composed of three independent patterns, seemingly disconnected from one another but strongly linked through their creative genesis. Each design stems from a contemporary approach, aimed at interpreting how we live and interact with the spaces around us. The versatile graphics and extensive colour palettes offer users the opportunity to create multiple aesthetic solutions, allowing for an imaginary and dynamic division of spaces, whether public or private.

The skilled hands of Giovanni De Maio, heir to a centuries-old tradition of working and enhancing ceramic surfaces, have successfully combined the precision of computerized designs born from Marco Piva’s creativity with artisanal techniques passed down through generations.

DOXA 

DOXA consists of four rectangular modules (two measuring 30×10 cm and two measuring 60×30 cm) which, through their different combinations, allow for virtually infinite compositional possibilities, exploring the contrast between the world of superficial perceptions and the hidden, deeper essence of forms. The minimalist, rationalist design reflects a pure aesthetic, where the simple decoration represents the sensible world, while the essential, functional, and perfect form highlights the search for a deeper truth beyond appearances.

EIDOS

EIDOS, composed of three rectangular 30×10 cm modules, plays with the perception of three-dimensionality achieved by juxtaposing static elements, which together create visual harmony. This embodies an ideal concept of symmetry and order, reflecting an ideal idea or form that transcends materiality. The aesthetic captures the essence of Plato’s Eidos, evoking the purity and perfection of the original idea through the medium of ceramics.

AUREA

AUREA consists of 10 square modules, five in the 30×30 cm format and the other five in 15×15 cm, representing the path of elevation from sensory perception (Doxa) to the understanding of pure ideas (Eidos). The undulating, curvilinear patterns, with fluid lines that harmoniously unfold across the tiles, create a sense of movement and continuity, allowing for infinite combinations. This design embodies the harmony of divine proportion and the progression towards knowledge.

For more information, visit studiomarcopiva.com/ or giovannidemaio.com

The two new collections are inspired by elements and shapes from the Orient: Kimono, in bold, vibrant colours, takes cues from the knots and folds of the traditional Japanese robe, and Wă suggests the architecture of rural villages in China with their uneven terracotta tiles.

The new products for 2024 were displayed in a contemporary, original staging featuring warm, earthy, contrasting tones that offers a tactile and visual experience of the new collections. Ceramics cover the walls and surfaces of the space, alternating with evocative photographic images illustrating the research and conception process behind their development.

“Decoratori Bassanesi is constantly committed to exploring the full potential of ceramics through innovative, audacious collections that meet the highest quality standards, – says Paolo Serraiotto, Founder and President. Those who choose our brand embrace a design-oriented approach – in fact, since 2008 the company has collaborated with international designers in the pursuit of new inspirations, welcoming new challenges and exploring the full potential of the material.”

The new products and the mise-en-scene for the latest edition of Cersaie demonstrate the brand’s aim to offer an ambitious concept of sophisticated, elegant ceramic coverings, continuing the evolution of aesthetics and form that Decoratori Bassanesi has been building together with art director Federica Biasi. 

Kimono – design by Federica Biasi

The Kimono collection designed by Federica Biasi is inspired by the composition of traditional Japanese kimonos, which involves a complex series of knots and folds almost like a sort of origami: the eri collar, the sode sleeve, the doura lining of the top part of the kimono all contribute to create geometric designs with different fabrics and patterns, which Biasi draws on in creating surfaces and ways of laying them. The collection also reprises some elements form the firm’s historical archive of patterns and colours.

“Decoratori Bassanesi‘s historical archive was a great source of inspiration, a point of departure for an exploration of colour, ceramic yield and glazing, while the geometric motifs and bold colour combinations of the Far East opened the way to new high-contrast laying patterns, – says Federica Biasi – The Kimono collection is a reflection on the infinite possibilities of colour and material, blending distant traditions and cultures.”

Kimono reprises one of the firm’s historic products, Millerighe, with references to the ceramics of the late 1980s. The project also revives a few finishes and processes typical of Decoratori Bassanesi’s early days, double-firing and enamel glazes, with their distinctive shiny texture and vibrant shimmer. With its sinuously smooth feel, Kimono offers that same sort of aesthetic effect, updated with new materials and contemporary workmanship. 

The result is a textured collection in bold, vibrant tones: 8 colours, two finishes – smooth and ribbed – and 2 different sizes – 5×15 and 15×15 –encourage designers to play with combining them in creative ways.

Wă, design by Federica Biasi

The design for the Wă collection by Federica Biasi carries us away to the Orient, taking cues from the designer’s travels in China, where she was inspired by the roof tiles of pagodas and typical dwellings in rural villages. 

In these buildings, irregular handcrafted terracotta tiles are layered and stacked atop one another in an interlocking system inherited from ancient, traditional Chinese techniques. The designer has translated her impressions of the patterns of these tiles into a design structure, giving rise to the Wă collection.

“Usually, it’s the simplest elements that catch my eye, straightforward images that call up a specific vision. – says Federica Biasi – For the Wă collection, the sharp, strong lines of the buildings, with their ties to history, ancient forms of craftsmanship and the use of natural materials, were a flash of inspiration that, over time, generated the creative process the design grew out of.”

The Wă collection has a harmonious, warm, vivid aesthetic that blends décor with functionality and comes in four natural tones ranging from hazelnut to caramel. As in a mosaic, each individual element is repeated in a 9.5 x 18.5-cm portion that makes up the new covering, in full-body porcelain tile.

For more information, visit decoratoribassanesi.it

Designed by Raffaella Mangiarotti, the WOD partition consists of a succession of elements in wood or felt, joined by hide hinges which allows it to full adapt to a linear or curved position.

Deceptively simple, it’s the simplicity of the system that makes it so clever, with the starting point of the project being a focus on reducing the complexity of such systems. Ideal for creating private areas on open-plan settings, the WOD Panel system easy blends into a variety of contexts including offices, hotels, restaurants and sophisticated home interiors.

Versatile by nature, the WOD Panel system is available in wood finishes (natural oak or bleached oak), open-pore lacquered finishes in various colours, as well as felt in various colours.

The system does not require the use of metal elements or screws but utilises a clever interlocking mechanism – the panels have a slot where a three-pocket cylindrical hinge is inserted, then fastened with three wooden dowels. Presented at Orgatec in a height of 180cm, the system allows the unit to be expanded to any width, making it highly flexible.

With its understated yet impressive design, the WOD Panel system showcases an innovative approach to aesthetics and design for interior spaces. WOD can easily be disassembled and can be fully recycled at the end of its life. Further ecological savings are made thanks to the ability to ship the WOD Panels as a flatpack which lowers emissions by saving on transport costs.

For more information visit https://www.lapalma.it/en

Each Archeda mirror is designed to enrich the bathroom, adding personality and sophistication, becoming a key piece in an often undervalued space.

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Pioneeringly, Archeda sometimes breaks the symmetry and custom of the mirror above the washbasin, proposing it in an offset position to create dynamism in the composition. To balance the whole, made asymmetrical by the off-axis mirror, an object bar is introduced to restore aesthetic and functional harmony.  

Innovative lines and carefully chosen handcrafted quality materials guarantee not only impeccable aesthetics, but also durability, making each mirror a timeless design element. From minimalist and modern lines to more classic and decorative designs, each mirror adds a touch of elegance and personality, making the bathroom a special and sophisticated place.

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About Archeda 

Founded in 1996 in Porcia, Italy, Archeda is a manufacturing reality specialized in the production of bathroom furniture, accessories, and complements made in Italy. Archeda’s guiding force is the desire to create emotions and offer customers a durable and design-oriented product, working on shapes, volumes, and quality of materials, respecting aesthetic and functional requirements. 

For more information, visit archeda.eu 

“This project took a bit of time to achieve the desired result, which is interesting because the inspiration comes from a simple gesture: rolling a piece of paper and placing it into a marble base. Our intention was to design a sleek, elegant lamp with a high-end craft perception. Developing the right lighting source, however, took considerable time.” Luca Nichetto explains. 

The lamp comprises a double-layer circular base in natural stone, the first component of which contains the USB charger while the second houses the dimmable LED light. A sheet of rolled paper is inserted into the base to form the shade, creating a soft, gentle glow.

The result is a miniature piece of sculpture that plays with the reflections of light and the fascinating juxtaposition of the unyielding, eternal stone and the ephemeral, delicate paper.

This year, Teo is available in a new selection of marbles with Bianco Carrara, Rosso Levanto and Verde Guatemala joining the existing selection of Crema d’Orcia and Pietra d’Avola. While the original versions were conceived to be paired with a classic white shade, the new variants combine with sheets of paper in a range of colours.

Part Teo lamp’s charm is the scope it offers for adding a personal touch, with the ingeniously simple concept making it easy to insert a plain or patterned sheet of paper to create a new lampshade. 

Demonstrating the infinite array of creative possibilities, Salvatori has also introduced a limited-edition version of Teo, with two original designs by the popular Venetian artist Lucio Schiavon.

“My starting point for the paper shades of the wonderful Teo lamp designed by my friend Luca Nichetto for Salvatori was the art form of Chinese shadow play. You see the magic of transparency when a black ink brushstroke loses its weight and dimension and becomes a faint shadow, coiled in a cone of light. The joy of seeing one of my designs illuminated is a revelation because as an artist, I rarely think about the usefulness of my creations beyond seeing them hung on a wall. But in this case, they are an intrinsic part of a beautiful design object,” says Lucio Schiavon.

For more information, visit salvatoriofficial.com 

The project stems from the large oval washbasin – a stylistic feature and recurring element in the work of the designer duo – which has made it a component that is both aesthetically impactful and highly functional due to the generous dimensions of the washbasin. This can be used individually, becoming a simple countertop or a suspended washbasin, or in the more structured version placed on a simple or twin freestanding column.

A distinctive element of Otis is the round or semi-circular shelves, superimposed on one side of the washbasin, available in ceramic or Iroko wood, that combined with the curved towel rail enriches the unit giving the proposal a full aesthetic and functional autonomy.

Otis is also available in the brand-new glossy shades of Talpa and Fumo, two greys with neutral yet warm tones that enrich Cielo’s already wide range of colours, offering the possibility of playing with new combinations of matt and glossy finishes.

The collection is completed with a sanitaryware set, available in both the suspended and floor-standing versions. These sets share the same structural strength and soft lines as the washbasin. Both versions are available in the range of nuances of the Terre and Acque di Cielo sanitaryware palettes and in the Talpa and Fumo finishes.

With this collection Ceramica Cielo once again demonstrates its mastery in working with ceramics, creating products consistent with its aesthetics that meet the highest standards in terms of design and fulfilling the needs of an increasingly demanding clientele.

For more information, visit ceramicacielo.it 

Studio TZEN was founded in Milan, Italy and specialises in a human-centric approach to design, while infusing love for pets into its products. This collection was born from a dedication to animal welfare and design inclusivity, particularly for pets with health concerns or disabilities.

The team at studio TZEN works with the finest sustainable materials and biodegradable packaging to minimise its footprint. It also recognises the value of community and teamwork, despite its members spread across Europe, the United States of America, and Asia.

The Cono bathroom collection featured at SaloneSatellite was intended to elevate the living experience with a furry family. Pet care and pet bathing is elevated with designs tailored to the animal’s unique needs, while prioritising comfort for both owners and pets. The collection includes a shower set, mirror and bathtub.

The Cono shower set is a modular, magnetic solution that creates a pleasant and hands-free pet bathing experience with its multi-directional shower head and adjustable water flow. The shower head can be secured magnetically at any position along the pole to serve a variety of purposes.

The Cono mirror is fitted with a dehumidifier and defogger as well as a system to capture fur, dust and allergens to keep the air in the bathroom as pure as possible. A retractable tube hidden behind the mirror plate allows for easy draining of any liquid captured from steam or splashes.

The Cono bathtub delivers a seamless bathing experience with an innovative mechanism allowing the shower head to be attached, facing any direction, for a hands-free bathing experience. A clever anti-clog feature efficiently gathers fur and large residue to ensure effortless cleaning and maintenance.

For more information visit cono.pet/ or studiotzen.com/

TKBB spoke to Ryan Fritsch, CEO of Noveco Surfaces, about what this award means for this relatively young business.

“Winning an award of this size/prestige is incredibly exciting for us and helps bolster our credibility in the market of balancing sustainable, responsible manufacturing while also being design-forward,” he says. “As the design community is a significant stakeholder of ours, having this in our list of achievements, particularly in such a strong category in the awards, shows we are and will continue to become a more prominent organisation within the surfaces industry”.

Noveco Surfaces is an Australian-owned and -operated sustainable surfaces manufacturer, based in NSW. All its surfaces are entirely crystalline silica free and are made from up to 80% recycled materials. At the end of their lifetime, all products are 100% recyclable.

Ryan explains that the original concept came from a research project that was looking into waste glass as a problem waste material in Australia and investigating viable pathways for its use. Several years into this research, the team realised this waste product created the foundation for a high-quality surface product, first in the tile industry but, now with the ban on engineered stone, also as a replacement benchtop surface. “We are in the process of setting up a new factory to service this new segment, which we expect to be in production by December 2025 and fulfilling orders by January 2025,” adds Ryan. The new factory will provide Noveco Surfaces with 250,000sqm of production capacity per year.

The research and development into the base product was carried out over a number of years with specific trials and testing to ensure compliance with all construction and architectural Standards. It was important to the team that the newly-developed product met a number of criteria; to create a sustainable product that utilised the abundance of waste glass created, to address the health risks of products containing silica, and to create a reliable stream of product for the housing and construction industry.

For this purpose, a “micro” factory was established to test a commercially viable product before its launch to the marketplace. The success of the application for tile production provided the opportunity to expand production into benchtops, furniture, architectural elements and base construction pieces. “Our products aren’t just surfaces,” explains Ryan. “They’re crystalline silica-free statements of ingenuity”.

As with the development of any new product, the initial manufacturing stages have thrown up a few challenges along the way. “The fundamental step-change for the business was the transition, over several years of lab-format production, to bespoke designs for specific clients and into production at scale,” says Ryan. Ryan adds that, however frustrating, each set of challenges were essential in allowing the team to develop a high-performing circular product.

Glass for Noveco’s products is sourced as post-consumer glass but Ryan and the team are looking into expanding this to include other feed sources in 2025. “Post-consumer glass will always be the core of our supply, given the sheer volume in the Australian market that is not suitable for recycling,” explains Ryan. “When this glass is broken beyond a reasonable size it’s no longer feasible for it to be used through traditional recycling methods, in most instances. But we can”.

As production ramps up into 2025 it will be very interesting to watch the trajectory of Noveco Surfaces and see how its products are received and utilised by the design and building industry, so watch this space!

For more information visit novecosurfaces.com/

Laceno

The latest Victoria + Albert Laceno collection offers undermount basins designed for use with custom vanity units and countertops. Crafted from Victoria + Albert’s renowned Volcanic Limestone™ composite material, known for its durability, these sinks are deep and spacious, they come in a choice of gloss or matt white finishes. 

The Laceno 57 features a generous rectangular shape, considerable depth, an internal overflow, and an off-centre waste The smaller version is the Laceno 52. 

The Laceno 56 has an oval shape, considerable depth, an internal overflow, and an off-centre waste, its smaller variety is the the Laceno 49.

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Barcelona

The Victoria + Albert Barcelona 56 undermount basin is a generous deep, oval bathroom sink with an internal overflow. The versatile shape lends itself to a wide range of bathroom designs and is specifically designed to complement the Barcelona bath collection. The Barcelona 56 is available in gloss white and matte white as standard. It is also available in a smaller size, the Barcelona 53 Undermount.

The Barcelona collection also comes in bench top basin variations, Barcelona 48, Barcelona 55 and Barcelona 64 and there is a number of matching baths available. 

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Available in Australia through Luxe by Design. For more information, visit luxebydesign.com.au/

One way to assist clients to enhance waste management efforts is by adopting the “5 Rs” approach: Refuse, Reduce, Reuse, Recycle, and Rot.

The 5 Rs of Waste Management

1. Refuse: The first step in managing waste is to be mindful of consumption habits. This involves making conscious decisions to refuse items, particularly single-use products and non-recyclable materials, before they even enter the home. Opt for reusable bags, containers, and bottles, and avoid unnecessary packaging, especially single-use plastics. By doing so, households can prevent waste before it becomes an issue. Pantry storage has never been easier, or looked better, with drawer solutions such as the AvanTech YOU.
2. Reduce: Reducing waste means purchasing only what is necessary and seeking products with minimal or recyclable packaging. For instance:
   • Buy in Bulk: Purchasing items in larger quantities reduces packaging waste, especially for staples like grains, nuts, and cleaning supplies.
   • Choose Quality Over Quantity: Investing in durable, high-quality items that last longer reduces the need for frequent replacements, minimising overall waste. This can apply to clothing, electronics, and household goods.
3. Reuse: Reusing items is key to lowering demand for new products and the resources required to produce them. Whether repurposing containers or extending the life of everyday items, reuse helps reduce the volume of waste sent to landfills.
4. Recycle: Recycling ensures that materials like paper, plastic, and metal can be processed and turned into new products, reducing the demand for virgin resources. However, contamination remains an issue in Australia’s curbside recycling services. Proper sorting of recyclables is essential to ensure they are effectively processed. Keeping a clean, organised kitchen with discreet pull-out bins, such as those under the work surface, can make sorting waste more manageable and stylish. These concealed bins allow for easy access during food preparation and help maintain a sleek, clutter-free kitchen environment.
5. Rot (Compost): Organic waste, such as food scraps and garden clippings, can be composted at home to create nutrient-rich soil for gardening. A compost bin or tumbler in the backyard is ideal for breaking down organic matter over time. Hettich’s Bin.it range, with its 2-3 separate compartments, facilitates the segregation of recyclables, organic waste, and general trash. This system promotes proper waste separation and environmentally friendly practices within the home.

By incorporating the 5 Rs into daily routines, Australian households can take meaningful steps toward reducing their environmental impact. As waste management becomes an increasingly critical issue, these simple yet effective practices can make a lasting difference in the quest for sustainability.

For more information on Hettich products, visit designwithhettich.au   

The MR Walls Flame pattern design is meticulously carved across multiple panels, forming an organic, non-repeating texture that flows seamlessly along the walls. Thanks to MR Walls’ puzzle piece-like interlocking design with undulating edges, the panels slip together with inconspicuous joins, resulting in one continuous, stunning visual display that transforms the small space into a work of art.

Sensor lighting instantly illuminates the walls upon entering, casting a soft, ambient glow that enhances the textured design. The three-dimensional carvings of MR Walls are beautifully echoed in the reflection of the adjacent tiles, highlighting intricate details and creating a cohesive, dynamic effect throughout the room.

There are over 40 patterns available from MR Walls, with the option for custom designs to meet unique project needs, so it’s never been easier to create a visually impactful light feature. Each panel is carved to precise, project-specific requirements, ensuring a perfect fit and exceptional design outcome. Installation is simple, and when paired with a lightbox, the panels provide a striking backlit ambience that transforms any space.

Mario Romano Walls is an excellent lighting solution for various rooms within the home project, offering flexibility for creating dynamic lighting solutions. Multi-colour LED systems can be incorporated to further enhance the light effect and allow the room’s mood to shift effortlessly while adding depth and versatility to the lighting design.

Available from Austaron Surfaces, explore the range of MR Walls here.

Liro’s thin-walled shelves and full use of unit height makes it a compact and space-efficient solution for narrow units and it can be used anywhere in the kitchen – next to the fridge, oven or at the end of a row of kitchen units. It’s a perfect solution for storing spices, packets, tins, bottles and more. Even when fully loaded, Liro is very easy to open.

A true winner for pantry storage, when the front pull-out is opened, all the items stored in the unit slide out into view – no matter how high they are stored. The clip on shelves can be positioned as required and extra shelves can be retrofitted at any time without tools. Cleaning the shelves is a breeze as they can be easily removed and clipped back into place.

With three generations of expertise, peka’s history goes back to 1964, when Ernst Weber founded the small company, manufacturing drawer runners in Mosen, Switzerland. Thus the foundations were laid for the company now known as peka-metall AG. Longevity and sustainability are central to the development of peka products. peka understands that the longer its products can be used, the less impact they have on the environment which is why the company uses only high-quality and durable materials manufactured using the latest, environmentally friendly processes, and guaranteeing a long service life for its products.

For more information, visit nover.com.au/peka-standard-larder-pull-out-liro/

The heart of NEXT lies in its ability to create a sequential switch-on effect that achieves the best performances with linear luminaires such as light profiles. The technology used has been developed with a wide range of applications in mind, such as lighting for wall-mounted and cabinet shelves, in environments such as the kitchen, living room, and bedroom, with the goal of offering versatile and high-performance solutions.

The effect, in which the timing of the sequence has been studied with extreme precision, identifying an ideal gap of 0.25 seconds between the activation of one luminaire and the next, is designed to enhance the environment by providing the eye with a fluid and dynamic effect. This can transform the atmosphere of the space with an elegant and sophisticated touch. The sequential switch-on effect not only enhances the design of the furniture but also creates an engaging visual experience, highlighting the shapes and details of the space in which it is installed.

With the GIRO NEXT remote control, the user can manage the sequential switching on and off, as well as adjust the brightness for single-colour luminaires. For dual-colour D-MOTION luminaires, the colour temperature can also be selected. 

With NEXT, Domus Line not only meets the demands of the market but also anticipates trends, offering innovative and distinctive technology that combines design, functionality, and emotion. This system marks a major advancement in lighting design, enabling the creation of unique and personalised environments with its sequential switch-on effect.

For more information, visit domusline.com 

Hosted in the new Design Variations space, the staging showcased the brand’s new products to highlight its multifaceted, diverse origins. Woak has made a name for itself internationally as it draws on sills and techniques from various cultures, bringing woodworking traditions together with international designers, innovative materials and new manufacturing processes.

Designed by /àr-o/ studio, the Milan-based creative duo who are Woak’s art directors, Wood Pixel enchants with vibrant colors and rhythmic patterns, using similarities and differences to highlight the company’s special bond with its chosen material, wood. The graphic element printed on the space’s horizontal and vertical surfaces, designed by Peter Gregson, depicts the cross-section of a tree, reinterpreted in a blue-and-green pixelated pattern, reflecting the studio’s intention to highlight the intersectionality between the natural and technological worlds that underlies Woak’s philosophy.

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The Rudi stool designed for Woak by Zaven puts the accent on the beauty of the raw material: solid oak that seems sculpted in simple, clean lines. In high- and low-back versions, it’s a familiar object with a minimalist aesthetic based on a few interlocking geometric elements joined in meticulous yet primitive harmony.

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The Leon chair designed by Zaven is an assemblage of simple, delicate elements that create horizontal and vertical rhythms. Available with a leather-covered seat or a woven seat, it’s designed to offer comfort and practicality.

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The Snoop collection, the latest pieces designed for Woak by the Zaven duo, has a distinctive beam as the supporting structural element. Consisting of a table, bench and stool in wood, the collection is designed to adapt to a wide variety of rooms and environments, from public spaces to private homes.

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Flesso is a solid oak console designed by DWA Design Studio. Its curves and lines follow the passages of the detail-oriented craftsmanship and reveal its flowing design – a design that’s all about the details: the tray-like top surface with rounded edges, the legs with cylindrical heads, and above all, dialoguing with the geometric lines, two gracefully curved linoleum-clad doors create a harmonious tactile and expressive contrast.

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Wing is the new console table designed for Woak by Constance Guisset, part of the homonymous collection of pieces distinguished by solid yet light profiles. This sculptural object hides two shelves behind its wide base structure, making it perfectly suited to grace the entryway of a home, like a welcoming friend.

The new storage unit designed by /àr-o/ studio is part of the Repeta collection of side tables and storage units. The repetition of identically-shaped pieces like the teeth in gears refers to Woak’s industrial woodworking heritage, while the attention to detail and finish highlights the company’s handcrafting ethos. The result: sculptural, cylindrical décor elements in which solid wood dialogues harmoniously with other materials like metal and marble.

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Another product of the collaboration between Woak and /àr-o/ studio, the Wedge screen is made up of interwoven wooden elements that rhythmically overlap in an unexpected play of geometries. The natural raw material that is the focus of the composition is transformed into a sort of painting in the multicoloured version.

The Wherry chair is an achievement in fine cabinetmaking. The name comes from the traditional English boats that inspired the design, evoking in particular the shadows of oars on the hull. The square-section legs contrast with the softness of the upholstered seat. The thin panels that make up the backrest create a rhythmic wrap-around effect similar to that of traditional Windsor armchairs.

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Designed by Matteo Fogale, the Burly hanging cabinet expands the homonymous collection, which also includes bookcase and shelves. The idea behind the pieces is to highlight the strength and solidity of solid wood. In fact, the design plays with different cross-sections of the material, alternating thick and thin to create contrast between heft and lightness.

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The Radiata table by Marta Ayala Herrera is designed as an exploration of the most innovative expressions shaping contemporary design. Initially conceived as a creative exercise, the piece was developed following the designer’s self-imposed objectives: use only basic geometrical shapes to be combined, modified and rotated; explore the space by creating volumes; transform something useful into something frivolous and vice-versa, with a minimalist, functional approach. The result is an object the combines great simplicity with strong character, an exploration of the essence of rhythm, reflections and nuances.

For more information visit https://www.woakdesign.com/

Savoir Faire

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The Savoir Faire collection combines tradition and craftsmanship to recreate the unique aesthetic of handmade tiles. These products, inspired by the fascinating imperfections of handmade ceramics, express an authenticity that only the human touch can impart. Each tile becomes a canvas that tells a story, enhancing the narrative power of surfaces and materials. The variegated colour shades offer intense and changing tones, ideal for creating intimate, cosy and authentic environments.

Pulse

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With the Pulse collection, Sartoria renews its passion for small sizes with a new 4cm x 31.5cm white-body brick characterised by a perfect fusion of craftsmanship and innovation. Composed of seven Flat and seven Prism strips with a pyramid shape, the series exploits the three-dimensionality combined with the richness of the glazes to achieve a unique and distinctive visual effect. The brilliant surfaces and vibrant colours enhance the craftsmanship of each strip, adding depth, movement, dimension and tactility to the spaces. The surface becomes tailor-made with only unique, unrepeatable pieces that create sophisticated and refined settings where the planking becomes a work of art enhanced by the variety of colours available.

Crudatech

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Made of porcelain stoneware, Crudatech is a collection that draws inspiration from the textures of raw earth, skilfully incorporating 3D technology to imprint intricate bas-reliefs on a cement-like surface. This new offering is available in six distinct colour variants in sizes 120cm x 120cm and 60cm x 120cm. Each tile offers a matte finish that emphasises the handcrafted quality and tactile appeal of the designs by perfectly combining the traditional aesthetics of raw earth with advanced modern technology, creating a unique and sophisticated surface solution ideal for a variety of interior design applications.

Oakbricks

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Oakbricks is a collection of porcelain stoneware in the unusual size of 4.8cm x 45cm listels in six elegant colour variants that pay homage to the Italian craft tradition, enhancing the authentic beauty of wood in a more modern interpretation. Designed to add warmth and elegance to any environment, each piece is carefully crafted to faithfully reproduce the grain and nuances of wood, offering an aesthetic and tactile experience of the highest quality.

For more information visit terratintagroup.com/